We’ve long enjoyed the work of painter and architect Maja Wronska (previously) who depicts unique vantages of architectural sites through detailed watercolors. Not only does Wrońska capture these buildings in their entirety, but also focuses on the specific details of their construction and environment such as chandeliers that hang within an ancient church, or the pigeons found circling its exterior. These elements are all produced with an eye for how to capture the character of a space rather than just its aesthetic, imbuing her paintings with the rich history found within each location.
Many of her pieces are available as prints and other objects on Society6. You can see more of Wronska’s works and pieces in progress on her Instagram.
In this series of photographs featuring the delicate details of peacock feathers, photographer Waldo Nell relied on an Olympus BX 53 microscope to take hundreds of individual shots that were combined to create each image seen here. The process, called photo stacking, blends dozens or even hundreds of photos taken at different focal points and then stitches them together to extend the depth of field. At this level of detail the feathers look more like ornate jewelry, thick braids of iridescent necklaces or bracelets, rather than something that grows organically from the wings of a bird.
By day Nell is a software engineer in Port Moody, BC, Canada, but is fascinated by technology, science, and nature, all of which he merges in his photography practice. You can see more of his work on Flickr. (via Reddit)
It’s been a couple of years since we last checked in on Mark Powell (previously here and here), who produces ballpoint pen portraits and illustrations of birds and people on vintage envelopes. Recently Powell has expanded his practice to include old maps as another form of canvas, drawing detailed faces and bodies that are given texture by the haphazard roads and regions that comprise the United States or Paris.
Powell chooses to draw on paper with historical marks in order to imbue his works with a greater story, adding a deeper background to his subjects. “They compliment each other and I hope leads the viewer to wonder, and maybe create, a history for the two,” said Powell. “I rarely connect the portrait and ‘canvas’ as they are both strangers to me.”
Powell’s illustrations can take between a couple of hours and an entire month depending on the size of the surface and the detail given to his subjects. His upcoming exhibition, “Anthropology,” will open March 3 and run through April 10, 2016 at Hang-Up Gallery in London. You can see more of Powell’s drawings on his Facebook.
This great new photorealistic mural from graffiti artist Sam Bates (aka Smug) popped up in Glasgow last week. The piece is just one of several wildlife-themed contributions by the artist over the last year as part of the Glasgow City Centre Mural Trail that began in 2008 to help rejuvenate the downtown area. You can watch Smug at work on this video from Spraying Bricks and see more of his work on Instagram. (via The Scotsman)
Gathering spare pieces of metal, John Brown assembles his findings into sculptures of colorful butterflies, insects, and birds. Although the assemblages are formed from salvaged materials like nails and bicycle chains, the pieces somehow remain delicate, wings appearing just as thin as a butterfly’s own. After welding each piece together, Brown finishes the sculpture by painting the wings with oil paint, accurately copying the markings of specific species such as the Holly Blue and Red Admiral butterflies.
The Wales-based sculptor has lived in the rural west of his country for the past eight years, inspired by the fauna-rich valleys that compose the region. You can see more of his metal insects and other welded figures on his Facebook and Etsy page. (via Lustik)
Delicately wielding a scalpel, Chris Maynard (previously here and here) slices into feathers to create images of the very creatures that shed them, reproducing birds of flight within his tiny found canvases. Not only is Maynard concerned about the material aesthetically, but is also interested in how humans have treasured feathers and their meaning for thousands of years.
Often Maynard places the positive cut-out next to its negative shape, making it appear as if the tiny bird is flying from the feather, or escaping its original form. Each feather varies in size and color, from the tiny and muted to large and brightly colored. The feathers used in his works are acquired legally from zoos and private aviaries, all naturally shed by birds that range from crows to peacocks.
Recently the Pacific Northwest artist, author, and naturalist has compiled his works into a book that provides detail into his creative process, the lifespan of his subject, and the symbolism of feathers titled Feathers, Form and Function. Maynard also covers the biological in the book, outlining how how feathers have evolved and grow. You can see more of Maynard’s writing and works on his blog here.