Montreal artist Roadsworth (previously) continues to make his mark on the streets of Montreal by introducing elements of wildlife and humor onto an asphalt canvas. In his latest pieces we see flocks of geese swooping down tree-lined streets and schools of sardines move with the flow of pedestrian traffic (or end up wedged inside a tin can), unexpected symbols against an urban backdrop.
This year marks a decade since Roadsworth was charged with 53 counts of public mischief, after which he received considerable public support and was let go with a slap on the wrist. Since then the artist has created artwork for municipalities, exhibitions, and arts festivals around the world. You can see much more on his website, and he also has a book.
Chances are if you’ve on the internet over the last few years you’ve run into a few amazing bird murmuration videos, like this one from Islands and Rivers or the one we featured on Colossal from Neels Castillion, where countless numbers of starlings flock together and move almost impossibly in concert. Artist Dennis Hlynsky, a professor at the Rhode Island School of Design, wondered what would happen if he could better trace the flight paths of individual birds, what kinds of patterns would emerge from these flying social networks?
Hlynsky first started filming birds in 2005 using a small Flip video recorder, but now uses a Lumix GH2 to record gigabytes of bird footage from locations around Rhode Island. He then edits select clips with After Effects and other tools to create brief visual trails that illustrate the path of each moving bird. Non-moving objects like trees and telephone poles remain stationary, and with the added ambient noise of where he was filming, an amazing balance between abstraction and reality emerges. The birds you see aren’t digitally animated or layered in any way, but are shown just as they’ve flown, creating a sort of temporary time-lapse. Above are three of my favorite videos, but he has many more including the movement of insects, ducks, and other animals.
Korean paper artist Cheong-ah Hwang who is currently based in Columbus, Ohio creates delicate paper sculptures that blur the line between 2D and 3D art using dimensional illusion. The paper is cut and layered to give the final object depth and form, but remains essentially a flat piece. You can see more of her new work including other paper illustrations over on Flickr.
I’m really enjoying these oil paintings by Portland-based artist Meghan Howland, who often depicts people caught in swarms of birds, flowers or bunches of fabric. It’s never quite clear if the figure is in a safe or dangerous situation, an ambiguity that leaves each piece open for interpretation. Howland is represented by Bowerstock Gallery where you can see much more of her work. (via I Need a Guide)
It’s been almost two years since we first checked out the work of Pennsylvania artist and designer Paula Swisher and her series of birds drawn in books. Lately the artist has been drawing on her mail, often adapting the color (and subject!) to the context of the mail piece. See lots more here.
Schema, detail / Photo by JP Bland courtesy Kate MccGwire
Sepal Speculum II / Photo by Ian Stuart courtesy Kate MccGwire
Flail / Photo by JP Bland courtesy Kate MccGwire
Flail, detail / Photo by JP Bland courtesy Kate MccGwire
Shroud / Photo by JP Bland courtesy Kate MccGwire
Shroud, detail / Photo by JP Bland courtesy Kate MccGwire
Coalesce / Photo by JP Bland courtesy Kate MccGwire
Coalesce, detail / Photo by JP Bland courtesy Kate MccGwire
Orchis / Photo by Tesa Angus courtesy Kate MccGwire
Cusp / Photo by JP Bland courtesy Kate MccGwire
Cusp, detail / Photo by JP Bland courtesy Kate MccGwire
Smother / Photo by JP Bland courtesy Kate MccGwire
Smother, detail / Photo by JP Bland courtesy Kate MccGwire
British sculptor Kate MccGwire (previously) creates uncanny organic sculptures from layers of bird feathers. The objects she creates are so precisely assembled that they seem to form hybrid creatures with tentacles or limbs that twist and curve into unexpected forms.
MccGwire grew up on the Norfolk Broads, a network of rivers and lakes in eastern England where her connection with nature and fascination with birds was nurtured from an early age. Today the artist patiently collects pigeon and mallard feathers which are carefully washed and sorted in preparation for each new sculpture.