Guy Laramée‘s (previously) new series Onde Elles Moran (Where They Live) captures the mystique of the native birds of the Brazilian region Serra do Corvo Branco (Range of the White Raven) through both portrait and carved landscape. The series contains nine sculptures sourced from secondhand bookstores within the country—tomes of the Classicos Jackson which is aseries of literature classics published in the ‘50s in Brazil. The rich linen covers inspired the palettes of many of the portraits, the original colors working their way into Laramée’s artistic remodeling.
Although Laramée had originally planned to photograph the vast canyons of the region during his 4-month visit, the diversity, songs, and liveliness of the native birds kept persuading him to eclipse the beautiful scenes with their portraits. The series is dedicated to these birds and their habitat, each book containing a portrait of one on the cover against a faded background and an environmental carving into the pages of the book on the opposite side. The size ratio of the bird to corresponding landscape highlights the creatures’ importance, acknowledging their role as the true owners and rulers of the region.
“Being in the company of these lively beings were one thing, painting them was another story,” explained Laramée while discussing his process. “They became like ghosts on a theater backdrop, posing in front of wallpaper, looking at a vanishing scenery.”
Laramée hopes that this series exudes the stark differences between Man and bird, recognizing that we do not live within the same world. Man’s world has been transformed into an object from which we now feel alienated he explains—we live within our heads and books, not the canyons or earth. “Maybe where they live is where we should live,” says Laramée. “In the solitude of virgin landscapes, we might rediscover our intimate relationships to the world.”
Laramée is represented by JHB Gallery in New York City.
Photographer Thomas Lohr is known mostly for his high-profile fashion shoots for clients like Vogue, Le Monde d’Hermès, and i-D, but somewhere in his grueling shooting schedule he still finds time for personal projects, the most recent of which is a collection of bird plumage photos gathered into a limited edition book titled Birds. Lohr wanted to take a slightly different approach with the project and instead of capturing the animals in their entirety, he decided to focus on what intrigued him the most: the color, texture, and form of their feathers.
The abstract photos of wings, bellies, and other near unrecognizable parts of each bird are accompanied by each species scientific name like “Anodorhynchus Hyacinthinus” or “Geronticus Eremita,” creating yet another unfamiliar layer of abstraction. You can take a peek inside the book on Lohr’s website, and read an interview over on AnOther. (via AnOther, This Isn’t Happiness)
Italian artist Eron recently completed a stunning pair of murals depicting a seagull and heron taking flight under a viaduct in Riccione, Italy. Each spray painted mural shows a sequence of birds that transition from embossed black and white silhouettes to figures that appear almost completely realistic. Eron is known for his delicately nuanced approach with a spray can which he’s also used to great effect in a series of artworks that depict ghostly figures who appear in the dust beneath exhaust vents. See here, here, and here. You can see plenty more on his website. (via Gorgo, Lustik)
London-based artist Zack Mclaughlin constructs uncannily realistic birds made from wood and cut paper leaves. A lifelong fascination with the natural world lead Mclaughlin to explore different kinds of 3d model making, first starting with wire and then moving into the more realistic sculptures you see here. You can see more of his recent work on DeviantArt and in his shop. (via Lustik)
The stories of a unique bond between a child and their pet are as timeless as they come, but rarely does the pet have wings. Such is the case with photographer Cameron Bloom whose son Noah happened upon a baby magpie in 2013 when the family was out walking near their home in Newport, Australia. After consulting with a veterinarian, the family learned to raise the orphaned bird, who they affectionately named Penguin.
A year later, the curious bird has deeply integrated with the family. Despite being free to come and go outdoors, she always returns to the Bloom household where Cameron, his wife Sam, and their sons Rueben, Noah, and Oli eagerly await her return. On rare occasions, Penguin even shows off her adopted family to other magpies who have followed her inside the house.
Just yesterday, New York Times bestselling author Bradley Trevor Greiveannounced that he’ll be writing a book about Penguin and the Blooms, accompanied by Cameron’s photography. You can see more on his website. All photos shared here courtesy the photographer. (via Beautiful Decay, ABC)
While standing in her backyard garden this morning around 9:20am in Leicestershire, UK, photographer Amy Shore snapped away at a perfectly clear view of a total solar eclipse with her Nikon D600. What she didn’t know until after the fact was that a lone bird was crossing the viewfinder at just the right moment. Via email Shore mentions that as a full-time photographer she normally shoots weddings, and the split-second decision to take this shot was a happy accident. It’s not immediately clear if there happened to be a weasel riding on the bird.
This eclipse was the first viewable over the UK in the social media age and photos, videos, and accounts like this have spread everywhere since this morning. The Guardian in particular had fantastic minute-to-minute coverage.
Update: Photographer Andrew Brooks got a similar shot in Manchester.