All images, “Where are we going?” Installation by Chiharu Shiota at Le Bon Marché Rive Gauche, copyright Gabriel de la Chapelle
The newest installation by Chiharu Shiota (previously here and here) is composed of nearly 300,000 yards of white yarn, woven to encapsulate the center, ground floor, and ten windows of Le Bon Marché. The exhibition, titled Where are we going?, will feature 150 boats within the French department store’s center, and the ground-floor exhibition will house a giant threaded wave that visitors are encouraged to walk through. Despite boats being a common theme in Shiota’s work, this installation will mark the first time she has used white yarn, previously creating installations with only black or red thread.
The title of the exhibition, Where are we going?, refers to the mysterious destinations that pinpoint each of our individual and collective lives. Therefore the boats in this installation represent vessels sailing towards unknown locations, the works expressing both a sense of poetry and a sense of unease over what is to come.
“I am struck by the multiplicity of interactions that we experience every day, by their connections with the past and the future,” said Shiota in an interview with Le Bon Marché. “The creation of this indecipherable mesh and its plasticity are a mystery, just like our brain, the universe, and of course, life. I have no answers, only questions. These questions are the foundations of my work.”
Last year Le Bon Marché organized a large exhibition of Ai WeiWei's work which featured a 65-foot bamboo and silk dragon in the store’s atrium. Shiota’s Where are we going? will be displayed at Le Bon Marché through February 18, 2017. (via Fubiz)
Chiharu Shiota, Uncertain Journey, 2016, Installation view, Courtesy the artist and Blain|Southern, All photos by Christian Glaeser.
For her latest installation at Blain|Southern in Berlin, artist Chiharu Shiota has constructed a twisted network of tangled red yarn that rises from a collection of skeletal boats. Titled Uncertain Journey, the artwork envelopes the viewer by creating a blood-red canopy reminiscent of a neural network that meanders in every direction. The piece is a continuation of Shiota’s work with yarn, most notably her 2015 installation The Key in the Hand for the 56th Venice Art Biennale. Uncertain Journey will be on view starting September 17 through November 12, 2016. (via Designboom)
Artist Sean Yoro, also known as Hula (previously), seems to be more comfortable on his paddle board than on ground, placing murals in hard to reach places, like underpasses and the side of a sinking ship. It is these seaside backdrops that he creates his hyperrealistic portraits, images of woman that peek above the water when the tide is just right.
The tide was the original inspiration for his new ship-based piece Ho’i Mai. The piece features a woman with arm outstretched, reaching beyond her position in the water. The piece’s title which translates to “Come Back” alludes both to her longing gesture and the tide that hides and reveals her face and limb. (via Junk Culture)
Billed as the largest free nautical event in the world, Sail Amsterdam is a quinquennial (every five years) gathering of 600+ boats and tall ships that sail in a circuit in the Netherland’s North Sea Canal before mooring in Amsterdam. The 2015 event was held just last week and according to the NL Times a record-breaking 2.7 million people arrived to watch the maritime spectable that included at least 50 tall ships and hundreds of smaller watercraft. This aerial photo and a timelapse filmed by Boyd Baptist really captures the enormity of the event. (via Jeroen Apers)
Ann Carrington‘s piece “Galleons and Feathers” is inspired by Wing Wo Wave City, an industrial estate in Zhuijang Province, China which manufactures a massive amount of pearl adornment. The piece is formed in the shape of a 3-mast shop, floating over an opulent sea of brooches, earrings, necklaces and tiaras. The work both contains, and is inspired by, these glistening round objects, and Carrington explains on her website that they highlight “the discrepancy between their perceived status of being timeless status symbols of refined taste and wealth (with exotic overtones) and the often very unromantic reality.”
Carrington studied at Bournville College of Art, Birmingham and The Royal College of Art where she graduated in 1987. Carrington was invited by the United Nations in 2010 to produce artwork that raised awareness of current issues, her first work for them presented at the UN Human Trafficking conference in December 2010. She will have a solo show at The Royal College of Art in October 2016. (via Supersonic and Lustik)
The Key in the Hand, 2015, red wool, old boats, old keys. All photos by Sunhi Mang.
The 2015 Venice Art Biennale is home to Chiharu Shiota‘s ‘The Key in the Hand,’ an elaborate entanglement of red wool and keys that dangle above two ancient looking boats. Living within the biennale’s Japan pavilion, the installation nearly blocks out the ceiling with its mass of crossing strings, and includes a collection of more than 50,000 keys.
The piece points towards memory through its composition of materials as the keys were collected from thousands of people around the world. Each key holds memories of the individual through their previous daily use, and now hangs amongst the many other memory-tied talismans above the heads of passing visitors. “Keys are familiar and very valuable things that protect important people and spaces in our lives,” said Shiota. “They also inspire us to open the door to unknown worlds… I would like to use keys provided by the general public that are imbued with various recollections and memories that have accumulated over a long period of daily use.”
The Japanese performance and installation artist often employs the use of everyday objects like beds, windows, and shoes within her work to explore the relationship between living and dying and to access memories found within these objects. Often Shiota’s installations fill an entire room, yet hold a delicate and poetic composition. Recent solo exhibitions include “Follow the Line” at the Japan Foundation in Cologne, Germany, “Chiharu Shiota: Works on Paper” at Hadrien de Montferrand Gallery in Beijing, China, and “Seven Dresses” at Stadtgalerie Saarbrücken in Saarbrücken. Shiota was born in 1972 in Osaka, and has been living and working in Berlin for the past two decades. (via designboom)