In this series of photographs by Carl Warner, human bodies have been contorted, lit, and manipulated to form expansive landscapes reminiscent of barren deserts and mountains. The London-based photographer who might be best known for his Foodscapes, says that he shoots all of the forms in his studio to focus attention on “one person’s body, creating a sense of place so that a body that is lived in becomes a place to live.” The images are then digitally pieced together using Photoshop. If you liked this also check out the work of Arno Rafael Minkkinen and of course Spencer Tunick (nsfw). (via PetaPixel)
Australian architect and paper artist Horst Kiechle recently constructed this geometric paper torso complete with modular organs including lungs, intestines, kidneys, pancreas, stomach and more. The piece was made for the Science Lab of the International School Nadi, Fiji. You should also check out some of his archisculptures. (via my modern met)
Unfortunately I know very little about Korean artist Minjeong An (her website is currently down), but these are just a few of her incredibly complex self-portraits illustrated using some kind of information visualization. My guess is she’s using a mix of actual data, or a perceived translation of sensory input along with simply beautiful drawings. You can see a bit more on Prosthetic Knowledge and 50 Watts.
Call me old fashioned, but when I think of a sand castle competitions my mind is filled with images of giant structures adorned with mermaids, pirates, and sand dollars, enormous boat-devouring sharks, and faithful replicas of Mount Rushmore or the Leaning Tower of Pisa. How pleasantly surprised I was to find these striking figurative sculptural works by Cleveland-based sand sculptor and woodworker Carl Jara, who says his intention is to sculpt things with sand you would never expect to see at a sand castle competition. His work is so accomplished you almost forget the medium you’re looking at, the pieces appearing as if carved from marble or wood.
Jara began working with sand in high school when a desperate art teacher, afraid Carl’s insatiable hunger for art might lead him to re-take the available art classes a third time, connected him with sand sculptor Tom Morrison. Once in college he studied fine arts, mainly illustration and graphic design, but when it came time for his degree show at Meyers School of Art in Akron, he realized he possessed neither the desire nor talent to become a designer, and decided to focus his efforts on a 15-foot sand sculpture. The response was overwhelming and landed Jara on the evening news and served as the formal launching point of his career that now includes nine World Championship medals. You can see much more of his work here.
These whimsical sculptures by Korean artist Kang Duck-Bong are made by adhering myriad cuts of PVC pipe and covering them in a thick shellac of urethane paint. The process creates an uncanny sense of motion, the figures appearing blurred and perpetually in motion. Kang’s work is on display at Gallery 4Walls in Seoul through December 23 as part of his solo show, Disguise. A huge thanks to Cho at Gallery 4Walls for providing the imagery for this post.
New to me, this great sculpture by Tom Frantzen in Brussels, Belgium. The piece was actually completed in 1985 outside the Communauté Française building and depicts a young man emerging from the sewer to grab the leg of a police officer. (via inspire me now, top photo via anselmo cardoso de sousa sousa)
After graduating from the Tasmanian School of Art in 2002, Sean Edward Whelan left Australia to discover the mysteries of Japan, settling in Joetsu, Niigata where he began working as an English teacher and now works as an illustrator and artist. His lovely pencil drawings depicting a rich texture of traditional Japanese buildings, bridges and lanterns, create singular super structures in the shape of people. I can’t tell you how much I love these. Whelan had his first solo show earlier this year at No Vacancy Gallery in Melbourne, and you can see much more of his work here and here.
Update: There’s now a nice interview with Whelan over on Charles and Ford.
Hi-Fructose has a brief interview with artist Gehard Demetz as well as several exquisite photos of new work. Demetz carves almost lifelike wood sculptures of children that appear riddled with gaps and are often impacted with objects. The artist currently has work at the Venice Biennale through December 8th.