Bronze sculptures by UK artist Sukhi Barber who spent twelve years in Kathmandu, Nepal studying Buddhist philosophy and lost-wax bronze casting. Via her website:
Sukhi’s sculptures are intended to bridge the cultures of East and West. Embodying the peace and compositional balance of ancient devotional art, they represent complex philosophical ideas with a simplicity and clarity that renders them accessible to the Western viewer. Exploring themes of hidden potentials, and the transcendence of our limiting view of a solid reality, her work often represents the negative space as being as important as the material itself, implying the dance of form and spirit, a constant state of transformation.
As I was putting together this entry, staring out a window at a calm bay off the coast of Alaska, a small fawn walked past the window and stopped to look at us through the glass. My mind promptly exploded.
Korean sculptor Park Chan-girl constructs metal sculptures from thin metal layers he calls “sliced images” that resemble three dimensional topography charts. He also meticulously welds thousands of small steel nuts into a delicately textured skin, moulding it into human and animal forms. He received his BFA in Sculpture from Chungnam National University and his MFA in Fine Arts from KyungHee University and has exhibited in numerous solo and group exhibitions across Korea and China. (via mu-um)
Conceptual artist Katie Lewis devises elaborate methods of recording data about herself, be it sensations felt by various body parts or other other aspects of life’s minutiae plotted over time using little more than pins, thread and pencil marked dates. The artworks themselves are abstracted from their actual purpose, and only the organic forms representing the accumulation data over time are left. She describes her process as being extremely rigid, involving the creation of strict rules on how data is collected, documented, and eventually transformed into these pseudo-scientific installations.
The work is often organized into grid-like charts and diagrams mimicking science and medicine’s representations of the body as a specimen, visualy displayed for the purpose of gaining knowledge. In this way I create distance from the information and objectify the experience, giving a false sense that the body is accessible and easily understood.
Bernardí Roig is an artist from Mallorca, Spain who explores concepts of loneliness, death, and immortality with his surreal light sculptures. Roig frequently uses a portly white figure made of polyester resin who is seen interacting with fluorescent lights, sometimes staring at it with a childlike curiosity, while in other installations appearing to be violently blinded. The lights are also used as an encumbrance, a bright weighted burden carried through the gallery space. See more at Claire Oliver and in this ebook. Photos here courtesy Rafael Feliu de Cabrera, Claire Oliver, Mavi Mezquita, and Rafa Lopez. (via collabcubed)
Korean artist Kim Hyun constructs these delicate figures by running wire through dice, using the plaster casts of actual people as a guide. You can click the images above for a bit more detail. (via mu-um and neolook)
Continuing a parade of Korean artists featured on Colossal since last week, behold the sculptural work of Bhac Ji-Ho. Like some of the others, information about this sculptor is extremely scare, and what I can find seems almost incomprehensible to me when using Google translate. Ji-Ho created these sculptures out of a unique synthetic resin that results in a smooth, almost plastic texture.