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Art Design

Art in Ad Places: A New Book Collects 52 Public Artworks Installed in Pay Phones Across NYC

February 20, 2018

Kate Sierzputowski

Artwork by Andrea Sonnenberg, all installation images by Luna Park

Artwork by Andrea Sonnenberg, all installation images by Luna Park

Frustrated by the daily bombardment of advertising on the streets of New York City, artist Caroline Caldwell and writer RJ Rushmore decided to produce a project that would dampen the sheer volume of visual marketing strewn throughout their environment. The pair didn’t have the budget to prompt an entire overhaul, but they did have the incentive to construct an intervention that would offer an alternative glimpse to the city’s high volume of print-based advertisements.

For their 2017 project, Art in Ad Places, the pair recruited 55 artists and collectives from across the country to produce 52 works to be temporarily displayed on pay phone booths across New York City. The installations were each presented for a week, and documented by their collaborator, street art photographer Luna Park.

“Pay phones were a perfect choice because they’re disappearing from the streets,” Rushmore told Colossal. “So I’d like to say that our ad takeovers were intended as a swan song for pay phones. Plus, contemporary pay phones serve no real function except to serve advertising, and that feels wrong. Nobody’s using pay phones to make calls, so why do we put up with their ads?”

The 52-week campaign ended in December of last year, however it has recently been compiled into a new book that documents the year-long installation. Art in Ad Places: 52 Week of Public Art Across New York City is available through Rushmore’s street art blog Vandalog and features statements from each artist alongside essays written by the project’s three collaborators. You can see the entire range of poster-sized artworks produced for Art in Ad Places on the project’s website or Instagram.

Bones Not Bombs by Pat Perry

Bones Not Bombs by Pat Perry

My Ad is No Ad by John Fekner

My Ad is No Ad by John Fekner

Artwork by For Freedoms with Hank Willis Thomas

Artwork by For Freedoms with Hank Willis Thomas

"I HATE THE SOUND OF SILENCE" by Cheryl Pope

“I HATE THE SOUND OF SILENCE” by Cheryl Pope

Artwork by Martha Cooper

Artwork by Martha Cooper

The Ecstasy of St Katsuhiro Otomo by Nomi Chi

The Ecstasy of St Katsuhiro Otomo by Nomi Chi

Stop Telling Women to Smile by Tatyana Fazlalizadeh

Stop Telling Women to Smile by Tatyana Fazlalizadeh

Artwork by Louise Chen aka Ouizi

Artwork by Louise Chen aka Ouizi

Blue Lady by Parker Day

Blue Lady by Parker Day

 

 



Art

A Single Book Disrupts the Foundation of a Brick Wall by Jorge Méndez Blake

February 14, 2018

Kate Sierzputowski

The Castle is a 2007 project by Mexican artist Jorge Méndez Blake that subtly examines the impact of a single outside force. For the installation, he constructed a 75 x 13 foot brick wall that balances on top of a single copy of Franz Kafka’s The Castle. The mortarless wall bulges at the site of the inserted text, creating an arch that extends to the top of the precarious structure.

Although a larger metaphor could be applied to the installation no matter what piece of literature was chosen, Méndez Blake specifically selected The Castle to pay tribute to Kafka’s lifestyle and work. The novelist was a deeply introverted figure who wrote privately throughout his life, and was only published posthumously by his friend Max Brod. This minimal, yet poignant presence is reflected in the brick work—Kafka’s novel showcasing how a small idea can have a monumental presence.

 

 

 



Design History Science

Werner’s Nomenclature of Colours: a Pre-Photographic Guide for Artists and Naturalists

January 31, 2018

Kate Sierzputowski

First published in the pre-photographic age, Werner’s Nomenclature of Colours was the preeminent guide to color and its classification for artists, scientists, naturalists, and anthropologists in the 19th-century. Without an image for reference, the book provided immense handwritten detail describing where each specific shade could be found on an animal, plant, or mineral. Prussian Blue for instance could be located in the beauty spot of a mallard’s wing, on the stamina of a bluish-purple anemone, or in a piece of blue copper ore.

The system of classification was first devised by German mineralogist Abraham Gottlob Werner in the late 18th-century. Shortly after Scottish painter Patrick Syme updated Werner’s guide, matching color swatches and his own list of examples to the provided nomenclature.

The book’s poetic names, such as Arterial Blood Red, Berlin Blue, and Verdigris Green, added flourish to the writings of many researchers, allowing vivid descriptions for prose which had previously been limited to a more elementary color palette. Charles Darwin even used the guide during his voyage to the Madeira, Canary, and Cape Verde islands on the H.M.S. Beagle.

The 1814 book has now been republished by Smithsonian Books as a pocket-sized guide, providing a historic connection to vivid colors found in the field for a future generation of artists, scientists, and curious naturalists. You can preorder the 2018 hardcover for its release date on February 6, 2018.  (via Co.Design)

 

 



Design Science

Papier Machine: A Book of Six Interactive Electronic Paper Toys

January 16, 2018

Christopher Jobson

We’ve seen a wide gamut of paper project books lately, from shadows and cameras to planetariums and architectural models. Joining the DIY library today is Papier Machine, a collection of six interactive electronic paper toys all gathered together within the pages of a book developed by a trio of French designers. The various experiments are silkscreen printed on perforated paper and activated by button cell batteries, conductive silver ink, metal marbles, and other electronic components.

The six included gadgets include a piano “tuned” by hand-drawn graphite zones, a gyroscope, a marble track that plays sounds, a wind sensor, a centrifugal force track, and a tilt switch. Earlier versions of Papier Machine won Audi Talent and Red Dot Design awards, leading way to extra research and development in this final book which just launched on Kickstarter. (via It’s Nice That)

 

 



Design

A Japanese Home Designed Around a Climbable Earthquake-Proof Bookshelf

December 4, 2017

Johnny Strategy

Floor-to-ceiling bookshelves are lovely, and can act as a robust focal point in any home, though accessing the high shelves can be a problem. The common sidekick has always been ladders which can also add character and charm, but for smaller homes like in Japan they can be a nuisance, occupying too much space for not enough usage. Japanese architect Shinsuke Fujii came up with a simple, yet brilliant solution that solves another problem too: earthquake safety.

The “House in Shinyoshida,” as it’s called, named for the neighborhood in Yokohama where it stands, was conceived shortly after the 2011 Tohoku Earthquake. The client, who happened to be an avid book lover, approached Fujii with the task to design a home around a large bookshelf that’s both easily accessible but also one that won’t spill all the books if there’s ever a tremor.

The solution was to slant the entire western-facing façade and create a built-in slanted bookshelf whose shelves also function as a ladder. The slant allows family members of all ages to climb up and reach books, but also keeps the books from falling should an earthquake ever shake the home. The slanted façade also has the effect of creating an open feeling in the family room, where the home’s high perch allows for plenty of sunlight to enter through the large windows. (Syndicated from Spoon & Tamago)

 

 



Art Illustration Science

The Art and Science of Ernst Haeckel: A Compendium of Colorfully Rendered 19th-Century Biological Illustrations

November 27, 2017

Kate Sierzputowski

German biologist and artist Ernst Haeckel dedicated his life studying far flung flora and fauna,  drawing each of their peculiar specificities with an immense scientific detail. Haeckel made hundreds of such renderings during his lifetime, works which were used to explain his biological discoveries to a wide audience. In addition to these visual masterpieces, Haeckel also discovered many microbes, and coined several scientific terms commonly known today, such as ecology, phylum, and stem cell.

A new book from Taschen titled The Art and Science of Ernst Haeckel outlines the 19th-century artist-biologist’s most important visual works and publications across a hefty 704 pages. The compendium includes 450 drawings, watercolors, and sketches from his research, which was in large support of Darwin’s theory of evolution. Most notably the book contains the Kunstformen der Natur (Art Forms in Nature), a collection of 100 prints of varying organisms originally published between 1899 and 1904.

You can learn more about the collection of illustrations and Haeckel’s discoveries on Taschen’s website. (via Fast Co. Design)

 

 



Craft Design

Laminated Jewelry Crafted from Vintage Books by Jeremy May

November 14, 2017

Laura Staugaitis

New work from literary jeweler Jeremy May (previously) transforms the dense layers of books into jewelry that carries the words within each individual, wearable form. Littlefly, his line of rings, necklaces, bracelets, and earrings, reinstalls the finished jewelry in the book that it was originally extracted from, but each piece also has a life of its own with abstract patterns and sculptural shapes.

 

 

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