College student Kevin Wisbeth, creator of the Youtube series “A Quick Perspective,” puts size in layman’s terms for those who might not be able to conceptualize the true width of a B-2 Bomber’s wings, or understand the immense depth of Russia’s largest mine. Wisbeth digitally composes manmade structures and natural wonders to put into context each of their sizes, seamlessly fitting the world’s largest oil tanker into New York’s Central Park and hovering the M-1 Rocket motor just above a Smart Car.
Like a burst of color on an otherwise grey canvas, a single majestically colored building rises out of a sea of dull grayness. This is not Christo’s latest “wrapping” project, which is what the photographer Peter Steinhaur first thought, naturally, upon encountering the phenomenon. In fact, these are construction sites wrapped in a colorful mesh material, a traditional method employed in Hong Kong to prevent debris from falling onto the streets below. According to Steinhauer, who’s lived and worked in Asia for the last 21 years – but was stunned to discover this unique construction method in Hong Kong – buildings are wrapped regardless of whether they’re coming up or going down. I’ve seen a similar method employed in Japan with smaller houses, but never anything of such monolithic scale. You can see many more photos over on Steinhauer’s site, where he has two series aptly titled “Cocoon.” (via Featureshoot)
Moscow-based filmmaker Sasha Aleksandrov captured this dramatic exterior paint job of what appears to be a cold-war era industrial plant. Aleksandrov shot everything by hand over a period of two months without the use of a steadicam or camera track slider&em;meaning he would move the camera and tripod every few feet, capture some footage, repeat 50 times, then used software to stabilize the final shots. The film takes what must have been a grueling physical process involving countless workers and makes it look almost fun.
New works from South Korean photographer Seung Hoon Park as part of his ongoing series TEXTUS. Park uses a process to overlay or weave together film strips, however this appears to be a single print, so I’m unsure of how he’s making these. My assumption is that it’s not digital, but I could be wrong. Anybody venture a guess of how these are made? See more of his work at Sarah Lee Artworks (via ex-chamber)
New work from Cleveland-based artist Amy Casey who paints delicate networks of roped and towering cityscapes. Casey currently has a show at Zg Gallery in Chicago through August 6. I definitely intend on stopping by. You can see much larger and detailed versions of these paintings here. (via new american paintings)