German artist Evelyn Bracklow of La Philie has created an entire new collection of ant-covered porcelain dishes and tableware since we first shared her work here early this year. Many of the new pieces are part of a unique partnership between the artist, Rijks Museum in the Netherlands, and Etsy. The pieces are hand-painted in Bracklow’s studio, signed, numbered and fired to 160 degrees. As unsettling as having insects permanently invading your dinnerware is, I can’t help but be enchanted by how perfectly crafted they are. You can see more of Bracklow’s recent work here.
From the series Landscape Multiple, 2013. Reworked second hand ceramics. Dimensions 52 x 42 x 7 cm. Collection Röhsska Museum, Gothenburg (S)
From the series Landscape Multiple, 2007. Reworked second hand ceramics. Ø 26 cm
From the series Landscape Multiple, 2012. Reworked second hand ceramics. Ø 26 cm
From the series Landscape Multiple, 2009. Reworked second hand ceramics. Ø 33 cm
Helsinki-based artist Caroline Slotte manipulates artwork found on acquired antique ceramics to create layered landscapes and isolated images. One of her most striking bodies of work titled Landscape Multiple involves a process of carving and sanding through stacked dinner plates to create new, unexpected landscapes. From her artist statement:
The reworking of second hand objects play a pivotal role in Caroline Slotte´s practice. She manipulates found materials, primarily ceramic everyday items, so that they take on new meanings. The tensions between the recognizable and the enigmatic, the ordinary and the unexpected are recurring thematic concerns. More recent explorations reveal an expanded interest in material perception and material recognition, teasing out situations where the initial visual identification fails resulting in an unsettling state of material confusion. Demonstrating an engaged sensitivity towards the associations, memories and narratives inherent in the objects, Slotte´s intricate physical interventions allows us to see things we would otherwise not have seen.
Ceramic artist Johnson Tsang (previously) created a pair of porcelain vases that when cut along the edges reveal the profiles of people. Smoosh two together and you have instant ceramic love. See more of Tsang’s process over on his blog, and if you liked this also check out the Profilograph by Pablo Garcia.
To commemorate the centennial of Britain’s involvement in the First World War, ceramic artist Paul Cummins and stage designer Tom Piper conceived of a staggering installation of ceramic poppies planted in the famous dry moat around the Tower of London. Titled “Blood Swept Lands and Seas of Red,” the final work will consist of 888,246 red ceramic flowers—each representing a British or Colonial military fatality—that flow through grounds around the tower.
Volunteers began placing the poppies several weeks ago and the process will continue through the summer until a final flower is symbolically planted on November 11th. You can read more about the project over on the Historic Royal Palaces website, and see the volunteers’ progress by following the #TowerPoppies hashtag on Twitter.
Warsaw-based artist NeSpoon uses ornate lace patterns in her unique brand of street art that translates into ceramics, stencils, paintings, and crocheted webbing installed in public spaces. NeSpoon refers to her art as “public jewelry,” specifically as an act of beautification by turning abandoned and unadorned spaces into something aesthetically pleasing. You can see much more over on Behance. (via My Modern Met, Unurth)
Icheon Ceramics Village in Gyeonggi Province, South Korea, is home to over 300 ceramics studios where artists use traditional techniques to produce a wide range of functional pottery and artwork. Nearly 40 of the studios still use wood-fired kilns. This video filmed by the American Museum of Ceramic Art shows five ceramic masters from Icheon at work in their studios. The process of creating is almost more beautiful than the finished pieces. (via Huffington Post)
Chinese artist Ah Xian lives and works in Sydney where for nearly two decades he has explored aspects of the human form using ancient Chinese craft methods including porcelain, lacquer, jase, bronze, and even concrete. The artist often uses busts of his own family members including his wife, brother, and father onto which he imprints traditional designs with a vivid cobalt blue glaze. Via Asia Society:
These sculptures by Ah Xian establish a series of multilayered oppositions. The most overt is the tension between the sculptural form of the bust and the painted surface designs, which the artist likens to the oppositions of West and East. The bust is part of a Western portraiture tradition dating back to the busts of ancient Roman times and the designs are derived from Chinese decorative traditions, unique to China and in some cases to the studio-kilns at Jingdezhen. Such an opposition can also be seen as the relationship between the personal (since many of the busts are of Ah Xian’s family, including his wife, brother, and father) and the political (a statement about the artist’s own Chinese heritage articulated outside China).
The works collected here are mostly from his Human Human and China China series, though you can see many more works on Craft Australia. (via I Need a Guide)