Rendered in a style mimicking traditional blue willow pattern design, artist Don Moyer illustrated these fun It-Could-Be-Worse Mugs that remind you that no matter how bad your day is, things could be catastrophically worse. How bad? Think zombie poodles, pirates, attacking UFOs, and aggressive pterodactyls swooping from the sky. The mugs are a companion piece to his ongoing series of Calamityware dishware with similar abominations depicted on fine porcelain plates first featured here last year. The set of 4 mugs are currently funding on Kickstarter. (via The Awesomer)
If you’ve been on the hunt for the perfect ceramic capybara planter, look no further. Ceramicist Priscilla Ramos from São Paulo, Brazil, has a fantastic line of animal planters in the form of foxes, whales, anteaters, and yes, even the world’s largest rodent. She’s even working on a sloth! The handmade stoneware pieces are perfect for small succulents or cacti, and you can see more in her shop: Cumbuca Chic. (via NOTCOT)
Master of the miniature Jon Almeda creates tiny hand thrown ceramics at 1″ scale that are every bit as detailed and perfect as their much larger counterparts. The Washington-based artist makes vases, bowls, and even tea kettles tiny enough to sit atop a coin or toothbrush. Despite their fragile beginnings, the pieces are sturdy enough to endure standard glazing and firing to emerge as fully finished ceramics. Almeda uses a custom designed motorized curio wheel that affords the precise control needed to execute minute handbuilding techniques need for each object.
To see more, you can follow him on Instagram or maybe even take a class through the International Guild of Miniature Artisans of which he is a member. (via Artfido)
Inspired by forms of vegetation, Spanish artist Alberto Bustos' pieces appear like blades of grass sprouting from the earth, stretching and curling upwards towards an imagined sun. At first glance the pieces look delicate enough to be paper, layered works that exude a dual sharp and fragile quality. However, after a closer inspection one can see that the works are indeed porcelain, adding another dimension to their soft initial appearance.
Bustos lives and work in Spain and his work will be included in Mas De Les Gralles with 40 other international artists on June 13th just outside of Barcelona. Hundreds more images of his work can be found on his Facebook page here. (via Ron Beck Designs)
British ceramicist Tamsin van Essen is fascinated by what she describes as the “the fragile boundary between attraction and repulsion,” a place where tension is created by the visible and the obscured. For her Erosion series Essen created layered blocks of alternating black and white porcelain which she then sandblasted to mimic biological forms similar to a parasitic virus in the process of devouring a host. In a even more literal example, she created a series of ceramic vessels that appear to be infected with specific bacteria.
Essen just spent three months working on a new body of work currently on view at Siobhan Davies Studios in London, and you can see additional pieces over on Saatchi Art. (via Coroflot)
As part of a new body of work on view at the COLLECT Art Fair which opens today in London, artist Zemer Peled (previously) created a new series of “blooming” sculptures from assorted ceramic shards. The new pieces include her continued use of blue cobalt found in traditional Japanese pottery that has been smashed with a hammer and arranged in the form of large blossoms. Peled also constructs much larger cactus-like pieces that can tower several feet tall or even span floor to ceiling. You can see several more new blooms in her portfolio, and catch her on the May cover of Ceramics Monthly. Peled is represented at COLLECT by The Cynthia Corbett Gallery.
Since we last learned about NeSpoon last year, the Polish street artist has popped up everywhere with new pieces in Perth, Tunisia, Portugal, and elsewhere. NeSpoon translates traditional lace patterns into large-scale murals or stencils, ceramic installations, and even embroidery. The artworks are part of her ongoing series of “public jewelry” that seeks to turn unadorned spaces and surfaces into something beautiful. You can see more over on Behance.