Artist Johnson Tsang (previously) has been posting an amazing series of process photos over on his blog that demonstrate how he makes many of his bizarre ceramic creations. One piece that really stood out is called a Painful Pot, which is a functional teapot being squeezed by a dragon, its head functioning as the spout. (via EPLOD)
Currently living and working in Toronto, artist Gosia recently completed work on a series of beautiful sculpted busts made from polymer clay and gypsum. Titled Pearl, Luna, and Eva the works are an extension of her earlier paintings and are her first foray into sculpting. The artist shares via email:
It is an absolute thrill and pleasure to sculpt. Just as the final pieces have more dimension so does the experience of creating them. With every new figure I fight an internal “battle” of staying true to my posing model and creating someone from my imagination. The result ends up somewhere in between with elements inspired by neo-romanticism and fantasy.
Pearl, Luna and Eva are the first pieces in an ongoing series of originals created from casts of one bust. I had modeled a bald figure, made a mold and cast what i like to call my “blank canvases”. I then hand model unique details on each piece, just as you would to a blank canvas, creating “someone” new each time.
When dropping a ceramic plate or cup we’ve all braced for the familiar sound of impact as the object explodes into a multitude of sharp fragments on the kitchen floor. Artist Livia Marin imagines a wholly different demise for ceramic bowls, cups and tea pots in this series of work titled Nomad Patterns.
Inexplicably, each piece seems to melt onto a surface while strangely retaining its original printed pattern. The designs are actually a Willow Pattern motif, a pastiche of Chinese landscape decoration created by an English man in the 1790s “as if” it were Chinese. She adds via email that the objects “appear as staged somehow indeterminately between something that is about to collapse or has just been restored; between things that have been invested with the attention of care but also have the appearance of a ruin.” The 32 objects were on view at Eagle Gallery in London in 2012.
As if lifted from the wreckage of the Titanic, ceramic artist Mary O’Malley creates sculptural porcelain teapots, cups, and vases adorned with barnacles, tentacles, and other living sea creatures (she refers to them as “porcelain crustaceans”). Many original works from this series titled ‘Bottom Feeders’ are available over on Etsy. (via laughing squid)
When looking at the problem of bird populations shrinking in urban areas due to loss of habitat, Nethlerlands-based product designer Klaas Kuiken was struck with the idea of improving a common bird home: residential roofs. In consultation with the Vogelbescherming (the Dutch bird association) Kuiken designed a ceramic birdhouse that adheres to the ubiquitous roof tiles found throughout the country. The house contains a removable basket to aid in maintenance after mating season and is made with materials that can resist extreme cold in the winter. First designed in 2009 the birdhouses have finally gone into production and 100 are now available for sale. See more over on designboom.
In her delicate crafted porcelain sculptures conceptual artist Kate McDowell expresses her interpretation of the clash between the natural world and the modern-day environmental impact of industrialized society. The resulting works can be equal parts amusing and disturbing as the anatomical forms of humans and animals become inexplicably intertwined in her delicate porcelain forms. Via her artist statment:
In my work this romantic ideal of union with the natural world conflicts with our contemporary impact on the environment. These pieces are in part responses to environmental stressors including climate change, toxic pollution, and gm crops. They also borrow from myth, art history, figures of speech and other cultural touchstones. In some pieces aspects of the human figure stand-in for ourselves and act out sometimes harrowing, sometimes humorous transformations which illustrate our current relationship with the natural world. In others, animals take on anthropomorphic qualities when they are given safety equipment to attempt to protect them from man-made environmental threats.
This impeccably detailed ceramic sculpture called Cycles of Decay was created by ceramicist Christopher David White who works out of Bloomington, Indiana. Even on close inspection the knotted and twisting veins of the tree branch look almost exactly like old wood, take a closer look on his website. (via sweet station)
I’m a huge fan of alternative Christmas trees in urban centers, from last year’s plastic bottle tree in Lithuania to the abstract tree currently up in Brussels, any idea seems better than heading out to the local forest and hacking down a pine tree older than my grandparents. This year in Hasselt, Belgium a pair from the design firm Mooz created this concept of an enormous tree covered in 5,000 pieces of ceramic donated from local residents. Called the “Taste Tree” the piece was meant to be a sort of communal celebration as residents were invited to contribute unused dishes to the tree that now stands nearly 30 ft. tall in Hassel’s main square. (via designboom)