Jason Dean’s (previously) latest print appears to depict a quaint little town, but flip out the lights and a slick glow-in-the-dark treatment reveals a city crawling with criminals, arsonists, prostitutes and, yes, zombies. This is a hand-pulled 9-color screen print including two different layers of phosphorescent inks printed on 100 lb. white stock, signed and numbered in an edition of only 60. See more images and pick one up for yourself here. (thnx, jason!)
For the past few months Atelier Olschinsky (previously) has been cranking out these stunning illustrations which he titles, simply, Cities and Plants. The complex hybrid of digital illustration and architecture is stunning, and several are available as fine art prints. Head over to Behance to take a deep dive, there are literally dozens of them.
These two animations by Johan Rijpma are unlike anything I’ve ever seen. In the first he organizes the photographs of thousands of street tiles to create the semblance of motion. In the second involving rolls of scotch tape — seriously? Is this even possible? Just watch. (via vimeo)
I’m enjoying these slick minimalist public transportation maps available at TRNSPRTNATION. Each train route is comprised of a long, repeated list of the station stops from that line. Only $25. They have maps available for Chicago, New York, London, San Francisco, Boston, and Washington D.C. (thnx, ryan!)
New work from Cleveland-based artist Amy Casey who paints delicate networks of roped and towering cityscapes. Casey currently has a show at Zg Gallery in Chicago through August 6. I definitely intend on stopping by. You can see much larger and detailed versions of these paintings here. (via new american paintings)
Using time-lapse footage of the Chicago skyline shot over several years Craig Shimala (previously) has created another one of his superb mirrored videos. It’s fascinating how this simple editing trick turns the cold city skyline into a hovering, monolithic spacecraft.
Cradle is a sculpture installed on the exterior wall of a parking lot in Santa Monica, California by Ball-Nogues Studio, originally designed by Frank Gehry.
An aggregation of mirror polished stainless steel spheres, the sculpture functions structurally like an enormous Newton’s Cradle – the ubiquitous toy found on the desktops of corporate executives in Hollywood films. Each ball is suspended by a cable from a point on the wall and locked in position by a combination of gravity and neighboring balls. The whole array reflects distorted images of passersby.