Creative Director and photographer Dylan Schwartz‘s point-of-view is high above the cities he photographs, capturing the bridges, sports complexes, and tips of high rises from the cockpit of a helicopter. Most of Schwartz’s images feature his hometown of LA as the subject, showcasing views from Hollywood to Chinatown during the hazy moments right before dusk and dawn.
Schwartz’s sky-high images of LA will be exhibited next week at PHOTOLA with artbarltd from January 12 through 15. You can see more of his work on his Instagram and website.
Australian painter Mike Barr focuses his work almost exclusively on rainy cityscapes, the moments of hazy gray that become illuminated by a city’s cars and traffic lights. There is a unity found in these dreary urban landscapes, a similarity of imagery which it makes it difficult to pinpoint which city is being captured. The city featured here however is Melbourne, a city Barr often focuses on in his umbrella spotted pieces. You can see more of Barr’s paintings on his Facebook and website.
Last Friday afternoon, photographer Nick Ulivieri was on an aerial photoshoot for a client when the helicopter pilot took a long turn out over Lake Michigan so he could better capture the shadow of the Hancock Center. After reviewing his photos later he quickly realized the exaggerated autumn shadow of the skyline looked fantastic when he flipped the photo. The result is the image you see here. Ulivieri consistently takes some of the best photos of Chicago year-round, aerial or otherwise. Such as this, and this, and this. Well worth a follow.
Early Morning in Manhattan, 2014, oil on canvas, 84x55in.
As if viewing cityscapes from the vantage point of a bird swooping through the sky or from the window of a speeding car, Italian artist Valerio D’Ospina (previously) sets the world in motion through quick and expressive brushstrokes. The artist imbues the streets of Italy, New York, and Paris with a bold sense of energy that can appear both exciting or foreboding depending on your perspective. D’Ospina also finds beauty in industrial transportation, specifically oil tankers and old locomotives that lumber into rail yards or sit docked in harbors with a captivating sense of dignity.
Photographer and graphic designer Paolo Pettigiani recently took a stroll through New York’s Central Park armed with an infrared lens and took a number of fantastic shots that show the iconic park in a whole new light. The usual green grass and trees are transformed into a bright cotton candy pink which vividly contrasts with the aquamarine sky. The 24-year-old photographer moved to New York from Turin, Italy only two weeks ago and has been busy documenting his views of the city on Instagram. (via Behance, This Isn’t Happiness)
Art Director Liam Wong spends his days directing the visual identity of video games at Ubisoft, while his nights are spent exploring the neon-splashed streets of his city of Tokyo, and sometimes London. Wong places these images, that seem to mimic the appearance of a video game themselves, on Instagram. Here he has a huge archive that explores how the digital has embedded itself within the cities’ landscapes, meshing reality with flashing LED lights, scrolling messages, and neon signs. You can also see more of Wong’s imagery on his Facebook, and Society6 where you can buy his prints. (via My Modern Met)