Although rare, full cloud inversions are something we know well here, covering the same phenomena over the last few years both here and here. This particular timelapse video by filmmaker Harun Mehmedinovic captures how beautifully the descending clouds imitate waves when trapped within the Grand Canyon, undulating against the uppermost edges of the natural wonder’s deep valley.
The video was filmed as a part of SKYGLOW, a crowdfunded project that seeks to explore the effects of urban light pollution by examining some of the darkest skies across North America. You can see breathtaking stills from the video, which originally premiered on BBC Earth, below. (via PetaPixel)
Photographer Nick Steinberg has been capturing the thick fog common to the San Francisco area for the last eight years. His works, all produced in-camera and without Photoshop, bring out the neon hues found in the morning sky, colors which deeply contrast the blue and grey fog rolling over the forests below. To ensure consistency in his photography, Steinberg checks cams, satellites, and other data forecasts—tools that allow him to peak into the upcoming days’ weather patterns.
“What amazes me most about fog is the fact that no two shots are ever the same,” said Steinberg to Colossal. “This is what I call, ‘subtlety of movement’ where there are small windows of opportunity with fog as it evaporates, moves in, and undulates. This requires decisive action, tests your photographic skills, and requires one to be ‘present’ in the moment, and ‘ride’ along with [the fog].”
You can see more of Steinberg’s fog waves and other nature photography on his Instagram and Facebook. (via Arch Atlas)
For his latest photographic series Explosion2.0, Copenhagen-based photographer Ken Hermann went big. Partnering with a pyrotechnics expert, he captured this series of suspended explosions illuminated with a strobe light that seem to hover in the air like clouds. Each image is all the more mysterious because the origins of each detonation are obscured, as if the blasts were spontaneous. Explosion2.0 is the second in a series of photos that began with some slightly less controlled blasts in part 1. (via This Isn’t Happiness)
Richard Clarkson Studio (previously) has teamed up with Crealev (previously) to produce a miniature floating cloud, one that hovers indoors while both playing your favorite music and lighting up in tune to the beat to replicate a storm. The design, called Making Weather, is formed from polyester fibers which hide a Bluetooth speaker, LED lights, and a magnet. This magnet allows the form to float above the piece’s mirrored base in opposite polarity with another magnet, seeming to organically hover and sway to the music that is pumped through it.
Currently in prototype form, the indoor cloud will be hopefully become available for living room use in the near future. (via My Modern Met)
Regan, North Dakota, 2011
Photographer Mitch Dobrowner travels the U.S. and sets up his camera in front of apocalyptic storms that rise above rural fields in Oklahoma, Kansas, and North Dakota. Inspired by photographers like Minor White and Ansel Adams, he captures breathtaking landscapes that remind us of nature’s raw power by juxtaposing the endless flat plains of the southern and midwest states with dramatic weather formations. Lightning strikes and tornadoes feature heavily in Dobrowner’s black and white images that at times look like moments right out of the first few minutes of the Wizard of Oz.
Dobrowner has exhibited in galleries across the U.S. and internationally since 2005 and is represented by Photo-Eye Gallery in Santa Fe and Kopeikin Gallery in LA. You can see much more of his work on Facebook. (thnx, Laura!)
Vortex Over Field, 2015
Strata Storm and Bales, 2015
Two weeks ago in the middle of the night, Italian photographer Lorenzo Montezemolo climbed Mt. Tamalpais in Marin County, California and waited for what he knew would be the perfect conditions for a spectacular long-exposure photograph. As the fog slowly rolled by he opened his shutter for three minutes, long enough for the full moon above to illuminate the surreal landscape you see here. The resulting image is nothing short of phenomenal.
“I chose to use a long exposure in order to give the incoming fog a smooth, striated appearance as it slithered over the ridge below,” Montezemolo shares with Colossal. “For the past year I’ve been crossing the Golden Gate Bridge several times a week to photograph the beautiful landscapes, seascapes and fog of Marin County, just north of San Francisco.”
You can see much more of Montezemolo’s photography on Flickr, and Instagram.