Floating Cloud is the latest “weightless” creation from NYC-based artist and designer Richard Clarkson who has long been fascinated by the shape and form of clouds that he translates into audiovisual devices. The Floating Cloud is held in place by a system of rare earth magnets, electromagnets, and a location sensor that keep the cloud hovering at all times while allowing for full rotation and slight upward and downward motion when touched. It’s also embedded with a number of sound reactive LEDs that flash in response to music or ambient sounds. Learn more here.
Smoke, the simply titled project photographed by Ken Hermann (previously) and art directed by Gem Fletcher, observes colorful clouds of the title’s subject matter as they disperse through industrial environments, each gaseous mass originating from a ladder at the center of the photograph. The works follow Hermann’s previous series Explosion 2.0, a group of explosive portraits which focused more on the fiery burst at the center of the frame rather than the smoke created by each. With this series the puffs of yellow, blue, orange, and pink clouds are closely documented, each work’s composition completely tied to the way in which the wind decided to turn. You can see more of the Denmark-based artist’s work on his Instagram @kenhermann and Fletcher’s at @gemfletcher.
Photographer Kanghee Kim juxtaposes day-to-day moments to create scenes that peek into an alternate world, subtly placing faux reflections in coils of cable or in the streak of a rear windshield. The Brooklyn-based photographer’s manipulations come from the desire to manifest magical moments in the mundane, using post-production edits as an additional artistic medium within her work.
“I started to think of [my photography] as a painting and allow the post-production process to act as a kind of mark-making,” said Kanghee to i-D. “Photoshop is widely used in commercial photography to refine the details and make the images look flawless.”
Kanghee decided that she wanted to do the opposite with the tool, keeping the flaws that appeared in her images rather than editing them out. The works’ small imperfections highlight the human quality of each combined moment rather than glossing over it. You can view more of the photographer’s softly edited images and unexpected reflections on her website and Instagram. (via This Isn’t Happiness)
Sydney-based artist Niharika Hukku translates the fine detail work she learned as an illustrator to her painted ceramics, creating natural scenes that range from fluffy white clouds to schools of swimming fish. Each vessel is thrown and fired by Hukku herself, and finished with a variety of ceramic glazes. When she’s not creating and decorating porcelain, she is an avid water color painter, often working in large-scale. You can see a more diverse range of her inspiration, including kookaburras and koi fish, on her Instagram and website. (via So Super Awesome)
Brooklyn-based artist duo Icy & Sot were recently in Tbilisi, Georgia where they installed this temporary piece titled “Nature’s Reflection” as part of Art-Villa Garikula. You can follow more of their recent work on Instagram, and also check out their recent book Let Her be Free that features over a decade of stencil work and street installations.
For the last decade, Kansas-based photographer Chad Cowan has driven almost 100,000 miles across the United States chasing powerful supercell thunderstorms and recording them in high definition. The endeavor began as a personal project to capture a few storms as they developed but quickly grew into a full-blown obsession. Cowan has recorded hundreds of storms and condensed the highlights into this short film titled Fractal with editing help from Kevin X Barth. He shares about the nature of thunderstorms:
The ingredient based explanation for supercell thunderstorms cites moisture, wind shear, instability and lift as the reasons for their formation. I prefer to focus on the big picture. Supercell thunderstorms are a manifestation of nature’s attempt to correct an extreme imbalance. The ever ongoing effort to reach equilibrium, or viscosity, is what drives all of our weather, and the force with which the atmosphere tries to correct this imbalance is proportional to the gradient. In other words, the more extreme the imbalance, the more extreme the storm.
You can see more of Cowan’s storm photography on his website and on Instagram. (via Vimeo Staff Picks)