Morgana Wallace (previously) began making cut paper collages after her interest was sparked during a monotype session in printmaking class. Wallace was most attracted to the texture of cut paper compositions, especially with unique materials like wallpaper samples. Currently her work revolves around female heroines and mystical beasts, adding detail to her characters with banners and leaves that float around the subjects’ heads and torsos.
Wallace often uses Japanese linen paper in her work because of her attraction to its texture, mixing it with Canson thin card stock to create her characters’ flowing hair. Other materials used in her works include X-ACTO knives, water colors, gouache, and pencil crayons. To create depth and shadows she also uses foam board which adds to the painterly quality of her scenes.
Wallace is represented by Madrona Gallery in Victoria, British Columbia. You can see more cut paper collages on the gallery’s artist page here.
Mary Iverson fills natural and manmade landscapes with colorful shipping containers, objects haphazardly stacked on each other and taking up a majority of the otherwise tranquil scenes. The containers and boxes are cross-hatched with overlaid lines, connecting them a predetermined pattern seemingly known only by the artist.
Iverson explains her work by saying, “My paintings are colorful abstractions that spring from the theme of the industrial shipping terminal. The canvases feature mass accumulations of shipping containers and container cranes in various perspectives. My work employs a network of searching perspective lines and layers of interlocking, colorful planes and rectangles that suggest both deep space and flat surface.”
Part painting and part collage (the pieces often incorporate found photography), her artworks address what happens when globalization and the environment collide, material possessions doubling and tripling until they spill into the natural world around them. The Seattle-based painter gathers the bulk of her source imagery for her sketches through yearly trips to parks across the country, camping and photographing the landscape around her.
Iverson received her MFA in Painting from the University of Washington in 2002 and currently teaches painting and drawing at Skagit Valley College in Mount Vernon, WA as a tenured faculty member. Iverson has two upcoming October exhibitions, one at Gallery FB69 in Munster, Germany and another at G. Gibson Gallery in Seattle. Check out more images of Iverson’s work on her Instagram here. (via Juxtapoz where she’s the cover artist for the August issue)
Brooklyn-based graphic designer Victoria Siemer (previously) explores the idea of fractured landscapes through photo manipulations and collages. Siemer makes use of reflected geometric shapes suspended over gloomy natural landscapes shrouded in fog and clouds resulting in portal-like mirrors. She says much of her work is guided by the idea of emotional fragmentation and “fragmentation of the self,” a topic she explored in-depth while studying design at SUNY Buffalo. You can keep up with her work on Instagram and some of her pieces are available as prints.
Photographer Stephen McMennamy merges his original photography in humorous ways to create what he calls #ComboPhotos: two photos paired to create unexpected situations, usually involving huge constrasts in scale. Tractors and heavy machinery are turned into giant mechanisms for food delivery, while an ice cream cone becomes an actual snowy mountain top. McMennamy is also a creative director at BBDO Atlanta and you can see more of his work here. (via Colossal Submissions)
For his ongoing series “Art History in Contemporary Life,” Ukrainian artist Alexey Kondakov takes scenes and figures lifted from classical paintings and drops them into modern-day life. Bouguereau’s Song of the Angels appears to take place on an empty subway car while a pair of men from Holbein’s famous The Ambassadors are transported to the table of a seedy bar. Much like Etienne Lavie’s billboard series and Julien de Casabianca’s recent Outings Project, the series creates an interesting and playful new context for artworks usually only encountered in museums and art history books. You can see more over on Facebook. (via Supersonic)
Heavily influenced by the Dada aesthetic, Lola Dupré’s surreal collages bend and expand the traditional view of both object and human form. With a wide focus of subject matter it seems as if no human or animal can escape Dupré’s focus, her subjects ranging from famous presidents and celebrities to giraffes and hound dogs.
Each work includes some sort of distortion to the original image, either by the artist multiplying limbs or elongating torsos and faces into unnatural poses. Although the work appears digitally manipulated, the collage artist and illustrator uses paper and scissors as her medium, utilizing thousands of paper paper shards to produce her funhouse-like imagery.
Since 2000 Dupré has lived and worked in multiple countries, creating her detailed collages in countries such as Scotland, Switzerland, France, Portugal, and Spain. Currently the artist is located in Limerick, Ireland and is represented by Los Angeles-based CES Gallery. More of Dupré’s eerie work can be found on her Tumblr and Facebook page.