Nathalie Boutté creates paper collages using thousands of strips of recycled tissue paper, pages from discarded novels, and most recently translucent tracing paper. The strips are densely layered like thatch on a roof, exposing just the tips that act like pixels to form larger images. Born in 1967 Nathalie lives and works in Montreuil, France. (via journal du design)
Artist Laurie Frick describes her work as being a fine line between art and neuroscience. Using aggregate data gathered from nightly EEG activity as a starting point she creates visual patterns and rhythms which are transformed into sprawling grids of cardboard, wood, and paper magazine fragments.
Formerly an executive in high-technology, she also holds an MBA from the University of Southern California. Using her background in engineering and high-technology she explores science, compulsive organization and the current culture of continual partial attention. The body of work for her upcoming show at Edward Cella Art & Architecture are experiments in rhythm using time studies of daily activity logs and sleep charts. Capturing the way we slice our time, waking and sleeping reflects a familiar human rhythm and replays something inherently unnoticed back into the physical world. [...] All are built from modest materials that look and feel familiar and hold a sensibility of time. Materials register with familiar texture we’ve all touched and experienced. Recycled cardboard, hand towels, junk mail, gallery cards, old paper-back book covers, and in this exhibition found wood eyeglass trays from an old warehouse in Omaha, Nebraska.
New work from Christina Empedocles who was born and raised in Ann Arbor, Michigan. Empedocle eventually graduated from Oberlin College to become a geologist in San Francisco and then got an MFA in painting from California College of the Arts in 2008.
By folding and cutting images, using sculpture, painting and collage, she records personal moments and impressions, enhanced by the ephemera of everyday. Her work is the result of hours of looking – contrasting the nostalgic fantasy of idealized memory and the intense focus of the realistic image.
Right on the heels of last weeks moneygami post, this great work from artist Hasegawa Yosuke who folds assorted currency into little hat-wearing figures, and apparently if you have an iPhone, yeah, there’s an app for this complete with folding instructions. (via green chair press)
I am totally in awe of the detailed map collage work of Dallas, Texas artist Matthew Cusik.
Defacements are obsessively crafted amalgamations of word and image in the tradition of altered books and concrete poetry. The re-contextualization of image, word, and number creates a new storyline that is often in the spirit of a prankster student who has marked up a textbook with irreverent and provocative commentary.