Tennessee-based photographer Emily Blincoe (previously) continues to create some of the most meticulously arranged collections of objects we’ve seen. From leaves and flowers to cereal and trash, the photographer is capable of making visually soothing layouts of almost any object. One of Blincoe’s latest projects is the Collection Collection featuring portraits of people laying down against their personal collections of things like rocks or figurines. You can follow her work on Instagram, and many of the images you see here are available as prints in her shop. (via Bored Panda)
Louise Zhang's Slosh Samples look like floating paintings, three-dimensional depictions of 2D abstract work. The bottles contain brightly colored fluids that separate and congeal, containing everything from polymer clay to flubber. At first one is delighted by the bubblegum colors that fill the vessels, yet after a quick inspection the grotesque nature of what lurks inside is easily revealed.
Both Zhang’s sculptures and paintings happily represent blob-like forms and revolting textures. The work seems excited to repel its audience after it has seduced them with its saturated neon hues, a palette that could be described as cute or playful. Zhang’s website compares her playful works to childhood cartoons like Spongebob Squarepants or Ren and Stimpy—television shows that invite our minds to interact with slime, slop, and snot.
Zhang is a Sydney-based artist currently working on her MFA at UNSW Art & Design and partaking in a residency with Throwdown Press. The artist’s first solo exhibition Plomp was held at Artereal Gallery in 2014. Zhang has described her work as “evocative of confectionery—the gooey, the sticky, and the sensation of sweets melting,” which brings to mind the sweet and sugary installations of Pip & Pop. (via Zannaka)
In a departure from his large-scale color field yarn installations, Minnesota-based artist HOT TEA is back in New York and was given the opportunity to transform a swimming pool on Roosevelt Island with whatever colors he saw fit. Apparently he took the ambitious approach and decided to use them all, spread between 120 gallons of paint.
The private commission produced by K&CO and Pliskin Architecture is called Asylum, a title the artist chose “because the act of creating it pushed my mental and physical endurance so far that I wasn’t sure I could complete the task,” he shares with Brooklyn Street Art. For almost a century starting in 1839, the island was also home to the New York City Lunatic Asylum. The vibrantly luminous gradients that define the area around the pool contrast starkly when viewed against the rest of the surrounding landscape, creating a surprising oasis of color.
Photographer and food enthusiast Brittany Wright sets up intricate culinary still lifes that focus primarily on the differentiation of fruits’ and vegetables’ coloration. Wright captures a rainbow of colors in foods ranging from heaps of apples to carrots plucked freshly from the earth. Each photograph focuses on the produce against a stark white background, a way to display the food’s vibrant shades without distraction.
The Seattle-based photographer is fascinated by capturing the aging process of vegetable and fruits, displaying the variety of forms each piece takes during ripening and decay. Wright even includes fruit harvested from her own backyard, photographing raspberries both plump and shriveled.
Wright’s client list is diverse, including brands Dry Soda and Samsung as well as (appropriately) several farms. You can see more colorful gradients and food-based imagery on Wright’s Instagram. (via Junk Culture)
Created by Berlin-based artist and designer James E. Murphy, What Color Is It is a website that translates the current time (based on a 24-hour clock) into a corresponding hex color value. The color of the page changes gradually as each second ticks by. This could be a great start to a watch face for the Apple Watch. (via Swissmiss)
This 1,000-piece jigsaw puzzle contains exactly 1,000 different colors arranged in the form of a CMYK gamut and is guaranteed to drive you insane. The creator of the 1,000 Colors puzzle, Clemens Habicht, suggests the puzzle is actually easier than traditional image-based puzzles. When faced with a field of color, he says the placement of every piece becomes almost intuitive.
The idea came from enjoying the subtle differences in the blue of a sky in a particularly brutal jigsaw puzzle, I found that without the presence of image detail to help locate a piece I was relying only on an intuitive sense of colour, and this was much more satisfying to do than the areas with image details.
What is strange is that unlike ordinary puzzles where you are in effect redrawing a specific picture from a reference you have a sense of where every piece belongs compared to every other piece. There is a real logic in the doing that is weirdly soothing, therapeutic, it must be the German coming out in me. As each piece clicks perfectly into place, just so, it’s a little win, like a little pat on the back.
Update: The 1,000 Colors Puzzle is now in the Colossal Shop.