Currently funding over on Kickstarter, the E01 is a computer designed specifically for the display of art. The device was created by New York-based Electronic Objects who aims to simplify the display of digital art with the help of a dedicated system. The E01 can be wall-mounted or used with a stand and is controlled completely with your phone so you can swap out art, videos, GIFs, and even code-based projects that are executed in real time.
While there are several online services involving the sale and/or display of digital artworks (Sedition comes to mind), Electronic Objects is one of the first to offer the complete package of a digital display, distribution system, and artwork itself, not to mention a developer SDK which opens the door for untold applications in the future. They’ve also announced content partnerships with the New York Public Library, Behance, Giphy, and the Museum of the Moving Image. Several of their demos include artwork by artists seen right here on Colossal including David Szakaly and Zach Dougherty. The E01 is $300 over on Kickstarter. (via Kottke)
I’m such a sucker for these clips of outmoded technology making music. In the first video by MIDIDesaster we listen as Eye of the Tiger by Survivor is played on a dot matrix printer. In the second video by Gigawipf, a box of hard drives plays ‘Tainted Love’ by Soft Cell. Gigawipf has dozens of other songs recorded with hard drives you can listen to here, and if you liked these you should also check out Polybius, and still my all-time favorite House of the Rising Sun which I managed to turn into a ringtone because I’m like that. (via Laughing Squid)
London-based artist Leonardo Ulian (previously) has completed a new body of work titled Sacred Space. Inspired by Hindu and Buddhist symbolism, Ulian continues his exploration of technology and spiritualism with these carefully sculpted mandalas created with soldered computer and radio components. Via Beers.Lambert:
Ulian’s reflexive use of the geometrical mandala can also be seen as a nod to his ‘past-life’ as an technican, but through his application, Ulian divorces the electronic components from their origins, giving new life to these (now defunct) technological bits, creating a new type of hybridization that is equal parts spiritualization and contemporary critique: “We live in a society that worships electronic technology,” he states “both for necessity but also because it makes us feel better, not unlike its own new form of fashionable spirituality.”
Of particular note in this solo show is an amazing little three-dimensial bonsai tree titled Centrica Bonsai. If you happen to be in London, Sacred Space opens tonight at Beers.Lambert Contemporary. All photos courtesy Oskar Proctor.
Although we just covered the work of Federico Uribe a few days ago in this space, the artist also shared with me this additional work which I thought warranted its own post. Titled Tapete (Carpet) the work is a large carpet made from thousands of perfectly placed computer components: fans, cables, keyboard keys, motherboards, mice, and other parts. I recommend not wiping your feet here. Photography by Pipe Yanguas.
Latvian conceptual artist and creative director Voldemars Dudums created this insanely clever bird feeder using an old computer keyboard and some cubes of bacon fat. When the birds would fly down to snack their inadvertent key presses were fed to an api that parsed each little tap into a bonafide tweet on the @hungry_birds Twitter account (fyi, these particular feathered friends became political during the U.S. elections, so there’s that). The birds, mostly tomtits, would tweet roughly 100 times each day and could even be watched live over on Birds on Twitter. It even landed Dudums a people’s choice award for Guerrilla Innovation in Advertising. Unfortunately the project went offline in March of this year, as that’s when the cryptic avian tweets cease. I feel like a schmuck for being so late to the party on this, but reading through the archive of tweets is still pretty entertaining for random literary gems like “OOOMMMGGGGG” and “AIAIAIA”. (via izmia)
Mixed media and installation artist Peter McFarlane has spent his life turning found objects, computer waste and other discarded materials into sculptures, installations, and even the backdrops of paintings. Of his work McFarlane says:
To me, waste is just lack of imagination. This belief carries beyond the boundaries of my art production and permeates most aspects of my life. Most of my home and studio, and much of everything in them, is recycled. I’ve always had an epic imagination along with a driving desire to make things. Thus, used objects have pared my options down to a workable, manageable level. No object is beyond artistic merit, meaning and metaphor. So why throw it out? The materials of my work are connected intrinsically to my ideas, be they tailored beyond recognition or left as found. Each piece I make resurrects an object as an idea specific to the material and the meaning inherent in its use. The history of the object — from the manufacture to the dumpster — embellishes its contexts and the possibilities I have to manipulate them. I have often made a connection with the objects that I’ve used in my everyday life or work experience: that which I know.
You can see much more of his work over at Saatchi Online as well as in his portfolio and he recently had a show of chainsaw sculptures (!) at Pegasus Gallery in Salt Spring Island, British Columbia just last month.
I’m not sure I fully understand the meaning behind this great sculpture made of resin and recycled computer keys by Babis Cloud, but I certainly enjoy looking at it. The piece is titled Hedonism(y) Trojaner, derived from the giant mythological Trojan horse built by the Greeks that was used to sneak an elite force of soldiers into the city of Troy under the charade of presenting the city with a gift. On some level I suppose Babis is making a reference to the negative aspects of technology (viruses, irrational dependence on computers), but you can read a bit more explanation over on iGNANT. If you liked this also check out the work of Sarah Frost.