In 2014, Dutch newspaper De Volkskrant contacted conceptual design studio Lernert & Sander to create a piece for a special documentary photography issue about food. Lernert & Sander responded with this somewhat miraculous photo of 98 unprocessed foods cut into extremely precise 2.5cm cubes aligned on a staggered grid. Looking at the shot it seems practically impossible, but the studio confirms it is indeed the real thing. The photo is available as a limited edition print of 50 copies printed on 40 x 50cm baryta paper signed by the artists for about €500. You can learn more on their website. (via iGNANT)
Fine art photographer Kylli Sparre (previously) has continued to create her dance-inspired photographs, almost all of which depict the artist herself in various dreamlike states and situations. Working with outdoor landscapes, and bodies of water or ice, Sparre fuses years of formal ballet training with these dramatic and performative photographs. The artist has a show in Amsterdam next month at Qlickeditions, and you can follow her work more on Facebook.
Photographer Oleg Oprisco (previously) who lives and works in Kiev, continues to wow us with his vivid style of conceptual photography that places subjects in the middle of surreal and fantastic tableaus. Oprisco spends large amounts of time scouring flea markets and resale shops to collect props, costumes, and other items for each shot which he often sketches beforehand in a sketchbook, with the final shoot requiring 2-3 days of preparation. I love this bit from an interview with 500px earlier this year where he was asked to give advice to amateur/student photographers:
I strongly advise to use your time wisely. Laziness is your worst enemy. Enough looking at photographs taken by your idols. You’ve commented on enough work that you hate. It’s time to take photos. Your best photos. Let go and shoot, shoot, shoot!
All of Oprisco’s work is available as prints which you can inquire about directly. You can see more of his recent work on Flickr and Facebook. (via 500px)
Taken recently off the coast of Bali, these surreal photos are the creation of Montreal-based director and photographer Benjamin Von Wong, known for his exceedingly difficult photoshoots. Where it might be more practical to create the complex aspects of these photos digitally, Von Wong took a different path and assembled a team of two models who also happen to be trained freedivers, 7 additional support divers, and obtained special permission to utilize a 50-year-old underwater shipwreck. The entire shoot took place 25 meters below the surface, and because of the extreme conditions and limitations, he relied heavily on natural light to create the final images you see here.
You can watch the video above to see how the photoshoot came together and read more about the process over on his blog. (via PetaPixel, My Modern Met)
In his ongoing series of photos titled Moon Games, French photographer Laurent Lavender has subjects play with a rising moon, effectively tansforming it into a balloon, a painting, and even a scoop of ice cream. The dreamlike photos have been turned into a calendar and a (French-only) book of poetry as well as a few other objects. You can see more of his work over on Facebook. (via IFLScience)
In this recent series of digital artworks, Brooklyn-based graphic designer Victoria Siemer begins with dreamy landscapes of mountainous forests shrouded in fog and clouds and then inserts giant reflective fragments that rise from the ground. The inversed image creates the uncanny effect of a monolithic mirror that towers over the photograph like a kind of portal. Siemer says via email that the images are open for interpretation, but her work often deals with the idea of visual or emotional fragmentation which originated from her college thesis. Another example is her recent series of humanized computer error messages recently making the rounds. You can see more over on her blog (occasionally nsfw). (via My Modern Met)
Facades is an ongoing series of work by French photographer Zacharie Gaudrillot-Roy that imagines a world where facades have been completely isolated from buildings. He shares of the project:
The façade is the first thing we see, it’s the surface of a building. It can be impressive, superficial or safe. Just like during a wandering through a foreign city, I walk through the streets with these questions: what will happen if we stick to that first vision? If the daily life of “The Other” was only a scenery? This series thus offers a vision of an unknown world that would only be a picture, without intimate space, with looks as the only refuge.
Several of his works will be included in “Bright Lights. Big Cities.” at the Antwerp Mansion in Manchester this May. (Red Lipstick Gets Sick and Dies)