Tag Archives: currency

Money Trees

Money Trees trees sculpture plants nature money currency

Money Trees trees sculpture plants nature money currency

Money Trees trees sculpture plants nature money currency

Money Trees trees sculpture plants nature money currency

Money Trees trees sculpture plants nature money currency

Money Trees trees sculpture plants nature money currency

Money Trees trees sculpture plants nature money currency

Money Trees trees sculpture plants nature money currency

As perhaps a companion piece to last week’s skull nickels, here’s yet another thing I had no idea existed. Apparently in several wooded areas around the UK, passersby have been stopping for decades (if not centuries), meticulously hammering small denomination coins intro trees. Most of the trees seem to be in and around Cumbria and Portmeirion, and I didn’t find a single example of a tree like this located outside the UK. According to this recent article by the BBC, the practice might date back to the early 1700s in Scotland where ill people stuck florins into trees with the idea that the tree would take away their sickness. The practice seems akin to love padlocks or Americans collaborative effort of sticking their nasty ass gum all over everything. (photos courtesy shaun whiteman, drew, ken werwerka, rachel bibby, paul morriss, ministry, donald mcdougal, heartbeeps, via lustik and hrtbps)

By Christopher on                

Skull Nickels

Skull Nickels money faces currency anatomy

Skull Nickels money faces currency anatomy

Skull Nickels money faces currency anatomy

Skull Nickels money faces currency anatomy

Skull Nickels money faces currency anatomy

Skull Nickels money faces currency anatomy

Skull Nickels money faces currency anatomy

My friend Ben (previously) shot me a link to this article about carved coins called Hobo Nickels. Although the history of carving miniature bas relief sculptures into coins stretches back to the 18th century if not earlier, it was greatly popularized in the early 20th century with the introduction of the Buffalo nickel. This particular coin was minted using soft metal and was imprinted with the portrait of an indian with bold features, making it easier to deface and transform into the portraits of other people, animals, or even scenery. Add to that the idle hands of unemployed artists during the depression (thus, “hobo”) and soon a flood of curious numismatic treasures were born. Most of the images on hobo nickels are too folk artsy for my taste, however a number of artists etched away the flesh of the subject to reveal these awesomely macabre skulls. Hobo nickel carving remains a popular hobby today and it even has a society. Don’t you wish we had actual money that looked like this? Images linked to their sources, most of which are live Ebay auctions. (thnx, ben!)

By Christopher on          

First Look: Hans-Peter Feldmann Hangs $100,000 in Dollar Bills on the Walls of the Guggenheim Museum

First Look: Hans Peter Feldmann Hangs $100,000 in Dollar Bills on the Walls of the Guggenheim Museum multiples money installation currency conceptual
(click images for detail)

First Look: Hans Peter Feldmann Hangs $100,000 in Dollar Bills on the Walls of the Guggenheim Museum multiples money installation currency conceptual

First Look: Hans Peter Feldmann Hangs $100,000 in Dollar Bills on the Walls of the Guggenheim Museum multiples money installation currency conceptual

First Look: Hans Peter Feldmann Hangs $100,000 in Dollar Bills on the Walls of the Guggenheim Museum multiples money installation currency conceptual

Last November German conceptual artist Hans-Peter Feldmann was named the winner of the eighth Biennal Hugo Boss Prize, a bi-annual award bestowed by the Solomon R. Guggenheim Foundation for significant achievement in contemporary art, with an attached honorarium of $100,000. In a unique gesture to the museum Feldmann proposed the idea of creating an installation that would involve tacking 100,000 $1 bills to the walls of a large gallery off the Frank Lloyd Wright ramp. Via the NY Times:

“I’m 70 years old, and I began making art in the ’50s,” Mr. Feldmann said in a telephone interview from his studio in Düsseldorf. “At that time there was no money in the art world. Money and art didn’t exist. So for me $100,000 is very special. It’s incredible really. And I would like to show the quantity of it.”

It took museum art handlers roughly 13 days to pin the out-of-circulation bills to the wall and to condense the surface area required by so much currency the dollars were slightly overlapped. The exhibition will be up May 20–November 2, 2011. The photographs above by David Heald were provided courtesy the Solomon R. Guggenheim Foundation, New York.

By Christopher on             
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