Though it’s practically over before it starts, this brief animation titled flow/er by Alexa Sirbu and Lukas Vojir takes us into a primordial world of blooming flowers, where organic particles and flower petals collide in beautifully random explosions. Their statement on the project:
In nature, it is often the simplest rules that lead to forming the most complex, beautiful forms.
flow/er is a visual poem that observes this through a design lens, combining our fascination with organic,
raw aesthetic with foreign geometric forms. We observe natural laws take shape in a strange dance of meticulous choreography clashing with violent forces of nature.
You can see an equally brief making-of clip here. (via Colossal Submissions)
Elements, an experimental art film by Maxim Zhestkov, follows more than two billion black and white spheres through a series of experiments within several enclosed spaces. Throughout the film the particles swarm through different white rooms, each labeled with subtle wall text that broadly defines the physics of each animation such as flow, diffusion, and pressure. Set to a score of hauntingly hollow tones, Elements is intended to express laws of nature and mathematics, visually representing the composition of particles found in each of us.
“The film is a trial to explore the idea that everything around us and inside us is made from simple elements or blocks which can be arranged in complex relationships and become compound structures,” says Zhestkov. “We could project this idea into emotions, behaviors, thought processes, relationships, life, planets and the universe.”
Zhestkov is a visual artist and motion designer based in Russia working in animation, design, and cinematography. You can see more of his short film projects and illustrations on his Vimeo and Behance.
Australian artist Andy Thomas (previously here and here) presents his first installment of Visual Sounds of the Amazon, a responsive artwork that alters its visual shape based on audio Thomas collected from the Amazon rainforest. The animation sequence is one that can hardly be described, as bright bursts of light escape a tangle of blue and yellow helixes each time a bird squeaks, with similarly colored balls orbiting the digitally-composed mass.
Previously Thomas has made responsive artworks to other flora and fauna, specifically using recordings created in Australia and the Netherlands. This particular iteration will be screened at Render, a festival of animated hybridizations in Lima, Peru. You can view/listen to more of his otherworldly and adaptive video work on his website.
Brazilian designer Fabio Araujo digitally composes images of abandoned sites to create undesirable islands, small patches of earth ripped up from long neglected corners of civilization. The series, Abandoned Places, exists both as image and video as Araujo animates discrete elements of the works to play in a loop. These areas serve as the only “living” aspect in-frame, focusing on a single deer or bubbling creek that has managed to survive amidst crumbling architecture and rusted water towers.
Araujo explores a similar island concept in another work titled Favela, a much larger creation that seems to float through the sky rather than a flat matte background. You can see more of Araujo’s digitally composed pieces on his Behance and Instagram.
For this ongoing series of digital illustrations titled “UNKNOWN × UNKNOWN,” designer Zhang Chenxi imagines an alien world crawling with gloopy, squishy, anemone-like creatures that share hybrid characteristics of plants and animals. Chenxi starts each piece as a concept sketch on paper and then models it in Cinema 4D before rendering in Octane. If you want to see more, he shares new works every few days on Instagram.
Here at Colossal we can’t stop jamming out to this animated short from London-based animation studio Animade featuring six bubbly musical robots designed to play themselves. Titled Robot & The Robots, the clip was created as an internal studio project, but you can see more of their commercial work here. If you like this, also check out Michael Marczewski’s Vicious Cycle. (via Vimeo)