Lithuanian artist Agne Gintalaite has always been attracted to the “garage towns” of her native Lithuania—large areas filled with storage units for cars that were terribly inconvenient and often bus rides away from the owners’ homes. In her series Beauty Remains, Gintalaite explores the multitude of garage doors she has discovered on her explorations, the brightly colored wooden and metal doors that look as if time has tried to claw them to pieces, yet their vibrancy withstands each passing year.
Her project began after a recent trip to IKEA revealed a sprawling garage town near the megastore filled with hundreds of examples of these doors that outlasted the time when IKEAs were nowhere to be found. “By documenting these objects that are, most likely, about to disappear from Lithuanian society, I wished to communicate to the viewer the ambivalent, aesthetic, but also human significance of these garage doors,” said Gintalaite. “Beautifully painterly, these doors do not need be explained to the beholder. It is the fascinating play of colour and texture that I attempted to capture with my camera.”
In documenting these doors the artist also found herself documenting human dignity as the owners continue to hold onto their property in areas in which big businesses increasingly impede on the urban landscape. “As long as they last,” said Gintalaite, “this uncanny beauty remains.”
Gintalaite received her BA in Art History and Theory from Vilnius Academy of Arts in Lithuania, and is currently a freelance photographer and art director. You can find more of her work on her Tumblr and Behance. (via My Modern Met)
Over the last year, Belgian painter and sculpturor Stefaan De Croock aka Strook (previously) began working with repurposed wood panels, doors, and furniture to construct giant faces on the side of buildings. The recycled wood surfaces are cut into precise geometric shapes and pieced together like a tangram puzzle, leaving the original paint and textures untouched. His most recent piece, Elsewhere, was a collaboration with his 69-year-old dad for Mechelen Muurt. You can see more of Strook’s paintings, sculptures, and other artworks on his website. (via Colossal Submissions)
Like the design of functional objects such as chairs or tables, it would seem new ideas for the humble door would be completely exhausted, and then along comes Austrian artist Klemens Torggler. This 4-panel entryway called the Evolution Door opens and closes in a surprisingly elegant way at the slightest touch, folding in on itself like pieces of paper. Torggler calls this system a “flip panel door” (Drehplattentür), and it’s almost more of a kinetic sculpture than functional door, but I would be happy to have one in every room of my house. And for those of you who envision a crushed finger or hands, he’s already solved that problem.
Currently the door is meant as a prototype, an extension of his artistic practice where Vienna-based Torggler has been creating similar kinetic doors for many years, several of which are available through Artelier Contemporary. (via hajohinta, nsfw)
I’m loving this series of simple, non-destructive interventions by artist Aakash Nihalani (previously) who is widely known for his observational street art involving neon-colored tape in various geometric forms. Nihalani opens a solo show starting January 12th, 2013 at Jonathan LeVine. (via arrested motion)
Doors was an enormous 10-story public art installation made from 1,000 reused doors by South Korean artist Choi Jeong-Hwa. From what I can tell it appears the piece was installed somewhere in Seoul in 2009. Choi discusses his process over on the Creators Project where he talks about becoming a public installation artist because he was unable to draw or paint, but would instead spend much of his time walking around the city discovering interesting trash and discarded objects and photographing it. (via ju est fou)