Tag Archives: drawing

Download More than 2,500 Images of Vibrant Japanese Woodblock Prints and Drawings From the Library of Congress 

Thanks to the Library of Congress, you can browse and download high-resolution copies of more than 2,500 Japanese woodblock prints and drawings from the library’s online collection. The prints, most of which are dated before the 20th-century, were amassed from a large group of collectors, including notable donors such as President William Howard Taft and Supreme Court Justice Oliver Wendell Holmes.

Despite the diversity of genres and traditions represented by the library’s large collection, the most prolific works are ones created in the tradition of the Japanese art form of Ukiyo-e or Yokohama-e. Ukiyo-e was developed in the city of Edo (now Tokyo) between 1600 and 1868 during a relatively peaceful period. The subject and inspiration for many of the prints includes that of entertainment and leisure, such as scenes from kabuki theater and fashionable restaurants.

The style of Yokohama-e was built on methods of production from Ukiyo-e around the time that American naval officer Matthew Calbraith Perry (1794-1858) led an expedition to Japan in the mid-1850’s. New trade agreements between Japan and the West brought travers to the country, inspiring Japanese artists to capture tourists walking throughout the port city, and borrow images from Western newspapers.

You can see the entire collection of historic works on the Library of Congress’s website. (via Open Culture)

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Segmented and Compartmentalized Graphite Portraits by Miles Johnston 

The female characters inhabiting the world of London-based illustrator Miles Johnston appear to be undergoing near perpetual transformation, their faces or bodies split in half, or their entire form morphing into globby organic forms. Over the past few years he’s examined four specific transformations organized into series titled Deform, Divide, Attract, and Recur. Johnston will have work on view at the upcoming Small Works exhibition at beinArt Gallery and you can also follow him on Instagram. (via Booooooom, Artnau)

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Colorful Studies of an Artist’s Hands Layered With Flowers and Bees 

Artist Noel Badges Pugh (previously) creates studies of his own hands mixed with drawings of flowers and bees, adding color to the works with both watercolor and India ink. Pugh often photographs these works with the flowers he has drawn layered on top, allowing the viewer to examine how each is drawn to scale. Bees are also a fairly common subject matter in his pieces, and an interest he calls attention to on his site. You can see the field guide of California bees he illustrated on Amazon, and view more of his watercolor and ink drawings on his Tumblr and Instagram.

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The New ‘NeoLucida XL’ Camera Lucida Makes it Easier to Trace What You See 

Artist and SAIC professor Pablo Garcia (previously) has added an update to his previous take on the two century old Camera Lucida, an optical device that allows you to trace images and scenes directly from life. The new version, NeoLucida XL, is similar to its predecessor, however with a much larger viewfinder. The prism inside the updated analog device remains the same size, while the larger mirror and glass make it much easier to draw the projected “ghost image.” You can read more about the device on its Kickstarter page.

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Prismatic Portraits by Lui Ferreyra Form a Collision of Geometry and Color 

Denver-based artist Lui Ferreyra (previously) has spent the last decade honing a technique that portrays faces, hands, and landscapes as dense fields of geometric color. While evoking a tone that clearly references the digital age, Ferreyra also draws inspiration from artists like Chuck Close and Egon Schiele who famously worked with aspects of pointillism and geometry. Seen here are a collection of drawings and sketches, but he utilizes a similar fragmentary style for oil paintings as well. You can follow Ferreyra on Instagram and see more of his work at William Havu Gallery.

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Larger-Than-Life Hyperrealistic Portraits Rendered in Graphite and Charcoal by Arinze Stanley 

Till He Comes, 2017. Progress photo. Graphite and charcoal pencils.

Nigerian artist Arinze Stanley works with graphite and charcoal pencils on large sheets of cartridge paper to render enormous portraits of his subjects. Spending upwards of 200 hours on an artwork, Stanley agonizes over the most minute details of each piece to painstakingly capture reflections of light, droplets of sweat, or tangles of hair.

Where some hyperrealistic artists lean towards idealized perfection, Stanley instead focuses on pure realism, infusing portraits with a raw sense of emotion and drama. The scale of each piece, always slightly larger than life, adds an uncanny three-dimensional aspect.

Stanley recently exhibited work at Omenka Gallery and you can see more of his works (and pieces in progress) on Facebook. (via ARTNAU, Juxtapoz)

Till He Comes, 2017. Progress photo. Graphite and charcoal pencils.

Till He Comes, 2017. Progress photo. Graphite and charcoal pencils.

Till He Comes, 2017. Progress photo. Graphite and charcoal pencils.

INSOMNIA, 2017. 27″ X 42″. Progress photo. Graphite and charcoal pencils on Strathmore 300 Bristol (smooth) paper.

INSOMNIA, 2017. 27″ X 42″. Progress photo. Graphite and charcoal pencils on Strathmore 300 Bristol (smooth) paper.

INSOMNIA, 2017. 27″ X 42″. Progress photo. Graphite and charcoal pencils on Strathmore 300 Bristol (smooth) paper.

Desolation, 2016. Progress photo. Graphite and charcoal pencils.

Desolation, 2016. Graphite and charcoal pencils.

FAMISHED (Disturbia series), 2016. Progress photo.

FAMISHED (Disturbia series), 2016. 26″ x 36″. Graphite and charcoal on Cartridge paper.

Innocence, 2016. 33” X 23.4″. White and black charcoal pencils and graphite pencils on Lambeth Cartridge paper.

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