From the pendulum-based drawing machine by Eske Rex to the art of Tim Knowles who attaches writing implements to trees, I love when the seemingly random lines of chaos (or maybe just physics) are rendered visible using ink or pencil. This latest project titled STYN by Netherlands-based graduate student Sam van Doorn is no exception. Using modified parts from an old pinball machine van Doorn created a one-of-a-kind drawing device that utilizes standard flippers to control a ink-covered sphere that moves across a temporary poster placed on the game surface. He suggets that skill then becomes a factor, as the better you are at pinball the more complex the drawing becomes. See much more on his website, here. My drawing would have a single line that goes between the flippers and then have TILT written all over it. (via lustik)
Based on a photograph from Benoit Paille (previously) artist Amy Robins drew this impressive portrait using little more than colored pencils, cartridge paper, and quite a bit of talent. Although there’s just enough style to differentiate the image from a photograph it made me do a double-take. If you liked this also check out the work of Sam Silva.
Using pencils, charcoal, and pastels artist John Pusateri creates near photo-realistic drawings of beautifully colored owls. Pusateri currently teaches in the Department of Architecture at Unitec New Zealand and currently has a number of works available through Seed Gallery. See more from this owl series in his portfolio. (via devid sketchbook, thnx jessica)
Artist and illustrator Jason D’Aquino draws incredibly small illustrations inside of matchbooks. His muse is frequently pop culture itself, with numerous references to horror films, famous artworks, pulp fiction magazine covers, and even human anatomy. If you happen to be in New Orleans D’Aquino has work available at the Shop in the French quarter, and he’ll also have work at Art Basel Miami through Red Truck Gallery. (via juxtapoz)
Freelance artist Ramon Bruin has been working on some fun 3D illusion drawings, here are three of my favorites. You can see a bit more of his work over on Facebook, and if you liked this also check out the work of Nagai Hideyuki. (via my darkened eyes)
Two weeks ago I was fortunate to spend a few days in Grand Rapids, Michigan at ArtPrize 2012, a sprawling international art fair featuring over 1,500 installations by more than 1,700 artists in venues throughout the city including the Grand Rapids Art Museum, the Urban Institute for Contemporary Arts, as well as countless art galleries, cafes, sidewalks, and even smack dab in the middle of a river. The entire affair centers around popular vote that determines ten winners (a maximum award of $200,000) as well as several juried awards. You can see the 2012 winners here. It was a great trip and I saw more art three days than I’ve seen in person in the past year.
One of the most outstanding artworks I encountered in Grand Rapids was this gargantuan drawing on exhibit at the GRAM by artist Chris LaPorte who attended the New York Academy of Art and now lives and works in Michigan. By day he works as a caricature artist, having drawn some 85,000 portraits over the last 18 years, but he also spends significant hours in his studio where he labors over gargantuan life-size pencil drawings, one of which actually won the top ArtPrize honor back in 2010. This latest work, City Band, began when LaPorte discovered an 80-year-old photograph of his grandfather’s high school marching band while rummaging through his mother’s basement. The photograph is somewhat blurry and damaged with age, but he decided to use the piece as inspiration for a drawing that now spans 13 x 26 feet and was drawn with over 100 2H pencils spanning roughly 1,200 hours of drawing time.
It’s important to note that City Band is not a photo-realistic interpretation of an old photograph, a suggestion that’s often made by other who describe LaPorte’s work. The ratio of photo to drawing is 1/540 meaning that the quality of the original image was so poor in relation to the scale of the canvas that the vast majority of details came from the artist’s head as he worked. In that sense the drawing becomes a sort of historical fiction, where LaPorte added myriad details, stories, and patterns all of which center around a theme regarding the unrelenting passing of time, a sort of visual rhythm that pulses through the entire piece.
I urge you to watch the video above by filmmaker Mary Matthews to learn more about the artwork and you can see many more photos over on his recently updated website.
Before an email arrived in my inbox this week I was completely unaware that a polyhedral panoramic perspective drawing was a thing, but apparently is, though a quick google search comes up with nothing. But I’ll take artist Rorik Smith at his word and just enjoy the incredible effects achieved in his disorienting illustrations that are drawn with graphite pencils on-site without aid from photographic reference material or digital manipulation. Smith seems to introduce polarized coordinates at random locations in each drawing and then bends the perspective of the surrounding areas to match. If that makes any sense. Love these. See much more in his portfoio.