Every single day since November 2010, without fail, Bristol-based artist Guy Denning (previously) posts a daily sketch to his Drawing a Day blog (occasionally mirrored on his Facebook page). It’s well worth following. For more of his work head over to Signal Gallery where he had a solo show in October, and you can see much more on his website.
Risking life and limb atop a tall scaffold, Belgian street artist Strook (who you might remember from his mossy pressure-washed street art) just completed this impressive drawing titled Metropolis inspired by Fritz Lang’s 1927 film by the same name. The drawing was done entirely with white marker inside the Concertgebouw (concert building) in Bruges, Belgium but because of the changing light patterns during the day the piece looks as if was done in black when viewed opposite a light source. Watch the video to see the entire piece come together.
In 2004 an unconscious man was discovered behind a fast food restaurant in Richmond Hill, Georgia. He had no belongings, severe sunburn, and was nearly blind from cataracts. The man also had absolutely no idea who he was. After months of ongoing evaluation from doctors and psychologists it was determined he was suffering from dissociative amnesia. He adopted the pseudonym Benjaman Kyle and has embarked on a search for his true identity sparking massive amounts of media coverage and even a short film, Finding Benjaman, by John Wikstrom. He is the only citizen in the United States officially listed as missing despite his whereabouts being known. One strange aspect of this predicament is that Kyle now lives completely in limbo: for the past 8 years he has been denied the ability to obtain a new social security number which in turn prevents him from opening a bank account or having a credit card. The government argues that he already has one, but despite the efforts of fingerprint matching, DNA tests, and exposure on television, he simply cannot determine his true identity.
After catching a screening of Finding Benjaman at the Tribeca Film Festival artist Miguel Endara (previously) was inspired to help in any way he could, which meant making art. Endara embarked on this portrait of Benjaman using stippling, a tedious technique which involves a pen, patience, and an obscene amount of dots. The portrait took nearly 138 hours to complete, and at a rate of 4.25 dots per second, he estimates the piece contains roughly 2.1 million of them. The hope is to spread awareness for Bengaman’s plight and to help raise money through the sale of prints to support a petition to get him a new social security number. You can learn more about the drawing here.
Using a rotring pen on white paper, Cornwall-based artist Mark Lascelles Thornton has embarked on a massive architectural drawing project called the The Happiness Machine. Each panel represents a stylized red and grayscale representation of architectural highlights from eight locations, so far including Chicago, New York, London and what appears to be a mix of Asian skyscrapers (Taipei, Kuala Lumpur, etc.). In addition to the meticulous detail of the buildings and clouds, the piece is all the more incredible considering its scale: the final piece will include eight panels spanning 8 ft. by 5 ft. (2.4 m. x 1.5 m.). The images here are great but you can see everything in much more detail over on his Tumblr. (via devid sketchbook)
This is a beautiful video showing the exquisite control of 27-year old Indonesian artist Elfan Diary as he draws a new portrait. Watch as he works with Fine Color markers, a Sakura Pigma Micron pen, and standard Faber-Castell colored pencils over a period of about three hours. Beautiful work.
From the pendulum-based drawing machine by Eske Rex to the art of Tim Knowles who attaches writing implements to trees, I love when the seemingly random lines of chaos (or maybe just physics) are rendered visible using ink or pencil. This latest project titled STYN by Netherlands-based graduate student Sam van Doorn is no exception. Using modified parts from an old pinball machine van Doorn created a one-of-a-kind drawing device that utilizes standard flippers to control a ink-covered sphere that moves across a temporary poster placed on the game surface. He suggets that skill then becomes a factor, as the better you are at pinball the more complex the drawing becomes. See much more on his website, here. My drawing would have a single line that goes between the flippers and then have TILT written all over it. (via lustik)
Based on a photograph from Benoit Paille (previously) artist Amy Robins drew this impressive portrait using little more than colored pencils, cartridge paper, and quite a bit of talent. Although there’s just enough style to differentiate the image from a photograph it made me do a double-take. If you liked this also check out the work of Sam Silva.