Unlike the human body which is composed of only 18% carbon, Agelio Batle‘s latest project is produced from 100% of the semimetal material. The work, titled Ash Dancer, is a life-size skeleton that acts like a very large pencil. When placed on a custom made high-frequency vibrating table, the bones of the skeleton rub marks onto the surface, slowly creating an outline of its own form. The more the work rubs against the table, the more of itself is left behind, slowly transforming the graphite from sculpture to abstract drawings which Batle refers to as Ash Dances.
The piece is a part the exhibition “murmer | tremble” at Jack Fischer Gallery in San Francisco which opens November 5 and runs through December 29, 2016. You can see more work from Studio Batle on his website, and a number of his graphite objects are available in the Colossal Shop. (via This Isn’t Happiness)
An artist is turning his 6-year-old son Dom’s wild imagination and childlike drawing skills into realistic renderings of animals and cars, transforming rough sketches into Photoshop masterpieces. The father and son pair have a project titled Things I Have Drawn, an account that chronicles their collaborative illustrations of misshapen dolphins, wobbly vehicles, and laughing lions. In addition to their drawings, Dom’s father also makes up rhymes for each of his son’s creations, bringing a storybook quality to each strange and endearing work. You can see more of their animal portraits on their Instagram @thingsihavedrawn. (via Designboom)
Michigan artist Taylor Mazer renders the seemingly mundane world of empty alleyways and nondescript buildings of the midwest in excruciating detail on a canvas scarcely larger than a few postage stamps. Working with a fine Micron pen he constructs old buildings brick by brick and casts entire drawings in deep shadow, forcing the viewer to explore the piece up-close to discover every minute detail. The cityscapes are devoid of people, instead focusing on architectural details, light, and the unknown forces—weather or otherwise—that force people indoors, or away altogether.
Mazer works as a freelance illustrator and artist and is currently adjunct faculty at Kendall College of Art and Design in Grand Rapids. You can see more of his work on Behance or Instagram, and many of his original drawings are available in his shop.
Artist Dina Brodsky has many focuses to her practice, painting in miniature on canvas and paper, and recently turning to her family, friends, and Instagram community to submit trees for her to reproduce in a drawn project titled “The Secret Life of Trees.” Throughout both of these processes she remains extremely attentive to her sketchbook, filling its pages with detailed drawings of architecture, wildlife, and scattered portraits of strangers that accompany her looped handwriting. The drawings are often finished with touches of watercolor, gouache, gold leaf, and found objects from her travels, like in one where she pastes a rupee note from India.
An exhibition of her series, “The Secret Life of Trees,” was recently shown at Bernarducci Meisel Gallery in NYC. Brodsky sells recently produced paintings and drawings on Etsy, and you can see more of her sketchbook works and miniatures on her Instagram.
This quick video demonstrates how to use a long elastic string anchored at the horizon of a canvas to sketch a drawing with two point perspective. With as many art and drawing classes I’ve taken, I’ve never seen this method used before. A more traditional and accurate method would involve a ruler and maybe a drafting table if you’re super fancy, but this seems like a great method for mocking up something quickly. The video posted on Facebook is uncredited and apparently came from Instagram. Anyone know the artist/designer? (via Reddit, The Awesomer)
Update: The individual demonstrating this technique is architect Reza Asgaripour.
Marco Mazzoni (previously here and here) creates works that at first lead the viewer astray, appearing as bouquets or nests until one notices fins protruding from the flora that sprawls across his Moleskine sketchbooks. Some works concentrate on small groups of animals while others serve as finely drawn “I Spy” collages, as he incorporates camouflaged toads and birds into lush, textured gardens.
Colored pencil is the Italian artist’s medium of choice, cool pastels of purple, blue and pink forming most of his paused still lifes. Recently Mazzoni produced a series titled “Illustrated Encyclopedia of Mental Diseases,” illustrations which were included in the group exhibition “Cluster” at Jonathan LeVine Gallery in New York City this August. You can view more of the artist’s odd animal clusters on his Instagram, Facebook, and Tumblr.