Violaine & Jeremy is a graphic design
and illustration studio based in Paris formed by Violaine Orsoni and Jeremy Schneider. The duo collaborate on a wide range of projects including the design and layout of Influencia magazine, indentity projects, and album covers. Among their best work are these astounding graphite drawings of quirky animals adorned with beards of wildlife and other unexpected characters. You can see much more over on Behance.
The heads atop each of these surreal graphite portraits seem to act as a canvas in and of themselves, as entire scenes and landscapes spill forth from each oversized face. Drawn by Austrian artist Stefan Zsaitsits (previously), each piece seems to depict an individual who is literally or figuratively encumbered by animals, objects, or metaphorical thoughts. The works here are just sampling of new pieces created for a show at Galerie Lang Wien in Vienna and for Art Austria 2014. You can see all of his recent pieces over on Behance, and many of his collected drawings are available in his book, Headsongs.
Vancouver-based artist Fiona Tang creates large-scale murals of animals using charcoal, chalk pastel, and acrylic on paper that at first glance appear 3D. Tang makes use of a technique called trompe l’oeil where shadows and perspective within the two dimensional drawing are used to trick the viewer into thinking the piece is three dimensional. Tang recently graduated from Emily Carr University of Art and Design, and you can see more of her work over on Facebook. (via Juxtapoz, My Modern Met)
Since we last visited with Italian illustrator and graphic designer Marcello Barenghi last year, his wildly popular YouTube channel has gone into overdrive with a new photorealistic drawing tutorial almost every week. From soda cans and body parts to games and insects, he skillfully renders each piece using colored pencils and markers resulting a final object that looks like it could be grabbed right off the page. See more of his 150+ drawings right here.
Sundust is a new series of ten portraits of fictional sun goddesses by Toronto-based visual artist Sara Golish. Each piece is meticulously executed in charcoal, conté, and gold ink, and marks a distinct evolution in Golish’s style of portraiture. From her statement about the series which was unveiled at Brockton Collective during the summer solstice:
This year, Sara Golish marks this celebration [the summer solstice] with her new series SUNDUST, a salute to the fertility of the sun goddess through ten portraits of women from the continent most touched by the sun’s embrace – Africa. Compelled by the lack of female personified sun deities, Golish aims to revise and re-examine the male dominated sun god through the recasting of the past in order to re-envision the future. Released on the eve of summer solstice, the ladies of SUNDUST represent and celebrate all that is light, powerful, and life-giving.
A few of the originals are still available, and limited edition prints are for sale through her website. You can see all ten works with detailed descriptions over on Facebook. (via Gaks Designs)
Equally versatile in medium, canvas, and subject matter, Spanish artist Pejac seems comfortable working on the smallest drawing to the largest outdoor mural. While his ideas and motivations are often crystal clear, it is his minimalism and subtractive techniques that make his work truly stand out. His figures are often rendered only in silhouette or fine lines and familiar patterns like bricks or the folds of the human brain are transformed into flocks of birds or the branches of trees.
A Single Note / 48″ diameter, 150″ (12.5 feet) circumference
With meticulous determination and a steady hand, artist Ben Sack picks up a black 0.05 Staedtler pigment liner pen and begins to draw the dense, intricate details of fictional cityscapes: buildings, roads, rivers and bridges. He draws until the ink runs out and picks up another pen. And another. And another. Sapping the ink from dozens of writing utensils until several months later a canvas is complete. His most recent piece, a vast circular drawing titled A Single Note (top), has a 12.5 foot circumference. It staggers the mind.
The architecture found in Sack’s artwork spans centuries, from gothic cathedrals to towering skyscrapers, underpinned by patterns of urban sprawl reminiscent of European cities with a healthy dose of science fiction. If you look carefully you might even recognize a familiar landmark here and there. He shares as his influence some thoughts on “western antiquity”:
Its this sort of image that I think most people, if not all of society have of western antiquity; stainless marble facades, long triumphal avenues, monuments to glory. In actuality, the cities of the past were far from idealistic by today’s standards. Yes there was marble, lots of marble, and monuments galore, however these urban centers were huddled together and unless you were considerably wealthy, life in dreamy antiquity was often a heroic struggle. Though the societies of antiquity were bloody, dirty and corrupt the idea of antiquity has come to represent some resounding ideals in present society; democracy, justice, law and order, balance, symmetry. These ideals are now the foundation stones of our own civilization, a civilization that some distant future will perhaps honor as antiquity.
Sack graduated from the Virginia Commonwealth University in 2011 and has since had work numerous solo a group exhibitions, most recently at Ghostprint Gallery. And just this week he returned from a circumnavigation of the globe as part of a residence aboard the m/s Amsterdam. You can see more of his work on his website, and over on Tumblr. Prints are available here. (via Waxy.org, Laughing Squid)