Italian artist Marcello Barenghi draws incredibly realistic everyday objects that appear almost three dimensional with the help of colored pencils and occasional enhancements using markers or watercolor. Each work appears ever so slightly stylized which I think sets these apart from similar hyperrealistic drawings that are meant to ‘trick’ a viewer. If you want to see more, Barenghi runs a YouTube channel where he documents the process of almost every drawing. (via 2headedsnake)
The ludicrous battle of haircut/shaving videos continues with an new stop-motion short from Peter Simon that was inspired by an old magnetic Wooly Willy toy. Simon previously created a video called Trim back in 2011 which might have been inspiration for Ben Garvin’s Magic Beard last month. Do we have a new genre on our hands? Music by Paul Otteson.
Tokyo-based designer Duncan Shotton, known for his whimsical functional objects like the magnetic cloud keyholder and his Lochness monster pins, just launched a Kickstarter Project for a new kind of pencil that makes rainbows when you sharpen it. Each pencil has a 6-layer rainbow core of recycled paper (not wood) and either a white or black exterior. Shotton says the pencils will ship before Christmas.
In one of the best collaborations this blog has seen in ages, professional illustrator Mica Angela Hendricks has been collaborating with her 4-year-old daughter on a series of wonderful drawings that pass back and forther between mother and daugher until reaching an always unexpected final form. Each drawing begins with Hendricks drawing a detailed retro-ish head, after which her daughter snatches away the sketchbook to create rudimentary body (or animal!) parts as well as other random details. Afterward Hendricks goes back in to polish things up a bit and behold: dinosaur women, slug ladies, and beaver astronauts are born. Of the collaboration Hendricks shares:
Sometimes I would give her suggestions, like “maybe she could have a dragon body!” but usually she would ignore theses suggestions if it didn’t fit in with what she already had in mind. But since I am a grownup and a little bit (okay a lot) of a perfectionist, I sometimes would have a specific idea in mind as I doodled my heads. Maybe she could make this into a bug! I’d think happily to myself as I sketched, imagining the possibilities of what it could look like. So later, when she’d doodle some crazy shape that seemed to go in some surrealistic direction, or put a large circle around the creature and filled the WHOLE THING in with marker, part of my brain would think, What is she DOING?!? She’s just scribbling it all up! But I should know that in most instances, kids’ imaginations way outweigh a grownup’s, and it always ALWAYS looked better that what I had imagined. ALWAYS.
In a drawing style reminiscent of the whorl patterns found in van Gogh paintings, artist Nicolas Jolly draws using a kind of crosshatcing that looks like the patterns of fingerprints. The thousands of tiny black ink lines vary in length, direction, and thickness to create landscapes, portraits, and other scenes that seem to be pulsing with energy. You can see many of his drawings close-up in his Fingerprints gallery and several are available as prints over on Society6. (via Behance)
With a wildly surreal imagination, artist Rustam QBic from Kazan, Russia creates fish adorned with houses and windows, elephants sprouting giant buildings, and a goose whose feathers are made from a ocean of angry waves. Almost every one of his creations, be it on paper or on a wall is brimming with wonderful ideas and often have to be viewed up close to appreciate their full detail. He most recently completed murals for the LGZ Festival and for Art-Ovrag 2013, and you can see many more paintings, illustrations, and other work over on Facebook. (via StreetArtNews)
In his series of drawings titled Each Line One Breath, Netherlands-based artist John Franzen creates textured drawings remeniscent of wrinkled fabric or waves of water by drawing tediously placed rows of lines with black ink. The artist begins by drawing a single vertical line on the far side of a canvas but on subsequent lines allows for various imperfections to become amplified or suppressed as he continues, line after line. The process, which might look maddening, actually appears to be a sort of meditative effort for Franzen who works with almost robotic precision. Watch the two videos above to see how he works. If you liked this you might also enjoy the work of Tony Orrico. (via Booooooom, Saatchi Online)
Update: Franzen will be in Berlin next Tuesday as part of a new exhibition at Platoon Kunsthalle.