Trying to pin down exactly what makes these urban landscape paintings by British artist Nathan Walsh (previously) so unusual is difficult, in part because of the variety of techniques he employs to get from a vision in his mind to the final, exacting artwork.
Starting with his own photographic references, Walsh first draws an elaborate blueprint of sorts by establishing a horizon line and a host of perspective strategies that varies from piece to piece. This is followed by several months of painting with oils to achieve the final landscape that appears to be a strange hybrid of both illustrative and photorealistic styles. Photography, architecture, and painting converge to create a “painted world which in some ways resembles the world we live in,” says Walsh. “The work aims to create credible and convincing space which whilst making reference to our world, displays its own distinct logic.”
Walsh is currently preparing for a group show titled “Cityscape Paintings: Looking from the Outside In” at Bernarducci Meisel Gallery in October, followed by a solo show during the same period in 2016. You can follow more of his work in progress on Facebook.
In December of last year London-based artist Patrick Vale spent several weeks drawing this impressive pen and ink illustration of the New York skyline as viewed from the Rockefeller Center. Luckily he photographed almost every moment of the endeavor to make this timelapse where we see building after building materialize at the tip of his pen. The final piece titled Colossus is a triptych of three huge A1 sheets of paper that he scanned and turned into an even larger wallpaper. You might remember Vale from his 2012 drawing timelapse of Lower Manhattan.(via Highsnobiety)
Tokyo-based illustrator Adrian Hogan created a fun series of sketches last April where he drew panoramic views of streets and sidewalks around the outside of his coffee cups. In these brief videos he then slowly reveals each drawing against the backdrop of its subject. (via MAS Context)
From time to time we love to stop and marvel at the mathematical wizardry of artists and designers who make GIFs with code, but Sydney-based illustrator Nancy Liang takes an old-school approach with her imaginative scenes made almost entirely by hand. There isn’t a single element in her animations that doesn’t begin as a physical drawing or object. Liang works mostly with kraft paper cutouts and pencil drawings, all of which is carefully planned in copious sketches before each element is scanned and animated in Photoshop. Seen here are a few of her most recent pieces, you can see more on her Tumblr: Over the Moon.
Starting in February, Brisbane artist CJ Hendry embarked on an ambitious drawing project, the creation of 50 food drawings in 50 days, with a new piece posted to Instagram every 24 hours. Each black pen drawing of a photorealistic food set against the backdrop of an ornate French plate is rendered with a stunning grasp of shading and depth. You can scroll through the entire collection of photos here, and see some of her earlier large-scale drawings on Analogue/Digital.com.au. (via Boing Boing, The Cool Hunter)
For most of us, a sketchbook is a playground of ideas, random thoughts, and plenty of mistakes. For Milan-based artist Marco Mazzoni it’s a place where new artworks are born, realized to perfection from margin to margin. In his colored pencil drawings Mazzoni tends to focus on dense arrays of intertwined flora and fauna, as well as depictions of female herbalists from 16th—18th Century, Sardinia—portraits that can be viewed as equally beautiful or unsettling.