The DuoGraph is the latest drawing machine from inventor and designer Joe Freedman whose Cycloid Drawing Machine took the internet by storm a few months ago. His elaborate devices are capable of producing amazing geometric patterns akin to a Spirograph on steroids. This new creation is quite a bit simpler to setup and use, relying on 7 gears and a number of parameters that can be changed quickly to produce infinite designs. While the DuoGraph is a bit more limited in its level of customization, it’s capable of producing elaborate Lissajous patterns which the larger device cannot. Learn more about it on Kickstarter.
Housed within an 40-foot inflatable dome inside of a former soy sauce factory, Oscar Oiwa‘s Oiwa Island 2 is an immersive drawings that takes up the entirety of the circular space. The drawing is a part of the 2016 Setouchi Triennale which opened March 20, 2016, a massive art festival that takes over 12 islands and includes 68 works by artists, architects, and designers. Oiwa’s own is located on the island of Shodoshima, an island with 78 miles of coastline in Japan’s Kagawa Prefecture.
The 360-degree drawing includes natural imagery, placing visitors in a black and white world with a detailed forest containing a cabin on the shore of a beach. The drawing is fairly realistic until one reaches the water, where the patterns of the waves become increasingly abstract. The door of the cabin in this elaborate mural doubles as the actual door for the dome, creating an even more immersive effect when you enter the gigantic space.
Oiwa Island 2 will be open for viewing through April 17th for its spring dates, from July 18 through September 4th for the summer, and October 8th through November 6th for the fall. (via Spoon & Tamago)
Christian Watson, illustrator and owner of 1924, posts images to Instagram multiple times a day, pictures that showcase his cross-country adventures, vintage cameras, and sporadically his own miniature ink drawings that are often less than a half an inch tall. The tiny illustrations seem to mimic the rustic adventures found in his photographs—pulling in log cabins, lighthouses, and animals that teeter on the tip of his pencils or crawl to the top of his fingers. Take a look at more of Watson’s hand lettering and micro illustrations on his Instagram. (via Arch Atlas)
Cycloid Drawing Machine, all images provided by LEAFpdx
Looking more like a vintage turn table than drawing device, the Cycloid Drawing Machine is inspired by drawing machines from the late 19th and early 20th centuries, long before the invention of the Spirograph. Although these early toys like the harmonograph also produced complex designs, they were limited in scope. The Cycloid Drawing adjusts this previous oversight by utilizing a moving fulcrum and providing several interchangeable gears to make the machine infinitely adjustable.
Like its ancestors, this drawing machine by LEAFpdx requires no electricity and has no motors. To start one of its complex drawings all you must do is crank it by hand. The set comes with the base, three geared turntables, 18 gears, colored pens and test paper to allow for a customized device. To watch the machine’s set-up and see it in action, watch the video posted below. (via My Modern Met)
All images courtesy of David Álvarez. This image was made in collaboration with Julia D
David Álvarez produces soft illustrations that seem to glow despite their often limited color palette of black and white. The graphite scenes depict animals either interacting with or as humans, often donning elaborate garments while engaged in activities such as dancing or reading books.
“I always found it amazing how artists worked in the earlier days, I think of the technological limitations and how it took talent, skill, and patience to develop works of great complexity,” Álvarez told Colossal. “That was one reason why, since I was a student, I felt interest in figurative drawing for handling light and shadow. At school I discovered graphite and its possibilities. When I started working on my own I noticed that my personality and my way of working suited that particular technique.”
Mesoamerica is one of the illustrator’s favorite subjects to produce works around. Recently he created a book surrounding Mesoamerican myth titled Ancient Night that follows a rabbit and opossum’s adventures with pulque, a fermented prehispanic beverage.
Seen here are a number of collaborations with illustrator Julia Diaz. You can explore more of Álvarez’s illustrations on his Instagram and blog.
Artist Xavier Casalta (previously) wows us again with his miraculous patience and steady hand in this latest illustration titled Autumn, a flowing depiction of intertwined flowers, gourds, plants, and other vegetation. Casalta uses a technique called stippling, where a multitude of tiny ink dots are made it various patterns to create shadows, lines, and textures throughout the piece. The 23-year-old illustrator estimates Autumn contains roughly 7 million dots applied over a staggering period of 370 hours. You can see more close-up views of the piece here. (via Booooooom)