While we’ve seen everyone’s favorite plastic building brick turned into chocolate, retro toy sculptures and street art, we haven’t seen too many fashion accessories. Poland-based Agabag have set about to change that with their huge array of handbags and jewelry encased in official LEGO bricks. They have shops both on their website as well as on Etsy. (via Design Milk)
“Unmellow Yellow” by Nanette Lepore
For spring 2015, Bloomingdale’s reached out to several designers to create pieces that both matched and were constructed by iconic Crayola colors. The pieces are designed with playful colors, yet have a sharp edge, the points of the crayons adding 3D elements to many of the elaborate pieces. The most dynamic, a bright yellow dress designed by Nanette Lepore, showcases a bustier of organized pinwheel crayon segments extending from the ornate neckline.
Other designers chosen were Rebecca Taylor, Clover Canyon, Rebecca Minkoff, Torn by Ronny Kobo, and Parker. Parker added a creative spin to the project, incorporating the Jungle Green crayon wrappers as faux-fabric within their designed romper. Designers Derek Farrar and Laurieanne Gilner explained that not only was the piece environmentally sound, but also gave them a serious case of spring fever.
The pieces, photographed by Matthew Carasella, are currently on display at the 59th Street Bloomingdale’s location in New York City, and more detailed shots can be found on Carasella’s portfolio site here. (via Laughing Squid)
Update: It should also be noted that another artist, Herb Williams (previously), has been creating similar Crayon fashions since 2007.
“Unmellow Yellow” by Nanette Lepore
“Bittersweet” by Torn by Ronny Kobo
“Clover Canyon” by Mountain Meadow
“Midnight Blue” by Rebecca Taylor
“Banana Mania” by Rebecca Minkoff
“Banana Mania” by Rebecca Minkoff
“Jungle Green” by Parker
For the last 20 years, unassuming Dutch photographer Hans Eijkelboom has traversed the world, picking a spot, be it in Shanghai, New York, or Paris, and meticulously photographed what he saw. “I take between 1 and 80 photographs a day, almost every day, 12 months a year,” he says, referring to his “Photo Notes” project, which has now been turned into a book titled People of the Twenty-First Century. The “Photographic Journal,” published by PHAIDON, is the largest, most comprehensive work of his to date, and includes thousands of photos that, together, create a fascinating picture of mankind.
The “anti-sartorial” photographs of everyday people capture specific visual themes – people in red jackets, men with bare chests on roller blades – that are grouped together with the date, city and time range they were taken. And this combination and repetition is what makes the photographs so powerful. Viewed separately, they would hardly even catch our eye.
“I don’t use this diary to show what happens in my life but as a method of visualizing the development of my world view,” writes the artist. Much like the way stalagmites form in caves over hundreds of years, Eijkelboom’s landscape is the result of a methodical fixation to the banality of everyday life. Hans Eijkelboom’s “People of the Twenty-First Century” is available for around $26 (Via Citylab)
Starting with vintage photography and illustrations of models sporting fashions from the 1950s, Amsterdam-based artist Hinke Schreuders applies a rich layer of hand-stitched embroidery, beading, lace, and flourishes of ink to entirely new images that can be both unsettling and exuberant. The pieces seen here are part of an ongoing series called Works on Paper, started in 2008. With her work Schreuders says she seeks to “subtly confuse notions of feminine vulnerability and reinforce the position of embroidery as an artistic medium,” something I think we can all agree she has done masterfully.
Schreuders most recently exhibited as part of a group show at Robert Mann gallery titled the The Embroiderederd Image which brought together almost a dozen artists currently working at the intersection of photography and embroidery or textiles. She’ll have more work on view in Amsterdam next month at both We Like Art and Amsterdam Drawing 2014. You can follow more of her work on Facebook.
(via Hyperallergic, Mister Finch)
Product designer Marcel Dunger conceived of this fascinating and elegant way of creating small rings, pendants, and earrings by “repairing” broken pieces of maple wood with colored bio-resins. The resin is first poured onto a larger piece of broken wood and after the hardening process the piece is then machined into pieces of jewelry.
We’ve seen so many different projects using resin lately from sculptures of aquatic life to hair ornaments, but what’s probably more interesting, as pointed out by The Fox is Black’s Bobby Solomon, is the trend of visibly incorporating repairs into new or improved objects. We’ve seen it with Japanese Kintsugi pieces, furniture created by fusing tree trunks with cast aluminum, and even another wood/resin combo resulting in glowing kitchen shelves. As far as turning waste products into functional objects, or extending the life of something broken, it’s a visually striking idea that will hopefully be incorporated by more artists and designers. You can see more of Dunger’s work in his online portfolio. (via The Fox is Black, Behance)
Update: Jewelry designer Britta Boeckmann creates a similar form of jewelry and has quite a few pieces available in her shop.
Based in Narita City, Japanese artist Sakae creates exquisite hair ornaments known as kanzashi. The traditional hair pieces have been around for quite some time in Japan, but these pieces—each hand-crafted from resin with a delicate brass wire around the edges—are startlingly realistic and the most beautiful we’ve ever seen. Depending on the complexity of the pieces they can take anywhere between 3 and 30 days. If you’re trying to get your hands on one of these, don’t get your hopes up. Sakae only occasionally puts one up for sale. And when she does it’s through Yahoo Auctions in Japan. Her latest auction just closed earlier this week. It attracted 215 buyers and finally sold for 400,000 yen. You can keep up with her (and her auctions) on her Facebook page or see her previous work on flickr. (via Mister Finch)
In a novel intersection of fashion and science, New York-based Slow Factory is utilizing imagery from NASA to create lines of translucent scarves. Their most recent collection, Cities by Night, is a series scarves imprinted with imagery of London, New York, and Paris captured at night from satellites and aboard the International Space Station. A second collection, Floating in Space, includes several breathtaking photographs of various nebulae captured by the Hubble. Slow Factory was founded by designer Celine Semaan Vernon, a native of Beirut who now lives and works in New York City. Several of their pieces are now available in the Colossal Shop.