Gav and Dan over at the Slow Mo Guys are famous for creating bizarre (and usually explosive) events in front of powerful HD slow motion cameras. Almost all of their videos are worth a watch, but their latest involving a spinning tornado of fire is especially great, skip ahead to 1:25 for the good stuff. Although this particular flamey vortex was created artificially using box fans, you can sometimes see real fire tornadoes in the middle of forest fires or spinning off from the plumes near an active volcano.
Spanish artist Manolo Garcia constructs towering replicas of renaissance-era sculptures, portraits, animals, and other decorative objects from his expansive workshop in Valencia, Spain. Garcia refers to his practice as ‘artistic carpentry’ and by looking at process photos of the studio’s work, that seems like a fair descriptor. Most of the set pieces, monuments, and sculptures built by Garcia begin with strips of wood that are applied to large architectural armature. The objects are usually so large they are first built in pieces and later assembled on-site.
Last March, Garcia participated in the annual Las Fallas (Fire Festival) in Valencia where a series of large artworks are set on fire at night as part of a Burning Man-esque spectacle. To be fair, the Fallas festivals in their current format pre-date the popular Nevada festival by about 44 years, and may have originated as far back as the Middle Ages.
While on a trip to visit the Ijen and Bromo Tengger Semeru volcanoes in East Java last month, Chicago-based photographer Reuben Wu captured the unusual sight of molten sulphur that flows from fumaroles at the base of the Blue Fire Crater at Ijen. The area is usually swarming with tourists, but Wu stayed after sunset until the moon rose to capture these otherworldly images.
The journey into the Ijen Caldera is not for the faint hearted. A two-hour trek up the side of the rocky volcano is followed by another 45-minute hike down to the bank of the crater. The blue fire found at the base is the result of ignited sulphuric gas that burns up to 600 degrees Celsius (1,112 degrees Fahrenheit) and can flare up to 5 meters (16 feet) into the air. It is the largest “blue flame” area on Earth.
In the early morning hours of June 15, a huge white balloon filled with 6,200 cubic meters of helium slowly ascended into the sky above Huiyu Island Harbour, Quanzhou, China. Attached to it was a 500-meter long ladder coated completely with quick burning fuses and gold fireworks that was then ignighted by artist Cai Guo-Qiang (previously) who has become known for his ambitious pyrotechnic artworks.
Titled Sky Ladder, the piece burned for approxmiately 2 minutes and 30 seconds above the harbor and was the fourth and final attempt to realize the performance. Guo-Qiang had earlier attempted Sky Ladder in Bath (1994), Shanghai (2001), and in Los Angeles (2012), to varying degrees of success, but never considered his vision complete until now. He first imagined a ladder of fire as a child and has pursued the idea for 21 years. He shares about this last successful iteration of the event:
Behind Sky Ladder lies a clear childhood dream of mine. Despite all life’s twists and turns, I have always been determined to realize it. My earlier proposals were either more abstract or ceremonial. Sky Ladder today is tender, and touches my heart deeply: it carries affection for my hometown, my relatives and my friends. In contrast to my other attempts, which set the ignition time at dusk, this time the ladder rose toward the morning sun, carrying hope. For me, this not only means a return but also the start of a new journey.
Unfortunately there’s no official video of the performance available yet, but a few shaky cell phone videos have emerged. You can see more images of the performance on the artist’s website. All photos by Lin Yi and Wen-You Cai courtesy Cai Studio. (via Booooooom)
The news of deadly wildfires ravaging California has been as awe-inspiring as it is terrifying. Great swaths of forests, mountains, fields, and entire neighborhoods can be incinerated in moments leaving nothing unscathed. For the last few years, Los Angeles-based photographer Stuart Palley has been shooting these fires as they rage across Southern California as part of a series he calls Terra Flamma.
More than just capturing flames or firefighters, Palley focuses instead on the entire landscape surrounding each event. By utilizing long exposure techniques he incorporates trails of sparks, the lights of firefighting aircraft, and even the stars above to create images that speak more to the strange beauty of wildfires than simple editorial documentation.
Though Palley often jumps at the opportunity to photograph a fire at a moment’s notice, he’s also well prepared. He takes a number of precautions including completion of the US Forestry Service’s “Introduction to Wildland Fire Behavior” to better ensure his safety.
In 2009, Cai Guo-Qiang was commissioned by the Philadelphia Museum of Art to create a site-specific explosion event on the front facade of the museum. The project, titled Fallen Blossoms, used a gunpowder fuse, metal net, and scaffolding to activate a blossom pattern for 60 seconds, temporarily setting the columns of the building ablaze.
The fuse for the flower was lit on December 11 at sunset for a large audience. The title for the event and corresponding exhibition is derived from a classical Chinese proverb “hua kai hua luo” which comments on the extreme loss felt when a life is ended unexpectedly. The title and event were also meant as a tribute to the Museum’s late director, Anne d’Harnoncourt.
Guo-Qiang currently lives and works in New York, but was born and trained in stage design in China. Not limited to one medium, Guo-Qiang works in installation, drawing, performance and video art. During his 9-year stay in Japan he explored the use of gunpowder in his work which eventually led to his large scale explosion events. Guo-Qiang was notably the Director of Visual and Special Effects for both the opening and closing ceremonies of the 2008 Summer Olympics in Beijing. (via cerceos)
As part of a reference photoshoot for an illustration project by Warsaw-based creative studio Ars Thanea, a bouquet of roses was set on fire and photographed as they smoldered in the dark. The glow of the dying embers is strangely evocative, it would be amazing to see an entire series of different flowers photographed like this. You can see the final illustration and how they caught the images over on Behance. (via Boing Boing)