Anja Wulfing adds large animals into the black and white scenes of found vintage photographs, turning the attention away from the somber faces of its subjects and to the creatures that pose quite naturally behind their backs. The surprising inclusions are painted in by Wulfing, and often take the form of birds—such as crows, owls, ducks, and the occasional rooster. The animals either join the members of the photograph or merge with its occupants, sometimes replacing the heads of those posing to create hybrid and humorous creatures.
You can see more of Wulfing’s subtle animal additions on her Instagram and Behance. (via Lustik)
“The Conundrum” (2016), hand embroidery on found photograph, all images courtesy of Flowers Gallery London and New York
London-based artist Julie Cockburn transforms vintage photographs by embroidering across their surfaces, adding bright pops of thread to portraits that are either black and white or have faded over time. Using found images from eBay and flea markets, Cockburn obscures the faces of strangers, layering the portraits with multi-colored dots, geometric patterns, or ovals in varying gradients.
Cockburn will exhibit work with The Photographers’ Gallery at The Photography Show presented by AIPAD March 30 through April 2, 2017 on New York City’s Pier 94. You can see more of Cockburn’s embroidered images on her Instagram and Facebook. (via Hyperallergic)
“The Secret” (2012)
“Point of View” (2014)
“The Orthodontist” (2014)
Artist j.frede composes flea market photographs into custom built frames, creating visual and narrative landscapes from the previously unassociated materials. The works spread across the wall, building on each other through similar landscapes or horizon lines. The project, titled Fiction Landscapes, builds on the artist’s interest in memory, tapping into others’ momentos of the past to create fictionalized scenes of ambiguous origin.
Although each image has once been a placeholder in time for the photographer, once it gets collected into a mixed up bin at a flea market these associations are erased. “Arranging these into new landscapes that have never existed speaks to the stitching together of human behavior and how we relate to time and the past,” says Frede. “How many people have pulled over at that rest stop and taken nearly the same photo of the plain hillside? All locking their own associations into the view, first road trip with a new love; last road trip to see grandma; one of many road trips alone.”
The Los Angeles-based artist strictly uses anonymous photographs from the past for his works, never incorporating photographs of his own or individuals he knows. The memories he personally imbues into each composition in the series are instead ones he creates while making each arrangement, placing his own marker within the newly composed environment.
Currently j.frede has a piece from Fiction Landscapes in “Three Day Weekend: Party in the Back” at Blum & Poe on view through December 19, 2015. (via Visual News)