All photography by Philippe Jarrigeon for PIN–UP.
For the latest issues of PIN-UP, photographer Philippe Jarrigeon visited the Château de Marqueyssac in France to photograph the incredible topiary gardens found there. The area was first developed in the late 17th century by Bertrand Vernet de Marqueyssac, but truly began to take form in the 1860s when owner Julien de Cervel planted thousands of malleable boxwood trees which were carved into fantastic shapes. Today the sprawling gardens have over 150,000 trees cut into unusual geometric forms that can be explored by the public through 5 kilometers of walkable paths. You can see more photos by Jarrigeon over on PIN-UP. (via This Isn’t Happiness)
Last week while visiting Le Mont-Saint-Michel in Normandy, photographer Loïc Lagarde captured this awesome view of the tidal island at night with the Milky Way spanning the sky above, further highlighting the near fairy-tale nature of the historic landmark. The island has held strategic fortifications since the 8th century and is famous for the dramatic shift in surrounding tides that vary roughly 14 metres (46 ft) between high and low and high water marks. Despite being visited by nearly 3 million people annually the island has a population of just 44 permanent residents. Lagarde says the photo was made without multiple exposures or blending and is a ‘true’ representation of the moment. You can see more of his photos on Instagram.
“The Son of a Migrant from Syria
Based on an update to his website this morning it appears Banksy visited the Jungle Refugee Camp in Calais, France, one of the largest refugee camps in western Europe. The artist left behind four new artworks, most notably a piece featuring Steve Jobs carrying an early Macintosh computer and a sack over his shoulder noting his background as a “son of a migrant from Syria,” (Jobs was adopted, but his biological father was from Syria). In another piece he references Géricault’s famous Raft of Medusa painting, depicting an imperiled group of people on a sinking raft as they hail a modern cruise ship just on the horizon. The artist previously brought attention to the refuge crisis in a piece at Dismaland earlier this year.
In addition to the artworks, part of Banksy’s team installed 12 permanent structures and a makeshift playground inside the squalid Jungle camp using materials left behind from Dismaland, a project he refers to as Dismal Aid.
One of the best ways you can help Syrian refugees is through donations to the UN Refugee Agency.
All images via Baptiste Debombourg
Baptiste Debombourg (previously here and here) has transformed a public square using the very objects that typically occupy it—taking 1,200 café chairs and forming them into an elaborate roller coaster. Although the installation is static, Debombourg created movement within the sculpture by incorporating six bright colors and four sky-high loops that twist and turn far from the ground.
The installation, titled Stellar, was built as a part of Le Voyage à Nantes, and will be located within the Place du Bouffay in Nantes, France until August 20th. Its inspiration stems from addressing the great presence of outdoor cafés and restaurants within the city center, as well as an artwork Robert Delaunay produced for the Paris World’s Fair in 1937. (via Junk Culture)
all photos copyright Michel Denancé
For the last 8 years the Pathe Foundation in Paris has worked with Pritzker-winning architect Renzo Piano to design and construct their new headquarters. Slated for a grand opening this September, photos have emerged that reveal, in the architect’s own words, “an unexpected presence”: a curved bulbous structure that looks like it’s been squeezed into an opening within a historic Parisian city block. “The art of inserting a new building into an historic city block,” says Piano, “means engaging in an open, physical dialogue with the existing city buildings.” In other words, it’s an exercise in reclaiming space.
Hidden mostly behind buildings, the new headquarters, which will promote the Pathe’s heritage in cinematography with office spaces, film archives and a screening room, pokes its head out above the neighbors, looking like a giant armadillo. Walking by, an unsuspecting visitor would have no idea was behind that street-side facade. (via Designboom)
Photographer Allard Schager shot this perplexing photo while looking up the Stairway of the King of Aragon, a stairwell carved into a steep cliff face in Bonifacio, Corsica, France. I’ve looked at it carefully half a dozen times and still get confused as to which way is up or down. Totally wild.