Last week while visiting Le Mont-Saint-Michel in Normandy, photographer Loïc Lagarde captured this awesome view of the tidal island at night with the Milky Way spanning the sky above, further highlighting the near fairy-tale nature of the historic landmark. The island has held strategic fortifications since the 8th century and is famous for the dramatic shift in surrounding tides that vary roughly 14 metres (46 ft) between high and low and high water marks. Despite being visited by nearly 3 million people annually the island has a population of just 44 permanent residents. Lagarde says the photo was made without multiple exposures or blending and is a ‘true’ representation of the moment. You can see more of his photos on Instagram.
Based on an update to his website this morning it appears Banksy visited the Jungle Refugee Camp in Calais, France, one of the largest refugee camps in western Europe. The artist left behind four new artworks, most notably a piece featuring Steve Jobs carrying an early Macintosh computer and a sack over his shoulder noting his background as a “son of a migrant from Syria,” (Jobs was adopted, but his biological father was from Syria). In another piece he references Géricault’s famous Raft of Medusa painting, depicting an imperiled group of people on a sinking raft as they hail a modern cruise ship just on the horizon. The artist previously brought attention to the refuge crisis in a piece at Dismaland earlier this year.
In addition to the artworks, part of Banksy’s team installed 12 permanent structures and a makeshift playground inside the squalid Jungle camp using materials left behind from Dismaland, a project he refers to as Dismal Aid.
One of the best ways you can help Syrian refugees is through donations to the UN Refugee Agency.
Baptiste Debombourg (previously here and here) has transformed a public square using the very objects that typically occupy it—taking 1,200 café chairs and forming them into an elaborate roller coaster. Although the installation is static, Debombourg created movement within the sculpture by incorporating six bright colors and four sky-high loops that twist and turn far from the ground.
The installation, titled Stellar, was built as a part of Le Voyage à Nantes, and will be located within the Place du Bouffay in Nantes, France until August 20th. Its inspiration stems from addressing the great presence of outdoor cafés and restaurants within the city center, as well as an artwork Robert Delaunay produced for the Paris World’s Fair in 1937. (via Junk Culture)
For the last 8 years the Pathe Foundation in Paris has worked with Pritzker-winning architect Renzo Piano to design and construct their new headquarters. Slated for a grand opening this September, photos have emerged that reveal, in the architect’s own words, “an unexpected presence”: a curved bulbous structure that looks like it’s been squeezed into an opening within a historic Parisian city block. “The art of inserting a new building into an historic city block,” says Piano, “means engaging in an open, physical dialogue with the existing city buildings.” In other words, it’s an exercise in reclaiming space.
Hidden mostly behind buildings, the new headquarters, which will promote the Pathe’s heritage in cinematography with office spaces, film archives and a screening room, pokes its head out above the neighbors, looking like a giant armadillo. Walking by, an unsuspecting visitor would have no idea was behind that street-side facade. (via Designboom)
Completed in 2012, Serpent d’océan is a giant aluminum sea serpent skeleton by artist Huang Yong Ping (previously) situated off the shore of the Loire River where it empties into the Bay of Biscay just outside of Nantes, France. Measuring nearly 425 feet (130 meters) in length the curving skeleton mirrors the curves of the nearby Saint-Nazaire bridge and was created as a permanent work for the final Estuaire contemporary art exhibition in 2012. Via Nantes Tourisme:
By having a major figure from Chinese mythology appear on European shores, Huang Yong Ping examines, the notions of identity and cultural hybridity, as is often the case in his work. The environmental question is also very present in his art where he regularly exposes the paradox of the man sawing the branch he is sitting on, torn between creative abilities and destructive impulses. This is one of the many possible interpretations of this work: placed on the beach, the skeleton appears with the tide and, little by little, will be home to marine fauna and flora.
Depending on weather conditions, tide levels, or the perspective of a photographer, Serpent d’océan appears dramatically different from day to day, a phenomenon you can witness over on Flickr. (via Beautiful Decay)