A few days ago, UK industrial designer and jeweler Mat Brown shared with the Reddit community his ingenious idea for a set of resin inlaid chestnut shelves. Starting with a cracked piece of chestnut wood he mixed standard resin with some mysterious glow-in-the-dark powder he bought on Ebay which he used to fill in the gaps. And voilà, instant glowing furniture with unknown side effects. Seriously though, they look amazing, and you can see his fully detailed tutorial over on his blog. Brown also makes lots of funky jewelry which he sells over on Etsy.
Residents of a neighborhood in Baltimore now have the most obvious place to wait for a bus ever designed. The ingenious stop is comprised of three 14′ typographic sculptures that literally spell out the word “BUS” while functioning as benches and a novel leisure space. The bus stop was unveiled last month by artist collective mmmm…, a creative collaboration between Emilio Alarcón, Alberto Alarcón, Ciro Márquez, and Eva Salmerón, who have been designing public spaces in Madrid since 1998. This is their second project in the United States. Via the collective’s website:
BUS is made with wood and steel, materials that are typically used to build urban furniture. The three letters of BUS are big enough to accommodate two to four people each and protect them from rain, sun, wind, and inclement weather. They allow people to assume different postures of sitting or standing while waiting for the bus. The S allows people to lie back while they wait, and the B provides shelter.
Product designer Hilla Shamia has developed a novel way to meld poured aluminum with irregularly shaped wood pieces to create sleek tables and benches. The process preserves that natural form of the tree trunk while still allowing the molten aluminum to flow into the crevices of the wood, slightly burning the area where the two materials meet. These remind me somewhat of Greg Klassen’s glass tables from last month here on Colossal. You can see more of Shamia’s work on her website. (via The Fox is Black)
We’ve seen no shortage of projects using layers of glass to simulate bodies of water the last few days. First we had glass sculptures by Ben Young, followed by several amazing river and lake tables Greg Klassen. Now we have designer Christopher Duff of Duffy London who has released concept images of the Abyss Table, a carefully layered table made from sculpted Perspex and wood that creates a geographic cross-section of the ocean. The tables will be limited to a series of 25 and are available for purchase here.
It should be noted that these are digital renderings of what the final piece should look like, it will be great to see photos of the actual tables once they are built. You can see a few more renderings on their Facebook page. (via designboom)
Furniture maker Greg Klassen builds intricately designed tables and other objects embedded with glass rivers and lakes. Inspired by his surroundings in the Pacific Northwest, Klassen works with edge pieces from discarded trees (often acquired from construction sites, or from dying trees that have begun to rot) which he aligns to mimic the jagged shores of various bodies of water. The pieces are completed with the addition of hand-cut glass pieces that appear to meander through the middle of each table. You can see much more of work here, and several tables are available through his shop.
Currently on view on the roof of the Madison Museum of Contemporary Art in Wisconsin, ‘Picnic‘ is a new functional sculpture by arist Michael Beitz (previously here and here). The roller coaster meets picnic table is made out of plywood and took the artist nearly a year to build using a special jig the artist says was reminiscent of a medieval torture device. Beitz is known for transforming pieces of wood furniture like sofas, chairs, and tables into twisting and undulating sculptures, many more of which you can see on his website. All photos courtesy Michael Beitz.
Created by designer Benjamin Graindorge, FallenTree is a minimalist bench made from little more than a slab of glass and a carefully carved oak tree. Graindorge chose to leave the orignal branches from the tree intact as support on one end of the bench as reminder of the wood’s living origins. The piece is on display this week at Design Miami in Basel, Switzerland through YMER&MALTA gallery. (via my modern met)