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Design

Engraved Wood and Resin Tables Glow With Maps of International Cities

July 16, 2018

Kate Sierzputowski

Warsaw-based company Woo Design engraves aerial views of major international cities like New York, Paris, London, and Munich into wooden coffee tables left raw or filled with resin. The designs are built with three layers to give a complete view of each city, with specific segments that reveal its streets, building tops, and waterways. In several of the company’s designs the resin embedded in the table glows a bright blue or green, adding a luminous element to the table’s surface. Woo Design’s tables are currently available through their website and Etsy. You can follow along for more updated cities and designs on their Instagram. (via Colossal Submissions)

  

 

 



Design

Dachshund Geoffrey Barkington’s Silhouette Immortalized in a Stone Bench

June 18, 2018

Laura Staugaitis

As part of the London Festival of Architecture, a little dog gets a big memorial in the form of a one-ton stone bench. Designed by Patrick McEvoy in memory of a deceased dachshund named Geoffrey Barkington, the bench has been installed in Jubilee Gardens. The Festival of Architecture runs through June 30, 2018, and features over five hundred events around the city of London. (via dezeen)

 

 



Art

Impractical Wooden Furniture Created to Blend Into its Natural Environment

May 31, 2018

Kate Sierzputowski

"The Jones: Part 2" (2017), sculpted fallen trees from Manhattan, 66 x 72 x 48 inches

“The Jones: Part 2” (2017), sculpted fallen trees from Manhattan, 66 x 72 x 48 inches

Hugh Hayden builds furniture not intended for human use, crafting benches and chairs from pieces of wood without removing the original branches or twigs. In these sculptural works the stray forms make it nearly impossible to use the object as a piece of furniture. The shape an Adirondack chair is present, like in his piece The Jones and Other Borrowed Ideas, yet its impediments make sitting an uncomfortable challenge.

Hayden’s imbedded branches serve as a camouflage system that explores how his designed objects might blend into a natural landscape. His piece “Brier Patch,” which features six carved school desks, “juxtaposes the organic, unpredictability of the natural world (e.g. undergrowth,
a thicket etc.) with the ordered and disciplined pursuit of education and greater civilization,” he explains. “The branches extending from the desks are entangled and materialize this integration into the landscape or environment, creating a visible, unifying space, that is at once protective and impenetrable.”

His solo exhibition at White Columns runs through June 2, 2018, and is his first in New York City. Hayden recently received is MFA in Sculpture from Columbia University, and his Bachelor of Architecture from Cornell University in 2007. You can see more of his sculptures on his website and Instagram.

"The Jones: Part 2" (2017), sculpted fallen trees from Manhattan, 66 x 72 x 48 inches

“The Jones: Part 2” (2017), sculpted fallen trees from Manhattan, 66 x 72 x 48 inches

"Brier Patch" (2018), sculpted wood and hardware, dimensions variable

“Brier Patch” (2018), sculpted wood and hardware, dimensions variable

Detail of "Brier Patch" (2018), sculpted wood and hardware, dimensions variable

Detail of “Brier Patch” (2018), sculpted wood and hardware, dimensions variable

Detail of "Brier Patch" (2018), sculpted wood and hardware, dimensions variable

Detail of “Brier Patch” (2018), sculpted wood and hardware, dimensions variable

"Hangers" (2018), sculpted wood and garment rack, 60 x 66 x 30 inches

“Hangers” (2018), sculpted wood and garment rack, 60 x 66 x 30 inches

Detail of "Hangers" (2018), sculpted wood and garment rack, 60 x 66 x 30 inches

Detail of “Hangers” (2018), sculpted wood and garment rack, 60 x 66 x 30 inches

Detail of "Hangers" (2018), sculpted wood and garment rack, 60 x 66 x 30 inches

Detail of “Hangers” (2018), sculpted wood and garment rack, 60 x 66 x 30 inches

"The Jones and Other Borrowed Ideas" (2017), sculpted fallen hemlock, 40 x 48 x 53 inches

“The Jones and Other Borrowed Ideas” (2017), sculpted fallen hemlock, 40 x 48 x 53 inches

"Untitled Lexus Dash" (2017), sculpted wood from Harlem park, 60 x 48 x 42 inches

“Untitled Lexus Dash” (2017), sculpted wood from Harlem park, 60 x 48 x 42 inches

 

 



Art Design

Sisyphus: the Hypnotizing Kickstarter-Funded Kinetic Sand Drawing Machine is Now Available to The Public

April 30, 2018

Laura Staugaitis

Sisyphus, the wildly successful Kickstarter-funded kinetic table designed by Bruce Shapiro (previously), is now available to the public via pre-order. The 2016 project raised $1,924,018 and is, to date, the most-funded campaign in the history of Kickstarter’s art category. The coffee table design includes a bed of sand with a magnetic steel marble that continuously traces programmed patterns through the malleable material. Many of the original designs are meditative mandala-like configurations, but it’s also possible to program the marble to create continuous line drawings or custom messages.

Sisyphus started taking pre-orders this weekend via their website. The table is available in two styles (coffee table or end table) and a variety of metallic and wood finishes. You can also follow the brand’s progress on Facebook and Instagram.

 

 



Design

Yellow Street Lines Form a Park Bench Around a Tree in this Temporary Green Space by The Edible Bus Stop

October 16, 2017

Christopher Jobson

As part of the 2012 RHS Hampton Court Palace Flower Show in London, landscape and design consultancy The Edible Bus Stop conceived of a green space that incorporated gardens, artwork, and the conversion of a street into public space. The temporary exhibition titled Riot of Color was conceived as “a post apocalyptic interpretation of the after effects of the 2011 London riots.” One of the more novel aspects was this fun park bench designed as yellow street lines that rise from pavement to wrap around a tree. You can see more views on their website. (via Visual Fodder)

 

 



Design

This Resin and Fiberglass Table by Harow Replicates the Surface of the Moon

October 6, 2017

Kate Sierzputowski


Using digital files pulled from NASA’s archives, French design studio Harow designed a table that replicates the real topology of the moon’s surface. The Apollo 11 Table features a sculpted fiberglass slab in the form of a lunar crater. Covering this thick segment is a layer of resin, which allows one to fully view its dips and crevices while providing coverage to the uneven terrain. The brass and aluminum alloy feet also pay homage to the many Apollo missions, parts that put a modern spin on the Lunar Excursion Module‘s original landing pads.

You can view more of Harow’s designs, including these Apollo landing wall works, on their website and Instagram. (via This Isn’t Happiness)

 

 



Design

Lightning in a Bottle: A Cylindrical Light Hidden Inside a Capsule by DCW Editions

May 29, 2017

Christopher Jobson

GIF via Design Milk

The French lighting and furniture design firm DCW editions just released this novel minimalist lighting concept called the ISP Lamp that contains an LED light mechanism inside a narrow brass capsule inspired by the design of an airplane fuselage. By opening the end and pulling out the cylindrical light, it appears is if you’re pulling out a physical “tube” of light itself, not just a bulb. You can see a few more photos and videos on their website and on Facebook. (via Design Milk)

Loved the ISP #lamp series by #IliaPotemine for @dcw_editions #icff #icff2017 #nycxdesign

A post shared by Design Milk (@designmilk) on

 

 

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