Artist and designer Sebastian Errazuriz allows natural form to dictate his furniture design, building shelves and tables that conform to the tree structures that inspire his work. Highlighting the tree’s shape as focal point, Errazuriz keeps his designs simple, placing only thin panes of glass to add the functionality needed for shelves or tabletops. The trees he incorporates into his designs are sourced from forests in South America, readapting their fallen branches while keeping the integrity of trees’ original shape (like the root system seen in his Tree Table below).
Although Errazuriz’s designs tend to be minimal, he is also fond of adding a dash of the absurd. “It’s important to me that a project consist of just a little twist,” he said, “because I ultimately want people to see the obvious, the everyday differently.”
Designer Alexandre Chapelin of LA Table designed this intriguing series of three tables he refers to as Lagoon Tables. Each table is formed from a carved travertine base to which he adheres a special resin that forms volumes of water that appear to slice through each piece. The tables are undoubtedly influenced by Chapelin’s immediate surroundings on the small Caribbean island of Saint Martin where his studio is based. You can see more of his work here. (via Colossal Submissions)
Baptiste Debombourg (previously here and here) has transformed a public square using the very objects that typically occupy it—taking 1,200 café chairs and forming them into an elaborate roller coaster. Although the installation is static, Debombourg created movement within the sculpture by incorporating six bright colors and four sky-high loops that twist and turn far from the ground.
The installation, titled Stellar, was built as a part of Le Voyage à Nantes, and will be located within the Place du Bouffay in Nantes, France until August 20th. Its inspiration stems from addressing the great presence of outdoor cafés and restaurants within the city center, as well as an artwork Robert Delaunay produced for the Paris World’s Fair in 1937. (via Junk Culture)
As part of a long series of functional sculptures by New York artist Sebastian ErraZuriz, the Wave Cabinet merges the form of a credenza with an elaborate system of 100 wooden slats that allows the piece to open in rolling, wave-like patterns. Like many of his other novel designs, ErraZuriz says his intention is to elicit curiosity and cause viewers to do a double-take when looking at a recognizable object that suddenly behaves in new ways. “I am inviting people to look at one of the simplest forms of furniture design and to forget that we’re talking about furniture, instead to see it as a way of breaking a box.” Watch the video below to see it in action, and also see his equally fun Explosion Cabinet. (via The Kid Should See This, Prosthetic Knowledge)
Designer Joseph Walsh believes that the quality of life can be improved by surrounding ourselves with work that is valued beyond both its form and function, an idea manifested through his functional art and sculptures embedded with calculated chaos. Walsh designs and produces pieces that stimulate the mind, entice the senses, and exist as more than our traditional view of furniture and design objects.
Walsh designs one-of-a-kind pieces like the enormous desk he produced as a part of the Design Show exhibition at the New Art Centre in Roche Court in 2014. At its center the pieces looks almost like a traditional work surface, then it spirals upward, engulfing visitors and ending in a very large shelf that extends against one wall of the gallery.
In Walsh’s Lilium series he explores the relationship between the geometric and the organic, mixing symmetrical repetitions with elaborate abstract shapes. Through each of these techniques Walsh captures natural growth, calling forth nature’s sometimes random generations and curious patterns.
“In ‘Lilium’ I explore the relationship between the ordered and chaotic; the geometric and the lyrical; the perfect, effortless symmetry of the bulb, the regulated, controlled element and its freed form as it reaches through and beyond,” says Walsh. “The Lilium series is both a study and an expression of the relationship between the beauty we create and the beauty we allow to happen; the beauty we participate in creating and the beauty we quietly observe.”
Walsh founded his studio and workshop in 1999 in Co. Cork, Ireland. Self-taught, he continually seeks inspiration for his pieces in patterns of growth and evolution. Walsh does not work alone, but with a team of master makers and technicians, helping to both engineer and craft the final pieces that come out of the studio. You can see more images of his elegantly designed furniture and decorative pieces on his Facebook page. (via My Amp Goes to 11 and My Modern Met)
Artist Michael Beitz (previously) designed two more of his amazing sculptural tables in the last year. The first is called Tree Picnic, a functional 50-foot-long picnic table that branches like a tree at the Michigan Riley Farm in Buffalo, NY. The other piece is a 18-foot-long tangle of looping wood titled Not Now, referring to the table’s anti-social design. The sculpture was on view last year as part of his solo show called Maybe Later at the Roswell Museum and Art Center. You can see more of his strange interpretations of everyday furniture in this online gallery. (via Contemporist)