Artist Robert Wechsler (previously) was recently comissioned by the The New Yorker to create a series of coin sculptures for their October 14th money-themed edition. Wechsler used a jeweler’s saw to cut precise notches in coins from various currencies and then joined them together in several geometric forms. While nine pieces were selected for the magazine, a total of 22 were created, all of which can be seen in his Money gallery. (via Colossal Submissions)
This series of photos titled Géométrie de l’impossible (Impossible Geometry) from 21-year-old photographer Fanette Guilloud was created earlier this year in locations around Toulouse, Bordeaux and in the French Alps near Lyon. Guilloud employed a method of anamorphic projection similar to the work of Felice Varini to create the illusion of a painting superimposed on an image, when in fact there is no digital trickery whatsoever. The image is actually painted on numerous surfaces at varying depths and only appears like what you see here from a particular vantage point. (via Metafilter)
London-based artist Leonardo Ulian (previously) has completed a new body of work titled Sacred Space. Inspired by Hindu and Buddhist symbolism, Ulian continues his exploration of technology and spiritualism with these carefully sculpted mandalas created with soldered computer and radio components. Via Beers.Lambert:
Ulian’s reflexive use of the geometrical mandala can also be seen as a nod to his ‘past-life’ as an technican, but through his application, Ulian divorces the electronic components from their origins, giving new life to these (now defunct) technological bits, creating a new type of hybridization that is equal parts spiritualization and contemporary critique: “We live in a society that worships electronic technology,” he states “both for necessity but also because it makes us feel better, not unlike its own new form of fashionable spirituality.”
Of particular note in this solo show is an amazing little three-dimensial bonsai tree titled Centrica Bonsai. If you happen to be in London, Sacred Space opens tonight at Beers.Lambert Contemporary. All photos courtesy Oskar Proctor.
Rochester-based artist Andy Gilmore turns math into art, creating hypnotizing and kaledscopic patterns that are heavily influenced by patterns he encounters in nature as well as music. The prolific artist has numerous commercial clients including Wired, Nike, and the New York Times, but has also released his own visual compositions through Ghostly International Editions since 2010. Gilmore just released a new body of work and sat down with Ghostly in the video above to talk about his process and influence. (via Colossal Submissions, and thnx Steve!)
Optical Ripple is the latest print from artist and designer Simon C. Page who often explores complex geometric patterns as well as the interplay of color. This latest piece involves a kaleidoscopic array of colors and concentric circles that borders on the edge of a blurry optical illusion. If you liked this, also check out his wonderful Color Wheel. (via the fox is black)
Swiss artist Felice Varini is know for his large scale projections of geometric forms onto rooms and exterior spaces. His latest work at the Grand Palais in Paris went up just last month, you can watch the video above to see how he works with projectors and stencils to create his artwork that only appears proportional when seen from a specific viewpoint. You can also follow him on Facebook. (via street art news)
Bristol-based visual artist Joanie Lemercier has been experimenting with light projected onto 3D canvases. This lastest work created for a Birmingham gallery space was created using sheets of A4 paper folded into pyramids onto which he projected light resulting in an interesting organic effect. No video unfortunately, but you can learn more about his work here.
Since 2004 England-based Simon Beck has strapped on a pair of snowshoes and lumbered out into the the freshly fallen snow at the Les Arcs ski resort in France to trample out his distinctly geometric patterns, footprint by footprint. Each work takes the 54-year-old artist anywhere between 6 hours and two days to complete, an impressive physical feat aided from years of competitive orienteering. The orienteering also helps him in the precise mapping process which often begins on a computer before he’s able to mark landmarks in the snow that guide his precise walking patterns. All of the works above (with the exception of the portrait) are from the last few weeks, you can see several years worth of work over on Facebook.