Artist Calvin Seibert (previously) recently completed a new series of his geometrically precise sand castles on the beaches of Hawaii. A professional sculptor, Seibert seems to borrow angular ideas from Bauhaus architecture or the flair of Frank Gehry. How he’s able to control the sand so perfectly is anyone’s guess, it certainly puts my traditional upside down bucket method to shame. You can see more of his work over the last few years here.
Over the last year, Belgian painter and sculpturor Stefaan De Croock aka Strook (previously) began working with repurposed wood panels, doors, and furniture to construct giant faces on the side of buildings. The recycled wood surfaces are cut into precise geometric shapes and pieced together like a tangram puzzle, leaving the original paint and textures untouched. His most recent piece, Elsewhere, was a collaboration with his 69-year-old dad for Mechelen Muurt. You can see more of Strook’s paintings, sculptures, and other artworks on his website. (via Colossal Submissions)
Illinois artist Jiyong Lee uses a special glass technique called cold working to create his unusual segmented sculptures inspired by the growth of cells. The artworks, part of a series called Segmentation, are created without glass blowing or kilns, but instead through a labor-intensive process of cutting, sanding, laminating, and carving. Lee shares about his work via his artist statement:
The segmentation series is inspired by my fascination with science of cell, its division and the journey of growth that starts from a single cell and goes through a million divisions to become a life. I work with glass that has transparency and translucency, two qualities that serve as perfect metaphors for what is known and unknown about life science. The segmented, geometrical forms of my work represent cells, embryos, biological and molecular structures—each symbolizing the building blocks of life as well as the starting point of life. The uniquely refined translucent glass surfaces suggest the mysterious qualities of cells and, on a larger scale, the cloudiness of their futures. The Segmentation series is subtle and quiet yet structurally complex.
To be clear, the images you see here are photographs of Lee’s work and are not digital renderings. His extraordinary attention to use of color and translucency in each object creates surprising optical effects. You can learn a bit more about Lee’s work in the video below from the Corning Museum of Glass and see some of his recent sculptures at Duane Reed Gallery. (via Faith is Torment)
Javier de Riba spray paints abandoned buildings, but not in the way you might imagine. Instead of working on the interior or exterior walls of the buildings he finds, de Riba spray paints the floors, mapping out bright geometric patterns both large and small. The patterns de Riba creates look exactly like tiled floors, making it seem like an element of the building’s past has been elegantly restored.
Like a screen printer, de Riba works layer by layer, first painting the entirety of the space he plans to cover, then working one colored stencil at a time to build up the tile-like effect. The end result is a trick to the eyes both with materials and placement, one never expecting that spray paint formed the intricate patterns on the dusty floors.
The artist and creative designer was born in Barcelona and has worked as an art director in various agencies and studios. His current job is at Reskate Arts & Crafts Collective, a company that develops graphics and communication projects with a focus on sustainability and humane treatment. (via Junk Culture)
With delicate lines, dots, and geometric patterns, L.A. tattoo artist Dr. Woo creates some of the coolest tattoos we’ve seen in quite a while. The 33-year-old artist first started experimenting with tattoos when he was only 13 and would later work as a fashion buyer and designer before he apprenticed with Mark Mahoney at the Shamrock Social Club where he’s now based.
Woo is now one of the most in-demand tattoo artists in L.A. with a waitlist well over six months. There’s often a line out the door of people just making appointments in-person (a professor recently showed up with an entire class in tow). You can join a half million others and follow him on Instagram. All photos courtesy the artist. (via Quipsologies, My Modern Met, The New York Times)
Swiss artist Felice Varini (previously) recently opened a new solo exhibition titled “La Villette En Suites” featuring a number of anamorphic projections designed to be viewed from a single location creating an uncanny optical illusion. Varini is fascinated by architecture as backdrop for his artwork and seeks unusual spaces with varying planes of depth for his installations which can grow to be quite dramatic.
The new geometric pieces (which are technically paintings) are installed in both interior and exterior spaces around the Grande halle de la Villette within Parc de la Villette through September 13, 2015. You can see more views of the exhibition on StreetArtNews, and follow Varini directly on Facebook.
Since the early 1980s Japanese artist Niyoko Ikuta has explored the properties of glass which she uses to make etheral geometric sequences manifested as layered sculptures. One of the leading figures in Japanese glass art, Ikuta’s works have been collected by institutions worldwide including the V&A in London and the Corning Museum of Glass in the U.S. She shares about her work via V&A:
I am captivated by the complexity of light as it reflects, refracts, and passes through broken cross sections of plate glass. In 1980 I began making artwork by laminating sheets of glass using adhesive and exposing the cross sections. My motifs are derived from feelings of gentleness and harshness, fear, limitless expansion experienced through contact with nature, images from music, ethnic conflict, the heart affected by joy and anger, and prayer. In creating my pieces it is like imagining an architectural space when viewing blueprints, deciding on an image by reading into the intentions of the architect, or imbuing a space with dynamic energy to bring it to life.