geometric

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Art

Expansive New Geometric Drawings Trampled in Snow and Sand by Simon Beck

January 20, 2016

Christopher Jobson

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Driven by super-human forces and undaunted by the powers of nature, artist Simon Beck (previously) trudges across sand or through knee-high snow to create massive geometric drawings left behind in his footprints. From sandy expanses on the shore of New Zealand to frigid outlooks in the Swiss Alps, any pristine surface that stretches for hundreds of meters can work as a suitable canvas for Beck’s designs.

Each site-specific piece is planned well in advance on a computer and carefully mapped out on-site before the artist begins his grueling expedition. After walking for entire days, the painstaking details of enormous fractals, snowflakes, dragons, and undulating geometric forms are left in his wake—often with barely enough sunlight to snap a few quick photos.

Seen here are a number of pieces by Beck from the last year or so. You can learn about the fine details of his process in this FAQ and see additional photos over on Facebook. He also published a book of his work titled Simon Beck: Snow Art.

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Art

Geometric Collages Created From Layers of Vintage File Folders and Index Cards

November 8, 2015

Kate Sierzputowski

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Cataloging the tools once used for the very same purpose, Augustine Kofie creates collages that utilize file folders, index cards, and steno notepads from the ’50s through ’80s that were found while scouring the contents of Los Angeles estate sales. Kofie chooses to compile vintage materials from before the dawn of the digital age, a time when data took up physical space rather than gigabytes on an external hard drive.

The desire for collecting these specific paper forms comes from his obsession with historical forms of organization, the physical pen-to-paper process of keeping information tidy. After building collages from the papers in various colors and weights, he utilizes ballpoint pen, silkscreen, and acrylic ink to draw shapes and lines over top. These resulting collages have an architectural appearance, built forms with interlocking lines that mimic the precision of a building’s blueprint.

The Los Angeles-based artist merges his background in graffiti with interests in illustration and architecture to create work that references all three, focusing on form and line most intently in his compositions. Kofie’s solo exhibition “INVENTORY” will be on display at Jonathan LeVine Gallery in New York from November 21st through December 19th 2015.

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Craft Design

New DIY Geometric Halloween Masks by Wintercroft

October 7, 2015

Christopher Jobson

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Marianne and Steve over at Wintercroft (previously) spent the last year dreaming up several new geometric paper masks that you can download as DIY templates. Last year they just had a handful of great designs, but now they have over 50, some of which have multiple components and even moving parts like an articulated elephant’s trunk, or the long body of a fish. All you have to do is download, print, and assemble, and paint or color as you see fit. See more on their Etsy site.

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Art

A Ziggurat of Mirrors by Shirin Abedinirad Connects the Sky and Ground in Sydney

August 17, 2015

Christopher Jobson

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Artist Shirin Abedinirad (previously) just completed work on her latest sculpture, Mirrored Ziggurat, a pyramid of mirrors resting near a bay in Sydney, Australia as part of the Underbelly Arts Festival. Like her earlier mirror works, the Iranian artist is fascinated by stitching the sky to the ground (or vice versa, depending on your perspective) to create unusual optical illusions from almost every viewing angle. From her statement about the piece:

In this installation I have been inspired by the pyramidal structure of Ziggurat, a common form of temple in ancient Mesopotamia, attempting to connect earth and sky, so humans could be nearer to god. The Mirrored Ziggurat acts as a staircase, which seeks to connect nature with human beings and to create union of ancient history and today’s world. This installation offers a transformative view of the self.

You can see more views of the installation as well as a video on her website.

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Art Design

The Sandy Beach Architecture of Calvin Seibert

July 17, 2015

Christopher Jobson

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Artist Calvin Seibert (previously) recently completed a new series of his geometrically precise sand castles on the beaches of Hawaii. A professional sculptor, Seibert seems to borrow angular ideas from Bauhaus architecture or the flair of Frank Gehry. How he’s able to control the sand so perfectly is anyone’s guess, it certainly puts my traditional upside down bucket method to shame. You can see more of his work over the last few years here.

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Art

Repurposed Wood Doors and Furniture Transformed into Geometric Faces on the Streets of Belgium

June 29, 2015

Christopher Jobson

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Over the last year, Belgian painter and sculpturor Stefaan De Croock aka Strook (previously) began working with repurposed wood panels, doors, and furniture to construct giant faces on the side of buildings. The recycled wood surfaces are cut into precise geometric shapes and pieced together like a tangram puzzle, leaving the original paint and textures untouched. His most recent piece, Elsewhere, was a collaboration with his 69-year-old dad for Mechelen Muurt. You can see more of Strook’s paintings, sculptures, and other artworks on his website. (via Colossal Submissions)

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Art

Segmented Glass Sculptures by Jiyong Lee

June 1, 2015

Christopher Jobson

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Illinois artist Jiyong Lee uses a special glass technique called cold working to create his unusual segmented sculptures inspired by the growth of cells. The artworks, part of a series called Segmentation, are created without glass blowing or kilns, but instead through a labor-intensive process of cutting, sanding, laminating, and carving. Lee shares about his work via his artist statement:

The segmentation series is inspired by my fascination with science of cell, its division and the journey of growth that starts from a single cell and goes through a million divisions to become a life. I work with glass that has transparency and translucency, two qualities that serve as perfect metaphors for what is known and unknown about life science. The segmented, geometrical forms of my work represent cells, embryos, biological and molecular structures—each symbolizing the building blocks of life as well as the starting point of life. The uniquely refined translucent glass surfaces suggest the mysterious qualities of cells and, on a larger scale, the cloudiness of their futures. The Segmentation series is subtle and quiet yet structurally complex.

To be clear, the images you see here are photographs of Lee’s work and are not digital renderings. His extraordinary attention to use of color and translucency in each object creates surprising optical effects. You can learn a bit more about Lee’s work in the video below from the Corning Museum of Glass and see some of his recent sculptures at Duane Reed Gallery. (via Faith is Torment)

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