icebergs

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Art

Monumental Pastel Drawings of Endangered Icebergs by Zaria Forman

September 1, 2017

Kate Sierzputowski

"Whale Bay, Antarctica no.4" (In progress), Soft Pastel on paper, 84" x 144", 2016

“Whale Bay, Antarctica no.4″ (In progress), Soft Pastel on paper, 84″ x 144”, 2016

Zaria Forman (previously here and here) creates incredibly realistic drawings of Antarctica’s icebergs, producing large pastel works that capture the sculptural beauty of the quickly shrinking forms. This past winter, the artist had the opportunity to be side-by-side with the the towering ice shelfs, observing their magnitude aboard the National Geographic Explorer during a four week art residency.

The residency gave her the opportunity to further embody the natural formations, providing a new perspective to create her large-scale drawings.

“Many of us are intellectually aware that climate change is our greatest global challenge, and yet the problem may feel abstract, the imperiled landscapes remote,” says Forman. “I hope my drawings make Antarctica’s fragility visceral to the viewer, emulating the overpowering experience of being beside a glacier.”

Forman has a solo exhibition of her work titled Antarctica opening at Winston Wächter gallery in Seattle on September 9 and running through November 4, 2017. You can watch a timelapse of Forman completing her drawing Whale Bay, Antarctica no.4  in the video below. (via Juxtapoz)

"Whale Bay, Antarctica no. 2," Soft pastel on paper, 50" x 75", 2016

“Whale Bay, Antarctica no. 2,” Soft pastel on paper, 50″ x 75″, 2016

"Whale Bay, Antarctica no. 1," Soft pastel on paper, 60" x 90", 2016

“Whale Bay, Antarctica no. 1,” Soft pastel on paper, 60″ x 90″, 2016

"Cierva Cove, Antarctica no. 1," Soft Pastel on paper, 60" x 90", 2017

“Cierva Cove, Antarctica no. 1,” Soft Pastel on paper, 60″ x 90″, 2017

"Risting Glacier, South Georgia no. 1," Soft pastel on paper, 84" x 144", 2016

“Risting Glacier, South Georgia no. 1,” Soft pastel on paper, 84″ x 144″, 2016

“Lemaire Channel, Antarctica,” Soft pastel on paper, 44″ x 60″, 2015

"B-15Y Iceberg, Antarctica no. 1, Soft Pastel on paper," 72" x 72", 2017

“B-15Y Iceberg, Antarctica no. 1, Soft Pastel on paper,” 72″ x 72″, 2017

"B-15Y Iceberg, Antarctica no.2" (In progress), Soft pastel on paper, 60" x 90", 2017

“B-15Y Iceberg, Antarctica no.2″ (In progress), Soft pastel on paper, 60″ x 90”, 2017

 

 



Art

New ‘Eco-Surrealist’ Paintings by Josh Keyes Observe a Post-Human World

August 3, 2017

Kate Sierzputowski

Josh Keyes (previously) paints scenes that observe the world at the brink of destruction. His works often focus on polar bears and sharks, one species which will soon lose its home as ice shelves continue to melt, and the other which is poised to take over an Earth undersea. The animals are placed in settings that suggest a post-human existence, such as a pair of fighting horses in front of a beached ship and a solitary brown bear looking over a seemingly empty metropolis.

The hyperrealistic paintings also incorporate graffiti found in unlikely places. Tags cover satellites, icebergs, and even a shark, an allusion to the lengths at which humans are willing to leave their mark.

Keyes’ solo exhibition, Implosion, opens August 5th at Thinkspace Gallery in LA and runs through August 26, 2017. You can see more of his works on his Instagram and website. (via Juxtapoz, Arrested Motion)

 

 



Colossal

Colossal x Josh Keyes Print Release: I’ll Melt With You

March 31, 2017

Colossal

We are honored to have worked with Portland-based painter Josh Keyes on an exclusive release of the print edition of his 2016 painting, “I’ll Melt With You,” available now in The Colossal Shop.

Keyes’ ability to paint realistic renderings of our world becomes uncanny when he wields his brush in the name of environmental issues. Animals, rocket ships, and icebergs fall prey to graffiti, leaving the viewer uncomfortably wondering whether this is a painting of the future or a photograph of the present.

“I’ll Melt With You,” originally painted in acrylic on a 12 x 16 inch panel is translated to print form in its full dimensions, with an additional white border for convenient framing, for a final size of 16 x 20 inches. Printed by our friends at ioLabs in Rhode Island on Epson Hot Press Bright 300 gsm archival paper and available exclusively in The Colossal Shop.

 

 



Art

Speculative Paintings of a Graffiti-Covered Earth by Josh Keyes

January 18, 2017

Kate Sierzputowski

"Descent" (2016), acrylic on panel, 8"x10"

“Descent” (2016), acrylic on panel, 8″x10″

Josh Keyes‘ newest series features subjects both manmade and natural, their common element being several layers of graffiti that cover a space shuttle, a melting iceberg, and even a whale’s tail. For the last ten years these marks had remained in the background of Keyes’ paintings, adding detail to the supporting elements of the environment rather than being integrated into the subjects of his work.

For Keyes, the decision to place graffiti writing in the foreground questions our relationship to the natural world, and what impact we are undeniably leaving on our planet. The iceberg for instance, is marked with the words, “I’ll melt with you.” This blood red message could be the voice of both the iceberg and the tagger, a warning that we will all be melting if we continue to desecrate the Earth.

“Are there things and places that graffiti should not be?” asked Keyes to Colossal. “Who is to say what surface is to be kept graffiti clean? My personal concern is that this will be a reality some day and speaks to a larger issue of our relationship with the natural world. The satellite and space graffiti hints that even if we colonize other worlds, what mark will we leave? No matter where we go there is evidence of our presence.”

Keyes’ will exhibit his paintings later this year with Thinkspace Gallery in LA. You can see more of his works on his Instagram and website.

"Tin Can" (2016), acrylic on panel, 24"x48", all images via Josh Keyes

“Tin Can” (2016), acrylic on panel, 24″x48″, all images via Josh Keyes

"Tin Can" (2016), acrylic on panel, 24"x48"

“Tin Can” (2016), acrylic on panel, 24″x48″

"I'll Melt With You" (2016), acrylic on panel, 12"x18"

“I’ll Melt With You” (2016), acrylic on panel, 12″x16″

"Frontier 2" (2016), acrylic on panel, 12"x16"

“Frontier 2″ (2016), acrylic on panel, 12″x16”

"Frontier" (2015), acrylic on panel, 19"x24"

“Frontier” (2015), acrylic on panel, 19″x24″

 

 



Photography

A Towering Iceberg and Its Shadow Split the World into Quadrants

October 11, 2016

Christopher Jobson

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Captured by Canadian photographer David Burdeny in 2007, this amazing photo of a tabular iceberg rising straight out of the Weddel Sea appears to organize the world into four neat quadrants. Titled “Mercators Projection,” the photo is from his series “North/South” taken while on tour of Antarctica and Greenland. You can follow Burdeny’s most recent work on Instagram. (via PetaPixel)

 

 



Photography

A Rare Flipped Iceberg in Antarctica Photographed by Alex Cornell

January 15, 2015

Christopher Jobson

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While on an expedition to Antarctica last month, photographer Alex Cornell witnessed a massive iceberg flip, revealing a strangely translucent blue underside that’s completely free of snow and debris. According to Science World, almost 90% of any given iceberg is below the surface, making iceberg flips extremely rare. Much larger iceberg flips are even capable of causing tsunamis that can overtake nearby ships. You can see more photos from Cornells trip on his website. (via Colossal Submissions)

 

 



Art

Exploring Climate Change through Art: Giant Pastel Oceanscapes and Icebergs Drawn by Zaria Forman

January 2, 2014

Christopher Jobson

Greenland #54 40x60s

Greenland #54 / 40″ x 60″ / Soft pastel on paper.

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Tackling climate change or the documentation of extreme environments can be challenging endeavors for any artist, but for Brooklyn-based Zaria Forman it was simply an extension of a childhood spent traveling with her family to some of the Earth’s most remote locations. For her 2012 project Chasing the Light, Forman led an ambitious art expedition by sailing up the northwest coast of Greenland to retrace the 1869 journey of American painter William Bradford. Along the way she documented the changing arctic landscape which she would use for inspiration in several large soft pastel drawings seen here. Her nearly photorealistic works exquisitely capture the atmosphere and mood of a landscape in flux.

Greenland #56 40x60s

Greenland #56 / 40″ x 60″ / Soft pastel on paper.

Greenland #62 47x70s

Greenland #62 / 47″ x 70″ / Soft pastel on paper.

Greenland

Greenland #50 / 40″ x 60″ / Soft pastel on paper.

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Greenland #52 / 55″ x 60″ / Soft pastel on paper.

Greenland #63 50x75s

Greenland #63 / 50″ x 75″ / Soft pastel on paper.

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Maldives #1 40x60s

Maldives #1 / 40″ x 60″ / Soft pastel on paper.

In late 2013, Forman traveled to the Maldives, the lowest-lying country in the world, and an area said to be most vulnerable to rising sea levels, where she completed another body of work focusing on the rising ocean tides. The resulting drawings create an alluring juxtaposition of beauty and menace. Similar journeys have taken the artist to locations around Israel, Nosara, and Svalbard.

Maldives #2 41x60s

Maldives #2 / 41″ x 60″ / Soft pastel on paper.

Maldives #3 30x60s

Maldives #3 / 30″ x 60″ / Soft pastel on paper.

Maldives #4 41x60s

Maldives #4 / 41″ x 60″ / Soft pastel on paper.

Maldives

Maldives #5 / 45″ x 60″ / Soft pastel on paper.

Nosara #1 45x60Gs

Nosara #1 / 45″ x 60″ / Soft pastel on paper.

If you’d like to learn more about Forman’s work she currently has several original works available on Artsy and you can purchase prints over on ArtStar. The artist has an upcoming exhibition at Carla Massoni Gallery that opens in March, and if you have a good eye you can spot 10 of her drawings used on the sets of Netflix’s smash hit House of Cards. You can also follow her on Facebook. (via Gaks Designs)

 

 

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