
The Great Lunar Cycle, a new print Aaron Thong. Love it.

The Great Lunar Cycle, a new print Aaron Thong. Love it.

I’m enjoying these drawings by Gabriella Barouch who just finished school at the Bezalel Academy of Art and Design in Israel and now lives and works in Paris. (via stumbling through dark rooms)




Toronto-based artist Nicholas Di Genova illustrates incredible hybrid creatures using nothing more than ink on paper. His terrifying amalgams of reptiles, mammals, aquatic and plant life often feature densely compacted textures of hair and scales that seem to multiply like fractals on the surface of the animal’s skin. Nicholas opened a solo show last week at Galerie Dukan Hourdequin in Paris which will be up through December 3. The images above are amazing, but head over to his Tumblr to see them in more detail.


A new rotoscopic animation by Seoul-based Studio Shelter (previously) in which every single frame is a different character in a different style, frequently switching mediums between pencils, pens, markers, and even paint. What a perfect and wonderful way to capture the frustrations and rewards of drawing through the medium itself. I watched the whole clip twice and was amazed, but it wasn’t until the third time when I started hitting pause repeatedly that I realized how many hundreds of hidden treasures flash before your eyes. I definitely recommend spending some time with it. Directed by Ha Juan.








Sagaki Keita (previously) has updated his website with no less than a dozen new works completed this year alone. Keita continues his method of using manically scribbled doodles to create mind-melting illustrations of classic Roman statues. That he could create a single one of these in a year would impress me, but twelve seems simply inhuman. The earlier post of Keita’s work was one of the most popular in this blog’s history, and I’m so glad to be able to share his work with you again.







Mekkanika is a mind-blowing experimental typeface by Italian designer Riccardo Sabatini based on the Din Alternate Black font. Sabatini scanned hundreds of mechanical technical drawings and used the component pieces to create each intricate letterform, leaving no letter, number, Autobot or Decepticon logo unfinished. Take a deep dive through this epic project on Behance. He even provides a soundtrack.




A number of splendid illustrations by Singapore-based designer and illustrator Budi Satria Kwan. Available as prints on Society6. (via 2headedsnake)
© 2010-2013 Christopher Jobson, all rights reserved, unless otherwise noted. I try my best to attribute images, videos, and quotes to their creators and original sources. If you see something on Colossal that's misattributed or you would like removed, please contact me. The Colossal logo and name Colossal are the trademarks of Christopher Jobson.