“A million things that make your head spin,” 2016-2017. Flagging tape, wood, paint, and hardware. 51.4 x 27.5 x 84.8 feet / 15.67 x 8.37 x 25.85 meters
LA-based artist Megan Geckler recently completed work on her latest multi-colored tape installation inside the 6-story atrium of the historic Customs House building in Sydney. The suspended artwork titled “A million things that make your head spin” was produced with 14 kilometers (46,000 feet) of flagging tape with the help of several volunteers. Like a swirling tornado of color, the piece dominates the interior space of the building utilized as a cultural hub located in the city’s Circular Quay area. The installation will be on view through April 30, 2017. You can see more of Geckler’s work in her online portfolio and watch a behind-the-scenes video below.
Desert X installation view of Doug Aitken, MIRAGE. 2017. All photos by Lance Gerber unless otherwise noted. Courtesy the artist and Desert X.
Perched at the juncture where the San Jacinto mountains open into the Coachella valley in California, artist Doug Aitken has erected a ranch-style suburban home covered entirely in mirrors. Titled Mirage, the house appears like an inverted kaleidoscope, reflecting everything from the sky above to the surrounding mountainous desert, not to mention visitors themselves. The structure was created as part of Desert X, an outdoor art exhibition comprised of pieces by over 15 artists that remains on view through April 30, 2017. Mirage will remain up a bit longer through October 31, but has somewhat irregular hours so be sure to check the schedule before visiting.
“Study for Sidewalk Kintsukuroi #01 (New Haven, Connecticut),” photograph with enamel paint and metallic dust.
As part of an ongoing series titled Sidewalk Kintsukuroi, artist Rachel Sussman (previously) brings the Japanese art of kintsugi to the streets. We’ve long been enamored by the ancient technique that traditionally involves the process of fixing broken pottery with a lacquer dusted or mixed with powdered gold, resulting in an a repair that pays homage to the object’s history. In the same way, Sussman’s kintsugi series highlights the history under our feet, bringing attention to the imperceptible changes that take place over time in the world around us. Though even the repairs are impermanent and will eventually be lost to wear and tear.
Several photos from Sidewalk Kintsukuroi are currently on view as part of the Alchemy: Transformations in Gold at the Des Moines Art Center through through May 5, 2017. (via Hyperallergic)
“Study for Sidewalk Kintsukuroi #09 (SoHo, New York),” photograph with enamel paint and metallic dust.
“Study for Sidewalk Kintsukuroi #02 (MASS MoCA),” photograph with enamel paint and metallic dust
In celebration of The National Art Center of Tokyo‘s 10th anniversary, French architect Emmanuelle Moureaux was commissioned to fill the institution’s 6500 square foot exhibition space with her vision of the decade to come. Unsurprisingly, Moureaux, whose practice often involves layering color within space, decided to transform the white cube into a rainbow forest filled with more than 60,000 multi-colored numbers arranged in three dimensional grids.
The installation, Forest of Numbers, is composed of 10 layers, each to represent the next 10 years. Figures 0 through 9 create the 4 digits needed for each year. The numbers are also divided into 100 shades to align with Moureaux’s 100 Colors installation series which she has installed around the world since 2013. You can see previous installations from this series on her website. (via My Modern Met)
Images via Thane Lucas/Toronto Light Festival
Set within a district of Victorian industrial buildings, the Toronto Light Festival is a free 45-day festival occurring during this year’s winter months as a way to creatively draw the city’s inhabitants out of their homes. Featuring 21 diverse light installations built by local and international artists and thousands of glowing bulbs, the festival covers a total of 13 acres in the city’s Distillery District. Installations range from a series of lit figures appearing to jump from the roof of one of the historic buildings to two red, geometric cats prowling an included alleyway, with several multi-colored works in-between.
You can catch Toronto’s first ever light art festival until March 12, or follow the festival on Instagram to catch snapshots of the glowing installations.
All photos © Marc Fornes / The Very Many
An interconnected pathway of tubular branches hangs above the Orange County Convention Center (OCCC) in Orlando, Florida, an installation produced from perforated aluminum by architect Marc Fornes and his studio The Very Many. Under Magnitude, which appears like a large segment of bleached coral, is composed of over 4,600 strips of metal, each just a millimeter thick. When formed into tubes however, the material increases in strength, allowing it to be walked over without damage.
This installation is suspended from the OCCC’s atrium to create a sort of secondary ceiling, its white surface highlighted by the windows that surround it. Passersby can view the work from both above and below, allowing the hollow structure to be seen from multiple vantage points.
“Borrowing and mismatching elements from the world, pushing them out of scale and hybridising them to the realm of the bizarre, the structure achieves a familiar yet mysterious quality, at once friendly and alien,” said The Very Many in Dezeen.
Under Magnitude is based on a previous nonlinear structure titled nonLin/Lin Pavilion installed at the FRAC Centre in Orleans, France by Fornes and his studio in 2011. You can see more projects by the art+architectural studio on their website, and view a behind-the-scenes video of Under Magnitude below. (via NOTCOT, Dezeen)