Like a pixelated holodeck, Submergence is an immersive array of 8,064 suspended LEDs built by an international group of artists and designers known as Squidsoup. This particular installation is currently on display at Gallery ROM for Art and Architecture in Oslo, Norway and is comprised of a light field with motion sensors that responds to your actions and illuminates as you move through it. The piece was created by Anthony Rowe, Gaz Bushell, Chris Bennewith, Liam Birtles and Ollie Bown and you can see many more photos here. Submergence is on view through February 13, 2013. (via juxtapoz, notcot)
Before inviting Scott Carter to show in your exhibition space, be sure you’ve done your homework and have a stellar insurance policy, the Chicago artists’ medium of choice is drywall and wood cut directly from the walls of the gallery. Blurring the lines between sculpture and installation Carter first develops digital prototypes which he then translates into the myriad components needed to construct the furniture and other sculptures that comprise each exhibition. The eviscerated and ragged walls then form the backdrop to each piece like a curious set of physical blueprints, not unlike wooden insect skeleton models you might have played with as a kid. Scott currently has work at Beers.Lambert Gallery in London through January 26th and will have another solo show there in 2014. See much more of his work via his website (flash).
Artist Jeongmoon Choi uses light and thread to create amazing installations that play with aspects of perspective and illusion. Reminiscent of something produced at a laser light show, her fields of three-dimensional lines are installed in place and lit with ultraviolet light to create interactive environments. Choi currently has a solo show at Gallerie Laurent Mueller in Paris through January 26th. You can see much more of her work via her website and on Facebook. (via my modern met)
As part of a promotional effort to promote a new line of lighting solutions, IKEA Portugal partnered with LIKE Architects to create this fun illuminated walkway in the Belém Cultural Centre in Portugal. The lamps are programmed to have oscillating intensities, with each light possessing a unique pattern that results in a sort of shimmering maze of bare lightbulbs. See much more over on Domus. (via yellowtrace)
It is one of my great regrets that I didn’t head up to New York over the last few weeks to catch Ann Hamilton’s groundbreaking installation, The Event of a Thread, at the Park Avenue Armory. Perhaps the only saving grace of not seeing it in person, or having not covered it on Colossal as coverage bounced around the web, is this gorgeous new video by my friend Paul Octavious who managed to catch a final glimpse of the installation before it closed last weekend. As visually stunning as it appears, I’m certainly left asking… “So what does it all mean!?” A field of swings suspended 70 feet in the air, a gargantuan white curtain attached to a network of ropes and pulleys, readers sitting at giant wooden tables reading to nearby pigeons. Via the Armory:
Visual artist Ann Hamilton combines the ephemeral presence of time with the material tactility for which she is best known to create a new large-scale installation for the Wade Thompson Drill Hall. Commissioned by the Armory, the event of a thread references the building’s architecture, as well as the individual encounters and congregational gatherings that have animated its rich social history. A multisensory affair, the work draws together readings, sound, and live events within a field of swings that together invite visitors to connect to the action of each other and the work itself, illuminating the experience of the singular and collective body, the relationship between the animal and the human. The address of the readers to the pigeons shifts at the end of each day, when a vocalist on the drill hall’s balcony serenades their release to flight. Each day’s song is cut with a record lathe, and the resulting recording is played back the next day.
To read more about the artists intent and purpose you can read her artist statement (PDF). Thanks to Paul for letting me use his imagery here, you can see more photos he shot by following him on Instagram.
The Small Knocking Down the Big is a 2009 installation by Chinese artist Qiu Zhijie made from hundreds of cut wooden dominoes meant to loosely demonstrate the effects of something that has become known as Domino Magnification (if you really, really enjoy physics see the recent work of J. M. J. van Leeuwen). The basic premise is that any domino can knock over another domino that’s roughly 1.5 times larger, meaning that if you gently pushed a normal sized domino into a chain of bricks that increase in size each time by 1.5, the 32nd object will be large enough to topple the Empire State Building. In the video example above it takes only 13 dominoes starting with an object the size of a bean to knock over a 100 lb. slab!
Zhijie’s installation is somewhat less mathematical and more visual, but the same mathematical principles hold true. Participants are invited to knock over the smalles dominoes at the outer branches of the installation which eventually gain enough momentum to knock over the thicker blocks at the trunk. (via lustik)
As part of his first exhibition at Galleria Continua in San Gimignano, artist Ai Weiwei (previously) has installed 760 stacked bicycles in a sprawling installation on a raised stage within the gallery. It’s important to note that the bikes are not simply “stacked” but have been physically attached creating a single cohesive structure which can be explored from within, similar to his 2011 work Forever Bicycles. The exhibition is comprised of several sculptures, installations, video and photographs from the Chinese artist who was bestowed last May with the inaugural Václav Havel Prize for Creative Dissent from the Human Rights Foundation. Last year Weiwei was also the subject of the documentary Ai Weiwei: Never Sorry directed by American filmmaker Alison Klayman, which follows the artist through several nasty scuffles with Chinese authorities while he creates several new provocative artworks and organized social actions. Easily one of the best documentaries of 2012 and I highly recommend it (stream it on Netflix).
The exhibition at Galleria Continua is on view through February 16th, and you can see many more images here. All imagery above was provided courtesy Galleria Continua.
Points of Contention is a 2011 installation by Jonathan Latiano that was installed in a gallery space at the School 33 Art Center in Baltimore. The piece features an explosive crystal growth protruding from a rippling gallery floor that is meant to call into question the continued production of plastics, resins and polymers and their long-term impact on the geological landscape around us. Via a press release for the exhibition:
Driven by the exploration of time, motion and the physics of the natural world, Jonathan Latiano presents Points of Contention, a site-specific installation sculpture that investigates the increasingly blurred line between the organic and inorganic as well as the spatial boundaries of where the spectacle begins and ends. Convergent forms of crystalline growth and explosive impact reinforce the hundreds of shards of custom cut and painted elements used to create the centerpiece of the exhibition. Through the use of reclaimed and altered wood, plastic, Styrofoam and site-grown salt crystals Latiano explores the question: At what point do the controversies of the present become the “new norms” of the future?
Latiano will return to School 33 Art Center in September of 2013 as part of a collaboration with artist Jennifer Strunge who is known for her creation of totally bizarre and wonderful cotton monsters. Can’t wait to see what the two do together!