At the age of 14, photographer Cory Richards had dropped out of high school and was technically homeless. His education, he says, was instead obtained through the observation of struggle. Through various forms of discomfort and adventure he would eventually become the first American to successfully summit an 8,000-meter peak in winter (Pakistan’s Gasherbrum II), and launch an incredible career in photography through the pages of National Geographic.
Brooklyn-based digital media company Blue Chalk recently sat down with Richards to discuss his motivations and driving desire to connect with the people he photographs. (via ISO 1200, PetaPixel)
The Creator’s Project recently visited with kinetic sculptor Anthony Howe who creates kinetic artworks powered by wind. You might remember Howe from a piece here on Colossal back in July. Watch the video above to learn more about his artistic philosophy and watch some excellent footage of his hypnotic sculptures.
I have some pretty exciting news to kick off the week. About four months ago I received an email from an editor at Wired asking if I might be interested in writing for them occasionally. After mulling things over for a few seconds I decided I was extremely interested. I pitched my first few ideas and now in the December issue you can flip to page 80 and find a piece I wrote on figurative sculptor Evan Penny (previously). I can’t tell you how thrilled and honored I am to be contributing to one of my favorite magazines, and want to thank my editor, Sarah Fallon, for helping me learn the ropes. The article isn’t online just yet, but I’ll be sure to link it up soon.
In more news, I was recently interviewed by my good friend Philip Haritgan over on Hyperallergic. If you’re interested in how Colossal got started, about how I curate content, or if you’d like to see my son’s art blog debut, head on over. A huge thanks to Philip and the great folks at Hyperallergic for the opportunity!
Hi-Fructose has a brief interview with artist Gehard Demetz as well as several exquisite photos of new work. Demetz carves almost lifelike wood sculptures of children that appear riddled with gaps and are often impacted with objects. The artist currently has work at the Venice Biennale through December 8th.
Here’s a great interview with one of my favorite artists, Federico Uribe (previously) who uses repurposed objects like athletic shoes and hardware to create sculptures of animal and plant life. The video captures numerous shots of his current exhibition, The World According to Federico Uribe at the Boca Raton Museum of Art that’s still up through December 4. One of my favorite quotes from the video: “In time I learned that celebrating life was better than complaining about it.” Words to live by. The interview was produced and directed by David Marin of Pelicruise Film Group. (thnx, david!)
Through studio visits with artists and designers, we hope to explore each artist’s
space, process, influences, and the behind-the-scenes elements that are often unseen in the finished work. We look to highlight the ways in which each artist’s personal aesthetic pervades their environment and reveals their perspective. We are also interested in the daily realities of making creative work and how each artist sustains their practice.
One of the most unassuming of my daily stops is also one of the most incredible. The impeccably curated Lustik is a treasure trove of great art, design, and all things creative and interesting. After few weeks of following and sourcing several posts here on Colossal I decided it was time to learn more about the mysterious person behind this Tumblr who posts anonymously, without even a hint of information on the site. Luckily she responded to a shout-out a few weeks ago and I was able to ask her a few quick questions.
Who are you?
I’m Béatrice Lucas, a breton crazy cat’s lady!
Why did you start Lustik?
In French ou is u and loustic means “funny, kid…” I began it just for pleasure as a notebook, after Chercat.
How do you find stuff to post? Do you have a routine?
No routine, I… nose about!