[Briefly NSFW?] Artist Beth Cavener (previously) explores the extremes of human emotion and psychology through the articulated forms of animals. The twisting shapes of oversized predatory cats, foxes, goats, and other animals are meant to depict the internal and external human struggles of fear, anger, love. “On the surface, these figures are simply feral and domestic individuals suspended in a moment of tension,” Cavener shares, “[but] beneath the surface, they embody the consequences of human fear, apathy, aggression, and misunderstanding.”
Filmmaker Bas Berkhout of Like Knows Like recently interviewed Cavener in her Montana studio to learn more about the inspiration and process behind her sculpture for a new short film. If you’re interested, the video shows the artists working on two new pieces: Trapped and Foregiveness. (via Juxtapoz)
At the age of 14, photographer Cory Richards had dropped out of high school and was technically homeless. His education, he says, was instead obtained through the observation of struggle. Through various forms of discomfort and adventure he would eventually become the first American to successfully summit an 8,000-meter peak in winter (Pakistan’s Gasherbrum II), and launch an incredible career in photography through the pages of National Geographic.
Brooklyn-based digital media company Blue Chalk recently sat down with Richards to discuss his motivations and driving desire to connect with the people he photographs. (via ISO 1200, PetaPixel)
The Creator’s Project recently visited with kinetic sculptor Anthony Howe who creates kinetic artworks powered by wind. You might remember Howe from a piece here on Colossal back in July. Watch the video above to learn more about his artistic philosophy and watch some excellent footage of his hypnotic sculptures.
I have some pretty exciting news to kick off the week. About four months ago I received an email from an editor at Wired asking if I might be interested in writing for them occasionally. After mulling things over for a few seconds I decided I was extremely interested. I pitched my first few ideas and now in the December issue you can flip to page 80 and find a piece I wrote on figurative sculptor Evan Penny (previously). I can’t tell you how thrilled and honored I am to be contributing to one of my favorite magazines, and want to thank my editor, Sarah Fallon, for helping me learn the ropes. The article isn’t online just yet, but I’ll be sure to link it up soon.
In more news, I was recently interviewed by my good friend Philip Haritgan over on Hyperallergic. If you’re interested in how Colossal got started, about how I curate content, or if you’d like to see my son’s art blog debut, head on over. A huge thanks to Philip and the great folks at Hyperallergic for the opportunity!
Hi-Fructose has a brief interview with artist Gehard Demetz as well as several exquisite photos of new work. Demetz carves almost lifelike wood sculptures of children that appear riddled with gaps and are often impacted with objects. The artist currently has work at the Venice Biennale through December 8th.
Here’s a great interview with one of my favorite artists, Federico Uribe (previously) who uses repurposed objects like athletic shoes and hardware to create sculptures of animal and plant life. The video captures numerous shots of his current exhibition, The World According to Federico Uribe at the Boca Raton Museum of Art that’s still up through December 4. One of my favorite quotes from the video: “In time I learned that celebrating life was better than complaining about it.” Words to live by. The interview was produced and directed by David Marin of Pelicruise Film Group. (thnx, david!)
In the Make recently published a great interview with paper artist Jill Sylvia (previously) including a number of tantalizing process photos of her signature cut ledger paper sculptures. If you’re not familiar, In the Make is a weekly collaborative interview and photo series between photographer Klea McKenna and writer Nikki Grattan. From their about page:
Through studio visits with artists and designers, we hope to explore each artist’s
space, process, influences, and the behind-the-scenes elements that are often unseen in the finished work. We look to highlight the ways in which each artist’s personal aesthetic pervades their environment and reveals their perspective. We are also interested in the daily realities of making creative work and how each artist sustains their practice.
Their impressive list of interviews includes studio chats with Jesse Schlesinger, Christina Empedocles (previously), and Josephine Taylor. Well worth your time.