I’m digging this kinetic sculpture by Swiss artist Markus Raetz (previously) that creates the illusion of a rotating head using a series of silhouettes cut from metal panels. Most of Raetz’s work involves aspects of perception and illusion, more of which you can see here. (via Sploid)
The Creator’s Project recently visited with kinetic sculptor Anthony Howe who creates kinetic artworks powered by wind. You might remember Howe from a piece here on Colossal back in July. Watch the video above to learn more about his artistic philosophy and watch some excellent footage of his hypnotic sculptures.
For the last decade, self-confessed tinkerer and “organic mechanic” Blair Somerville has owned and operated the Lost Gypsy Gallery, a sprawling menagerie of kinetic sculptures, automata, and electronic doohickies. Located in in a remote corner of New Zealand’s South Island, the gallery has become Somerville’s life work, a testament to artistic ingenuity, and an offbeat tourist attraction where visitors can experience first-hand his interactive “Fine Acts of Junk”.
Filmmaker Joey Bania takes us inside this enchanting yet totally bizarre wonderland in his new documentary short Lost & Found, funded in part by BBC Worldwide Young Producers’ grant. NSFW-ish language here and there.
Some of most amazing contemporary artists working in the realm of optical illusion have been brought together for a fantastic show called Illusion at Science Gallery in Dublin, Ireland. Curated by psychologist and author Richard Wiseman and researched by magician and escapologist (!) Paul Gleeson, the exhibition explores the myriad ways the mind is tricked through sensory deception. The show includes works from Roseline de Thelin, Gregory Barsamian, Matt Kenyon, Jonty Hurwitz (previously), and many more. Illusion runs through September 29, 2013.
Onithology. Collage on asuka and watercolor paper, stainless steel, motor and electronics. 2013.
Colibri. Graphite and colored pencil on paper, stainless steel, delrin, motor, electronics. 2011.
Violetear. Acrylic and graphite on paper, stainless steel, delrin, aluminum, motor and electronics. 2011.
Since graduating from the Royal College of Art, artist Juan Fontanive has been exploring moving images and kinetic sculptures. My favorite of his lastest works are these three flipbook machines using drawings, acrylic paintings, and collages of birds. Two of the original machines above, Ornithology and Colibri are currently available through the New Museum.
Korean artist U-Ram Choe lives and works in Seoul where he creates highly ornate kinetic sculptures that mimic forms and motions found in nature. Choe uses various metals, motors, gears, and custom CPU boards to control the precise motions of each sculpture that are at times perfectly synchronized and other times completely random. With names like “Unicus – cavum ad initium” and “Arbor Deus Pennatus” it’s clear the artist treats each new work like a brand new species.
The artworks are so complex each “organism” is shipped with a manual to show collectors and galleries how to maintain and fix various components. Choe tells the Creator’s Project in one of the videos above how some of the works in his studio live a complete lifecycle where they are at first born and put on display, but after time begin to degrade as certain parts stop working. Eventually he raids old artworks for parts and uses them to build new ones.
Watch the videos above to see a good sampling of his work both old and new, and he has a huge archive of videos for nearly 50 artworks over on Vimeo.
Kinetic sculptor Bob Potts creates beautiful kinetic sculptures that mimic the motions of flight and the oars of boats. Despite their intricacy the pieces are surprisingly minimal, Potts seems to use only the essential components needed to convey each motion without much ornamentation or flourish. There is very little information online about the artist, however blogger Daniel Busby managed to get a brief interview with the 70-year-old artist last year. If you liked this, also check the work of Dukno Yoon . (via devid sketchbook)
Swiss designer and artist Paul Grundbacher makes incredible hand-cranked marble machines that he wrote about and filmed for Matthias Wandel’s Woodgears just this weekend. Grundbacher told Woodgears that he works mostly with firewood from a local factory and that he rarely sketches anything beforehand but has the ability to fashion each piece and try it as opposed to carefully measuring things out through any sort of blueprint. All the work here spans 2009-2012 and each piece is a mixture of his own ideas and tricks learned from watching videos of other artists creating similar wooden devices. You can read more about his inspiration and methodology behind each piece right here. (via mefi)