Last year artist Miya Ando traveled to Puerto Rico where she released 1,000 non-toxic resin leaves coated with phosphorescence into a small pond. During the day the leaves would “recharge” and at night would give off a ghostly, ethereal glow much like the light of a firefly. Titled Obon, the installation was inspired by a Japanese Buddhist festival of the same name that honors the spirits of one’s ancestors. The leaves were also meant to simulate Puerto Rico’s bioluminescent bays, a natural phenomenon caused by dinoflagellates, photosynthetic underwater organisms that emit light when agitated.
You can learn more about Ando’s artwork over at Spoon and Tamago who stopped by for a studio visit not to long ago. You can also follow her on Tumblr and if you’re in the NYC area next month she’ll have a solo exhibition at Sundaram Tagore Gallery starting June 20th. Photography courtesy L. Young.
Composer and sound artist Diego Stocco released a brief clip today featuring his experiments with a new turntable and a few freshly gathered leaves. Leaves! More specifically all bass, kick and snare sounds heard in the video were made by alternating the leaf type, angle, pressure as it was applied against the turntable. If you’re unfamiliar with his work, Stocco is known for sampling audio from nature and other unexpected instruments in order to remix and modify them into music. My favorite piece is still Music from a Dry Cleaner.
This gorgeous time-lapse by filmmaker Jamie Scott starts off like any other video capturing the change of the seasons with the movement of the sun, but then around :30 something pretty remarkable happens. To create the effect Scott filmed in 15 locations around New York City’s Central Park, two times a week, for six months using the exact same tripod and camera lens settings resulting in the footage you see here. (via jason sondhi)
Artist Lorenzo Durán lives and works in Guadalajara, Spain where for the last four years he’s focused primarily on cutting intricate illustrations from dried leaves. He often depicts animals and insects as shown above, but has explored a wide variety of geometric patterns and also does custom work on request. (via fer1972)
Jody Xiong of DDB China in conjunction with the China Environmental Protection Foundation created this wonderful outdoor campaign to create a subtle visual reminder of the environmental benefits of walking versus driving. Enormous white canvases with a bare tree were placed across 132 crosswalks in 15 Chinese cities. As pedestrians crossed their shoe soles were imprinted with a small amount of green paint, leaving behind a trail of leaf-like footprints. BBD estimated that nearly 3,920,000 people passed through the installations, and the final posters were eventually hung has billboards in several urban locations. Awesome! (via moeity)
Artist and designer Azuma Makoto (previously here and here) was born in 1976 and runs a haute couture flower shop called JARDINS des FLEURS in Moto-Azabu, Tokyo. His work with plants and flowers also extends into personal artistic practice and client work where he creates a wide variety of sculptures, installations and objects using tress, leaves, moss, and other plants both organic and artificial. One of his most recent exhibitions, Collapsible Leaves at Eye of Gyre Gallery involved a remarkable collection of suspended and mounted sculptures made of tightly folded and layered leaves. The pieces are unique in that I imagine they must have required rapid assembly a single leaf at a time, and yet look as if they are naturally occurring objects. If you’re just learning about Makoto’s work for the first time, be sure to also check out his suspended trees and other private works.
Artist Brad Kunkle lives and works in New York where he paints these extraordinary, dreamlike scenes of women swathed and shrouded in layers of leaves. The leaves often form the backdrop of his images functioning as water, wind, blankets, earth or perhaps all of the above. Via Arcadia Fine Art:
Brad was searching for an unnatural quality in his paintings, and it was ironically discovered by reducing his processes to the elements of painting he felt came most natural to him. His minimal palette is inspired by the grisailles of early European masters and the haunting quality of antique photographs and daguerreotypes. “Grisaille has a mysterious quality to it, and that mysterious quality is also at times carried into the way I will treat an object or a dress. Sometimes I like to give just enough information for the viewer to finish the details of what they are seeing.”
Brad had his most recent solo show at Arcadia Fine Art back in April, and is currently working on a new body of work that will be shown at the LA Fine Art Show in 2013.