Recently on view as part of Sculpture by the Sea in Bondi, this unusual figurative sculpture by artist Alessandra Rossi seems to have captured the imagination of many, becoming one of the most popular pieces of this year’s exhibition. Titled Untitled (coral), Rossi says the piece depicting a solitary young girl in a dress is inspired in part by the phenomenon of coral bleaching, something that occurs in nature when ocean water becomes too warm and coral begins to expel an algae giving it a white appearance. Additionally, the work grapples with modern issues of identity, functioning “as a metaphor for the patination and discoloration of emotion engendered by the digital era.”
The sculpture’s translucent layered appearance changes dramatically when viewed from different angles during the day and at times almost vanishes against the horizon of Bondi beach. You can see more sculptures from Sculpture by the Sea 2016 here.
Alessandra Rossi, Untitled Coral. Sculpture by the Sea, Bondi 2016. Photo by Tony Wakeham.
Alessandra Rossi, Untitled Coral. Sculpture by the Sea, Bondi 2016. Photo by Clyde Yee.
Alessandra Rossi, Untitled Coral. Sculpture by the Sea, Bondi 2016. Photo by Grace Sui.
Installing beacons in scenes of thick forests and milky lagoons, German duo Tarek Mawad and Friedrich van Schoor of collective 3hund produced the film LUCIDin order to capture the melancholy mood of these displaced works. The short film is a surreal tale of loneliness, with long panning shots that highlight electroluminescent shapes’ placement within selected alien-like environments. The light installations are all unique to their specific landscape, and differ between groups of thin lines, small orbs submerged in water, and illuminated triangles that seem to hover above the rocky terrain.
Filmmaker Mike Gamble and VFX creator Tom Wood had the wild idea of rigging up a few mountain bikes with LEDs and trying to create light trails similar to the lightbikes in Tron. The resulting video is pretty fantastic, both the straight footage of the circular light wheels rolling through the woods and the post-production special effects that stack the frames to make spirograph-like light designs. Watch the video below. (via Colossal Submissions)
Projected onto the ceiling of Saint-Eustache Church in Paris, Voûtes Célestes is a work by Miguel Chevalier that turned the ancient chapel into the backdrop for a constantly morphing sky chart produced in real time. Cycling through 35 different colored networks, the ceiling glowed with each successive pattern, highlighting the grand architecture that laid below the swirling universes above.
The work, accompanied by musical improvisations played by Baptiste-Florian Marle-Ouvrard on the organ, was produced for Nuit Blanche 2016 on the first of October. Visitors to the virtual reality artwork were invited to wander or lie down beneath the false sky above, aesthetically immersed in a wash of sonic and visual splendor.
Chevalier was born in Mexico City in 1959 and has lived in Paris since 1985. His work has focused almost exclusively on the digital since the late 1970s, often combining themes such as nature and artifice. You can see a more of his work on his website, and a video of his Paris installation below. (via designboom)
Liz West is no stranger to multi-colored environments, previously covering the floor of an historic UK church with dazzling reflective orbs. Her latest project, Our Colour, is located at this year’s Bristol Biennial and gives the audience the feeling of being dropped into the center of a rainbow by flooding a long hallway with a series of gel-filtered lights. The work changes from a deep violet to an ecstatic red, allowing one to traverse through an immersive collection of colors.
The installation was designed with a human’s psychological and emotional response to color in mind, as West consulted experts in human perception during the development of the work. While observing the audience’s reaction to the piece she has learned that often after traveling through the spectrum of colors they return to the color they find most comfortable—pausing a moment to absorb their favorite shade.
If slowly scrolling through this post isn’t enough to get the sensation that you are traveling through West’s rainbow-filled work, see the piece for yourself through September 10, 2016. (via Designboom)
Wading calf-deep into what looks like an infinite pool of water, visitors to Tokyo’s Odaiba Minna no YUME-TAIRIKU 2016 festival walk slowly through teamLab‘s (previously) latest light mapping installation. A shallow pool of water is completely surrounded by mirrored ceiling and walls, highlighting the psychedelic nature of the thousands of computer generated koi fish that are projected around the viewer’s feet. The fish change speeds as they navigate the waters, often crashing into observers and bursting into scattered flowers upon contact.
The interactive installation is one of four large-scale immersive experiences produced by the Japanese art collective for the festival which is on view through August 31, 2016. You can see images of the other installations on the festival’s website and watch the koi fish in action in a video produced by teamLab below. (via Culture N Lifestyle)