Installing beacons in scenes of thick forests and milky lagoons, German duo Tarek Mawad and Friedrich van Schoor of collective 3hund produced the film LUCIDin order to capture the melancholy mood of these displaced works. The short film is a surreal tale of loneliness, with long panning shots that highlight electroluminescent shapes’ placement within selected alien-like environments. The light installations are all unique to their specific landscape, and differ between groups of thin lines, small orbs submerged in water, and illuminated triangles that seem to hover above the rocky terrain.
Filmmaker Mike Gamble and VFX creator Tom Wood had the wild idea of rigging up a few mountain bikes with LEDs and trying to create light trails similar to the lightbikes in Tron. The resulting video is pretty fantastic, both the straight footage of the circular light wheels rolling through the woods and the post-production special effects that stack the frames to make spirograph-like light designs. Watch the video below. (via Colossal Submissions)
Projected onto the ceiling of Saint-Eustache Church in Paris, Voûtes Célestes is a work by Miguel Chevalier that turned the ancient chapel into the backdrop for a constantly morphing sky chart produced in real time. Cycling through 35 different colored networks, the ceiling glowed with each successive pattern, highlighting the grand architecture that laid below the swirling universes above.
The work, accompanied by musical improvisations played by Baptiste-Florian Marle-Ouvrard on the organ, was produced for Nuit Blanche 2016 on the first of October. Visitors to the virtual reality artwork were invited to wander or lie down beneath the false sky above, aesthetically immersed in a wash of sonic and visual splendor.
Chevalier was born in Mexico City in 1959 and has lived in Paris since 1985. His work has focused almost exclusively on the digital since the late 1970s, often combining themes such as nature and artifice. You can see a more of his work on his website, and a video of his Paris installation below. (via designboom)
Liz West is no stranger to multi-colored environments, previously covering the floor of an historic UK church with dazzling reflective orbs. Her latest project, Our Colour, is located at this year’s Bristol Biennial and gives the audience the feeling of being dropped into the center of a rainbow by flooding a long hallway with a series of gel-filtered lights. The work changes from a deep violet to an ecstatic red, allowing one to traverse through an immersive collection of colors.
The installation was designed with a human’s psychological and emotional response to color in mind, as West consulted experts in human perception during the development of the work. While observing the audience’s reaction to the piece she has learned that often after traveling through the spectrum of colors they return to the color they find most comfortable—pausing a moment to absorb their favorite shade.
If slowly scrolling through this post isn’t enough to get the sensation that you are traveling through West’s rainbow-filled work, see the piece for yourself through September 10, 2016. (via Designboom)
Wading calf-deep into what looks like an infinite pool of water, visitors to Tokyo’s Odaiba Minna no YUME-TAIRIKU 2016 festival walk slowly through teamLab‘s (previously) latest light mapping installation. A shallow pool of water is completely surrounded by mirrored ceiling and walls, highlighting the psychedelic nature of the thousands of computer generated koi fish that are projected around the viewer’s feet. The fish change speeds as they navigate the waters, often crashing into observers and bursting into scattered flowers upon contact.
The interactive installation is one of four large-scale immersive experiences produced by the Japanese art collective for the festival which is on view through August 31, 2016. You can see images of the other installations on the festival’s website and watch the koi fish in action in a video produced by teamLab below. (via Culture N Lifestyle)
Stephen Knapp has been making work that is transformed by light for over thirty years, producing vibrant light installations he refers to as paintings. These large-scale works utilize minimal tools, harnessing simply light and dichroic glass to throw a multitude of colors against the walls and room. The installations are not sketched out beforehand or programmed by computer, but rather created during the installation process as Knapp moves intuitively to choreograph his intricate light patterns.
“The fun of what I do with light, is that there is nothing in our visual memory that prepares us for what I’m doing,” said Knapp in a short film about his work. “The fact that what I create can just be done with light, that there is no paint on these panels, is absolutely astounding to people. What I am trying to do most of all here is challenge any traditional notion of perception. What is it? Is it real? Is it not real? Does it matter?”
These works have been featured in solo exhibitions around the country including the Boise Art Museum, the Chrysler Museum of Art, the Naples Art Museum, the Butler Institute of American Art, and the Flint Institute of Art, among others. Knapp’s solo exhibition Lightpaintings is currently on view through August 27, 2016 at the Pensacola Museum of Art. (via Colossal Submissions)