In that brief window of time when the foggy remnants of night clash with the rays of early morning sun, photographer Boguslaw Strempel positions himself atop high mountain peaks to capture these beautiful landscapes around Poland and the Czech Republic. See many more photos here. (via my modern met)
San Francisco-based UI designer and photographer Kim Pimmel creates extraordinary long exposure light photographs using a huge variety of common objects and technologies. Although the photos appear digitally rendered they actually merge simple things like ping pong balls, old turntables, and simple pendulums with LEDs, Arduino microcomputers, servos and other lighting mechanisms such as iPhone screens to make the photos you see here. His light studies set on Flickr is well worth your time and he also made a wild video using some of the same techniques. (via ruines humaines)
Artist Asbjørn Skou lives and works in Copenhagen where he creates all matter of prints, drawings, and occasionally public light installations. The images above are from a 2010 series called Markeringer where the artist projected a collection etchings at the Sjaeloer railway station. To me it looks almost as is the drawings have been etched into the building’s surface causing the light from the inside to creep through. See much more from this installation here. (via ruines humaines)
Norwegian conceptual artist Rune Guneriussen (previously) explores a fascinating balance of human culture and nature with his outdoor installations of electric lamps, stacked books, chairs, and phones that appear to have gathered in small herds and swarms as if suddenly sentient. Each work is assembled and photographed on-site without any digital intervention in various rural locations around Norway. Guneriussen just updates his website with nearly two dozen new photos of works over the past three years (the photos are scattered around the site, but it’s well worth the clicking) and also opened a show at Rheingalerie Bonn gallery which runs through November 10. (via my modern met)
CLOUD is a large scale interactive installation by artist Caitlind r.c. Brown that appeared September 15th as part of Nuit Blanche Calgary in Alberta, Canada. The piece is made from 1,000 working lightbulbs on pullchains and an additional 5,000 made from donated burnt out lights donated by the public. Visitors to the installation could pull the chains causing the cloud to sort of shimmer and flicker, I can’t tell you how much I would have enjoyed seeing this up close or at least on video. Did anyone film it? Learn more about it on the project website, and if you liked this also check out Wang Yuyang’s Artificial Moon. (via my eclectic depiction of life)
While attending the International Fireworks Show in Ottawa, Canada earlier this month photographer David Johnson had his camera in hand to document the night. When Spain’s entry into the competition begin he decided to try something a little different resulting in the photos you see here which are unlike any long exposure firework shots I’ve ever seen. Via email David tells me how he accomplished the effect:
The technique I used was a simple refocus during the long exposure. Each shot was about a second long, sometimes two. I’d start out of focus, and when I heard the explosion I would quickly refocus, so the little stems on these deep sea creature lookalikes would grow into a fine point. The shapes are quite bizarre, some of them I was pleasantly surprised with.
What’s interesting is that unlike usual firework photos that seem to make long trails across the sky, Johnson’s photos look like flowers with little triangular plumes coming to a point. Pretty amazing. You can see several more photos here.
Barcelona-based German-born architect André Broessel of rawlemon has constructed an enormous glass ball lens filled with water capable of harnessing power from the sun and even the moon (last image), and converting it into usable energy. I have no idea about the practicality of its use, but it sure is gorgeous. Broessel proposes that the spheres could be embedded in buildings allowing for natural light to stream through while capturing valuable energy. See much more over on Designboom.
Portland, Maine-based photographer Caleb Charland frequently merges art and science with his photographic experiments involving electricity, fire, and magnetism. One of his ongoing projects involves a series of alternative power sources created using fruit, coins, and even vinegar to power the lights in his long exposure photographs. The apple photograph above involved a nearly 11-hour setup as he carefully hammered 300 zinc-coated galvanized nails into apples (zinc reacts with acid in the apples creating electricity, science!) and used copper wiring to transfer the current to a standard living room lamp. Even then, the light was so dim it required a 4-hour exposure during which Charland fended off ravenous deer through the night with an impromptu shaker made from a tin can and wire nuts. You can read much more about the ordeal over on Discover, and here’s a video of the entire project coming together.
Caleb recent launched a new website where you can access a few years of his photography, I strongly urge you to at least look at his Demonstrations gallery. He’ll also have a few prints in an upcoming group show at Brancolini Grimaldi in London this September.