Tag Archives: light

Downtown Sydney Transformed by Light for ‘Vivid Sydney’ 

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Starting tonight through June 9th, the city of Sydney is hosting an annual exhibition of light and music called Vivid Sydney. Dozens of light sculptures and projections will be viewable throughout the downtown area as well as in the Sydney Harbor in an event that is completely free to the public. Looks like a lot of fun. See more on their website and over on Facebook.

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Landscape Light Installations by Barry Underwood 

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Drawing inspiration from early theatrical training, and influenced by methods of staged photography and set design, artist Barry Underwood (previously) transforms ordinary landscapes into something out of science fiction. The artist utilizes LED lights, luminescent material, and other photographic effects to create fleeting abstract landscapes that are influenced by both accidental and incidental light. He shares via his artist statement:

My artwork examines community and land-use in rural, suburban and urban sites. I created this series of installations by researching local agricultural, industrial, and recreational land-use. Curiosity about ecological and social history of specific places drives my work. By revealing the beauty and potential of an ordinary landscape an everyday scene is transformed into a memorable, visual experience. Each photograph image is a dialogue – the result of my direct encounter with nature and history. Inspired by land art, landscape photography and painting, as well as cinema, my images are both surreal and familiar.

Underwood will open an exhibition of both old and new work at Sous Les Etoiles Gallery in New York titled Scenes, on May 29th, 2014. You can see more over on Johansson Projects and read a 2011 interview at Juxtapoz. Images courtesy Sous Les Etoiles Gallery and the artist.

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320° Licht: A Repurposed 112-Meter High Gas Tank Converted into a Cathedral of Light 

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Thomas Wolf © 2014

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Thomas Wolf © 2014

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Gasometer Oberhausen / Wolfgang Volz / Urbanscreen

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Thomas Wolf © 2014

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Thomas Wolf © 2014

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Thomas Machoczek © 2014

German creative studio Urbanscreen have just unveiled ‘320 Licht,’ a massive light projection inside the cathedral-like interior of the 20,000 square meter Gasometer Oberhausen in Germany (the same space that housed Christo’s Big Air Package last year). Urbanscreen utilized both the ceiling and 320 degrees of the interior space of this former gas tank to project a 22-minute loop of digital animation with 21 high-powered Epson projectors.

“This experience is based on the vastness of the Gasometer,” sound designer Jonas Wiese told the Creator’s Project. “We tried to work with that expression to make the space bigger and smaller, to deform it and to change its surface over and over while not exaggerating and overwriting the original effect of the room.” He continues, “the age of the screen is coming to an end, digital interfaces will dissolve and merge into the social space […] we poetically contribute to this through art.”

320 Licht is part of the exhibition The Appearance of Beauty and will be on view through December 30th, 2014. Watch the included video above from the Creator’s Project to learn more about how it all came together.

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Amazing Lighting Effects for the ‘Cavity’ Music Video Made with a Humble Flashlight 

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This is a stunning new music video for American indie band Hundred Waters latest single Cavity directed by Michael Langan. Langan previously worked on the wildly popular experimental film Choros featured here last year. Amazingly Cavity was filmed without the use of CG, but instead relies on simple lighting effects. He shares via email:

The video is a kind of pas de deux between the woman (Nicole Miglis), and light − evading it, summoning it, and ultimately being consumed by it. We’re playing with the idea of hollowness, attempting to define emptiness by its edges, visually.

There’s no CG in the video, just practical effects. Most of the video is lit by a single flashlight, drawn slowly over the landscape and later “echoed” up to 500 times to create patterns that fill the scene with light. We used a projector mounted to a motorized lazy susan to achieve the “sliver” shots of Nicole.

It helps that the stunning visuals are paired with such a great song. Miglis has an amazing voice. (via Colossal Submissions)

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Intersections: An Ornately Carved Wood Cube Projects Shadows onto Gallery Walls 

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Intersections, 2013. 6.5′ Cube, projected Shadows: 35′ x 32′.

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Intersections, 2013. 6.5′ Cube, projected Shadows: 35′ x 32′.

Created by mixed media artist Anila Quayyum Agha, this elaborately carved cube with an embedded light source projects a dazzling pattern of shadows onto the surrounding gallery walls. Titled Intersections, the installation is made from large panels of laser-cut wood meant to emulate the geometrical patters found in Islamic sacred spaces. Agha shares:

The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. I have given substance to this mutualism with the installation project exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence with in a public space.

Intersections is currently a finalist in the 3rd Annual See.Me: Year in Review Competition, and you can learn more about it here. (via Twisted Sifter, Hi-Fructose)

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Back to Light: Artist Caleb Charland Uses Fruit Batteries to Illuminate Long-Exposure Photographs 

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Fruit Battery Solar System, 2014

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Battery with Hanging Apples, 2013

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Limes and Lemons, 2013

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Electricity From a Ring of Apples, 2013

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Vinegar Batteries with Glassware and Shelf, 2013

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Grapefruit and Pomelo Battery, 2013

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Apple Lamp, 2014

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Apple Tree with Chandelier, Nettie Fox Farm, Newburgh, Maine 2013

Artist Caleb Charland (previously here and here) just unveiled several new images from his Back to Light series, where the artist uses nails inside fruit connected with copper wire to create functional batteries. Harnessed to a small lightbulb, the current is sufficient enough to provide illumination for long exposure photographs. Effectively, the organic batteries create enough voltage to light their own portrait. Charland says about Back to Light:

My current body of work, Back to Light, expands upon a classic grade school science project, the potato battery. By inserting a galvanized nail into one side of a potato and a copper wire in the other side a small electrical current is generated. The utter simplicity of this electrical phenomenon is endlessly fascinating for me. Many people have had the experience of drawing power from fruit in the classroom, and it never ceases to bring a smile to the face or a thought to the mind. This work speaks to a common curiosity we all have for how the world works as well as a global concern for the future of earth’s energy sources. […] My hope is that these photographs function as micro utopias by suggesting and illustrating the endless possibilities of alternative and sustainable energy production. The cycle that begins with the light of our closest star implanting organic materials with nutrients and energy, is re-routed in these images, Back to Light, illuminating earth once again.

Charland is currently focusing on his work full-time from a studio in Bangor, Maine, where he created another body of work titled Artifacts of Fire and Wax.

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