Created by California-based Roxy Russell, the Medusae Collection is a series of four pendant lamps designed to look like freshwater jellyfish. The lights are made from polyester mylar and measure nearly three feet in height. (via Puddle)
Several years ago Los Angeles-based airbrush make-up artist, photographer and designer Adam Tenenbaum was bequeathed several large vintage chandeliers that he thought might look good in his home, but to his dismay they were a bit too large. Then an idea struck him: why not hang a few in the giant tree in his front yard. The Chandelier Tree was born. Filmmaker Colin Kennedy passed the tree almost daily for nearly six years and finally decided to sit down the Tenenbaum to shoot this short documentary about this strange and beautiful tree. (via kuriositas, boing boing)
Calgary-based artists Caitlind r.c. Brown and Wayne Garrett (previously) swung by Chicago this month and installed this amazing interactive lighting solution called Cloud Ceiling at Progress Bar. Constructed from hand-bent steel, reflective mylar, electronics, motion sensors, LEDs, and 15,000 re-appropriated incandescent light bulbs, the cloud is now a permanent fixture in the bar which opened earlier this week. Motion sensors embedded in the ceiling cause the cumulous surface of light bulbs to illuminate, effectively ‘mapping’ a lit path through the cloud as bar patrons move through the space.
Ballroom Luminoso is a series of six chandeliers designed by artists Joe O’Connell and Blessing Hancock currently installed in San Antonio, Texas. Made from custom made structural steel, custom LEDs and recycled bicycle parts, the lights project colorful silhouettes of sprockets and other pieces onto the otherwise drab cement underpass. From the artist’s statement about the project:
Ballroom Luminoso references the area’s past, present, and future in the design of its intricately detailed medallions. The images in the medallions draw on the community’s agricultural history, strong Hispanic heritage, and burgeoning environmental movement. The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements. Each character playfully rides a bike acting as a metaphor for the neighborhood’s environmental progress, its concurrent eco-restoration projects, and its developing cycling culture.
This remarkable chandelier from Hilden & Diaz projects a 360° shadow of trees and roots onto the walls surrounding it. Titled Forms in Nature the light was partly inspired by the drawings of Ernst Haeckel, the German biologist, naturalist, and philosopher (among other things) who is perhaps most famous for discovering thousands of new animal species and mapping them to a genealogical “tree of life”. Hilden & Diaz describe via their website that the shadows in their light are actually upside down:
Interestingly, the roots are those elements of the forest that are the most visible. Thereby the sculpture is not only mirrored, but also turned upside down in Hilden & Diaz’ artwork. [...] The shadows engulfs the room and transforms the walls into unruly shadows of branches, bushes and gnarled trees. Mirrorings are thrown out upon the walls and ceilings and provide weak Rorschach-like hints of faces, life and flow of consciousness. Dimming the lights transforms the installation and one senses a weak fire burning deep in the center of the forest.
The SÖHKA Lamp is the latest creation from French designer Malet Thibaut (previously). The light is composed of five wooden pieces and 60 rubber bands that can be assembled in practically unlimited configurations to create different lighting patterns for maximum geometric shadow fun. The SÖHKA Lamp will be available for purchase via his website in the near future.
Paul Foeckler over at LA-based Split Grain is making some pretty stunning lights and other sculptures using pieces of California cypress trees. The artist says each light can involve up to 100 hours of labor as he selects the right section of wood, slices, sands, and reassembles each piece. See several more of his recent pieces over on Etsy. (via take over time)