Bach Cello Suite No. 1 Prelude
Photographer Stephen Orlando (previously) captures the nearly imperceptible movement one makes when quickly sliding a bow along strings, the senses typically drawn to the sounds rather than appearance of the instrument being played. By using carefully placed LED lights and a long exposure Orlando can track these movements through space, following arms and bows with light trails that extend out from the body and instrument. These bright ghostly marks are captured through his photographic technique and not altered with Photoshop, making their distinct patterns all the more spectacular.
The Ontario-based artist was inspired by the lighting painter Gjon Mili, who also experimented with violins in 1952. Orlando explains:
A relative motion between the performer and camera must exist for the light trails to move through the frame. I found it easier to move the camera instead of the performer. The LEDs are programmed to change color to convey a sense of time. The progression of time is from left to right in the viola and violin photos and from top to bottom in the cello photos. Each photo is a single exposure and the light trails have not been manipulated in post processing.
You can see more of Orlando’s lit rainbow pieces on his Instagram and Facebook.
Seitz Concerto No. 2, 3rd Movement
Viola – Bach Cello Suite No. 1 – Three Bowings
The twinkling lights dotting the ceiling of this dazzling cave system are the work of arachnocampa luminosa, a bioluminescent gnat larva (also called a glowworm) found throughout the island nation of New Zealand. It is believed that the light, emitted mostly from females, is how the insects find mates. These long-exposure photos by local photographer Joseph Michael capture small communities of worms amongst 30 million-year-old limestone formations on North Island. You can see more shots from the project titled Luminosity, here.
A Finnish photographer who goes by the name of Janne recently perfected a technique for shooting a “moon trail,” similar to long exposures you’ve probably seen of stars in the night sky. The photograph required over 37 minutes to shoot as the moon made its way slowly across the landscape. Michael Zhang from PetaPixel explains a bit of the technical details:
Janne was shooting with a Nikon D800 and 100-300mm lens at 300mm, f/8, and ISO 100. The trick behind the shot was a 10-stop neutral density filter, which greatly cut down the amount of light hitting the sensor and allowed Janne to shoot a 2258-second exposure.
You can see the moon trail a bit larger here, and see more of Janne’s photos from around Finland on Flickr. (via PetaPixel)
Scores of fishing rafts floating in the Uchino-umi highlighted by the light from the full moon
Japanese photographer Takehito Miyatake is known for his accomplished long-exposure photographs of fireflies, volcanic eruptions, and beaches awash in bioluminescencnt firefly squid. His exposures, which he refers to as “the light of Japan,” can last anywhere between 15 seconds and 30 minutes and are rooted in an almost meditative approach to photography that he likens to a form of poetry in an interview with TIME. His time spent waiting for each exposure hasn’t been in vain, Miyatake recently won the Grand Prize at the 2014 Nikkei National Geographic Photo Awards. You can see more of his photography on his website and over on Spoon & Tamago.
In spring, firefly squid (hotaru ika) rise 2000 feet to the surface of the water and offer a fleeting glimpse of their magical lights
Genji botaru fireflies around a small bridge over the Shimanto River (Kochi Prefecture)
The moon lights up a waterfall against geometric rock formations / A close-up of the red-hot cinders erupting from the Showa crater on Sakurajima
Volcanic lightning during the eruption of the Sakurajima volcano
Photo by Victor Varga
Although Christmas still feels like something in the vast future (or past, depending on your point of view) it certainly doesn’t hurt to think about the wintry season as summer temperatures continue to rise. One of the most mesmerizing Christmas sights we’ve seen are these trams and local streetcars in Budapest decorated with over 30,000 LED lights. The twinkling lights, when photographed with just the right exposure, creates a marveling image that resembles a futuristic vehicle speeding through time. This beautiful tradition of decorating trams was an initiative by the Budapest Transport Company, which kicked off in 2009. If you want to plan a visit you’ll definitely want to check out their website for routes and tram schedules.
Prints of the long exposure images are available from Krisztian Birinyi through 500px. (via My Modern Met)
Photo by Krisztian Birinyi
Photo by Krisztian Birinyi
Photo by englishhungary
Photo by Andras Csore
Photo by Centre for Budapest Transport
Self-taught photographer Darren Moore creates ethereal black and white landscapes using a method called daytime long exposure, where a special filters are attached to a camera lens to reduce the amount of light. These neutral density filters allow for the shutter to open for extended periods of time in broad daylight, from 30 seconds to upward of 15 minutes for a single exposure. Moore shoots mostly in locations around England, where he frequently visits causeways, breakwaters, shipwrecks, and other features along the shore.
You can see more of Moore’s photography over on Flickr and in his online gallery. He’ll also have work later this April in a group show at the Patchings Art Centre.
After spending a week photographing various areas of the Canadian Rockies, photographer Brian Donovan decided he wanted to focus on getting some interesting train shots against the wintry backdrop. Dovan shares via email that over the course of two days he endured nearly 13 hours of sitting by the train tracks, where he saw only 6 trains coming from the wrong (less scenic) direction. As the weather rapidly changed from better to worse a final train came roaring around the bend. Donovan quickly setup and captured the engine as it neared and then adjusted for a long exposure of the boxcars rushing by. The train was loaded with several long segments of different colored boxcars, each giving the shot a unique feel, but the red boxcars instantly stood out, resulting in the amazing image you see here. You can follow Donovan over on 500px.