No, this isn’t digital. Filmed by documentary filmmaker Francis Chee, this amazing video captures the microscopic view of a frog egg as it begins to divide from two cells into millions over a period of about 33 hours. It’s astounding to think that each and every one of us started off just like this. (via Sploid)
Photographer Jess Findlay recently captured this amazing shot of a fiery-throated hummingbird while shooting in the Talamanca Mountains in Costa Rica. The image is a result of hundreds of photos taken over several hours with a telephoto lens as he waited patiently for one of the small birds to perch at just the right angle. Findlay shares with Colossal:
Several of these hummingbirds were visiting a nectar feeder. As they fed hungrily, often quarreling with one another, occasionally one would get displaced onto a nearby branch. I waited by the branch for a couple hours, staying very still. I used a telephoto lens with a special attachment that allowed me to focus on close subjects. What made this a challenge was how fidgety these birds can be and the fact that the full spectrum of colour is only seen when they pause at a very specific angle.
Findlay is a native of Vancouver where he’s extremely active in the photography community, offering a wide variety of workshops. You can see more of his work on Instagram.
Acilius diving beetle male front tarsus (foot) 100x
If you’ve ever wondered how a diving beetle swims through the water or manages to rest just on the surface, the answer is in part because its foot is infinitely more complicated than your own. As seen above, this microscopic image of a male Acilius sulcatus (diving beetle) by photographer Igor Siwanowicz reveals the extraordinary complexity of this aquatic insect’s tiny appendage. This is just one of many examples of Siwanowicz’s work as a neurobiologist at the Howard Hughes Medical Institute’s Janelia Farm Research Campus. His brilliantly colored images show the tree-like structures of moth antennas, the wild details of barnacle legs, and the otherworldly shapes of plant spores. The photos are made with a confocal laser-scanning microscope capable of “seeing” vast amounts of detail beyond what you might capture with a traditional lens-based microscope. You can see much more of his nature photography here. (via Synaptic Stimuli, Wired)
Interested in documenting one of the oldest animals on Earth, Barcelona-based production company myLapse set to capture the minimal movements of brightly colored coral, recording actions rarely seen by the human eye. The short film took nearly 25,000 individual images of the marine invertebrates to compose, and photography of species, such as the Acanthophyllia, Trachyphyllia, Heteropsammia cochlea, Physogyra, took over a year.
The production team hopes the film attracts attention to the Great Barrier Reef, encouraging watchers to take a deeper interest in one of the natural wonders of the world that is being rapidly bleached due to climate change. You can see more up-close images of the coral species featured in this film on Flickr. (via Sploid)
For the last several years Singapore-based photographer Nicky Bay (previously here and here) has been documenting the life of the mirror spider, an unusual arthropod whose abdomen is covered in bright reflective panels that appear almost metallic. Bay recently noticed that some of the spiders exhibit unusual behavior in addition to their shiny appearance: apparently the spiders are able manipulate the mirrors in situations where they might feel threatened. In some instances the gaps between the silver plates almost completely disappear creating a larger reflective surface.
Using subtle changes in light and shadow, French photographer Pascal Goet subtly manipulates the details of a variety of insects, highlighting their anthropomorphic appearance. Goet does not alter any of the colors associated with the brilliantly hued bugs, but instead focuses on letting areas of the body fade away or become more pronounced. Through this process faces emerge, a human reflection in an otherwise unrelatable species. This aspect is especially pronounced when printed quite large for exhibitions, where the audience has their own face come into contact with an imitation of one.
“An authenticity is vital for my involvement in this work,” said Goet to Colossal. “The large size prints create a genuine encounter between the viewer and these amazing personages, people of a parallel world.”
Goet has been shooting macro photography for the past 26 years. He had a solo exhibition of this work earlier this year at Paris-based Blin Plus Blin simply titled “Mask.” You can see more images of this series on his website. (via Colossal Submissions)