For issue 24 of Kinfolk magazine, Designer Kyle Bean collaborated with photographer Aaron Tilley and food stylist Lucy-Ruth Hathaway to depict how famous artists might reimagine their weekend brunch spreads. The five sculptural works in the series Artisan Brunch balance pancakes and their toppings in a Alexander Calder-like mobile, suspend a halved avocado in what appears to be a Damien Hirst formaldehyde cube, and dot a patchwork of bread slices with ketchup in the style of Yayoi Kusama. The photographic series also references the artistic styles of Cornelia Parker and Salvador Dali with a flavorful twist. You can see more inventive work by the series’ collaborators on their Instagrams @kylejbean, @aaron_tilley, and @lucyruthfood, and check out a previous collaboration between Bean and Tilley in their series Anxious Anticipation.
Kinfolk Magazine is known for their minimal editorial spreads, images that are so polished and organized that they evoke a sense of calm when one stares at each carefully articulated pictorial arrangement. The magazine’s newest photo story for their “Adrenaline” issue however is anything but calming. Kinfolk reached out to art director Kyle Bean (previously) and photographer Aaron Tilley to produce a series of images that would bring their audience apprehension, inspiring the artists to produce the series “In Anxious Anticipation” featured here.
The images capture moments of dread, metaphorical imagery that relates to feelings right before a big move, when we anticipate the worst rather than the best outcome. Jordan Kushins‘s text on anticipation and adrenaline accompanies Tilley and Bean’s clean photographs of the moments before misfortune.
“Whether we’re readying ourselves for the start of an event or just imagining ourselves partaking in it, the buzz of nervous anticipation is sometimes as satisfying as the reward at the end,” says Kushins. “Often just the thought of what if? can be as potent as the act itself, and the thrill of the chase may occasionally be more powerful than the real deal.”
Nimai Chandra Ghosh
Smithsonian magazine has just announced the 50 finalists from their 9th Annual Photo Contest. Over 67,000 submissions from 109 countries were winnowed down to 10 finalists in five categories: Altered Images, Americana, The Natural World, People and Travel. The public is now invited to vote through March 31st for a special ‘Readers Choice’ award, so what are you waiting for go vote!
I’m really enjoying these vertically sliced portraits by Amanda Clyne who uses images from fashion magazines as a starting point for a rather involved process, that I’ll let her explain in her own words.
I begin my process by culling images from fashion magazines. Cropping the image into a portrait, I re-print the image on to a surface to which the printing ink does not adhere, so the image remains wet. I photograph the print as the fluid image morphs and dissolves over time. I then compose a new image from fragments of these photographs—each image each is comprised of slices of the image at various stages of dissolution. Once I have resolved the final composition, I project the basic outlines of the image onto a canvas, and use a print-out of my composition as a painting reference. Each fragment is taped off and painted separately. Because of the narrow width of the fragments (some are less than 1/4 inch wide), I usually paint every third fragment, then while I wait for those fragments to dry, I paint alternating fragments on a different painting. Some paintings require three or four rounds of painting, so I work on several paintings at once.
The results are really quite striking. Clyne will have three new works on display at Art Toronto at the end of October. Thanks Amanda for sharing your work with Colossal!