Artist Joe Mangrum (previously) was just in Zuidlaren, Netherlands, where he was commissioned by the Doe Museum to create 8 temporary sand paintings over a period of 11 days. All of Mangrum’s paintings are spontaneous and evolve as he works, a grueling physical process that involves dozens of revolutions around the artwork as he adds new details and flourishes by pouring brightly colored sand. All eight artworks were photographed as he worked and turned into time-lapse videos, three of which are included here. The sand paintings will remain on view through October 30, 2015. You can follow more of Mangrum’s work on Facebook.
Working with precisely cut 1/8″ pieces of laser-cut mahogany plywood, Oakland-based artist Gabriel Schama creates densely layered wood relief sculptures that twist, intersect, and overlap to create various mandala-like forms. Each piece begins as a vector illustration which is fed into his laser cutter (which he named Elsie), and is then glued and finished by hand. Collected here are a number of recent sculptures produced after a successful Kickstarter project, and he has several new pieces in his shop. If you liked this, also check out these laser-cut works by Eric Standley and Martin Tomsky. (via Hi-Fructose)
Technological mandala 30. Electronic components, copper wire, paper, 122 cm x 122 cm, 2013.
Multimedia artist Leonard Ulian (previously here and here) has a number of new mandalas and wrapped books created using a variety of soldered radio and computer components. The mandala is traditionally known as a spiritual and ritual symbol in both Hinduism and Buddhism meant to represent the universe, but through his deep interest in how systems can be applied to the process of art making, Ulian has adopted mandala patterns to create symmetrical networks. The artist most recently had work on view at The Flat, and you can see much more on Ulian’s website and at Beers Contemporary. (via Beautiful Decay)
Technological mandala 30, detail
Technological mandala 27. Electronic components, copper wire, paper, 150cm x 150 cm, 2013.
Technological mandala 15. Electronic components, copper wire, paper, wood frame, 80 cm x 80 cm, 2014.
Technological mandala 34. Electronic components, copper wire, paper, wood frame, 76 cm x 76 cm x 7 cm, 2014.
Using the flower petals of carnations, daisies, mums and other wildflowers Arizona-based artist Kathy Klein (previously) creates temporary mandalas in outdoor locations near her home. She calls the pieces danmalas (‘the giver of garlands’ in Sanskrit), and each piece is photographed and then left to be discovered by others. If you’re desperate for any hint of spring in your space, Klein now offers prints and has a 2014 calendar of her best works.
London-based artist Leonardo Ulian (previously) has completed a new body of work titled Sacred Space. Inspired by Hindu and Buddhist symbolism, Ulian continues his exploration of technology and spiritualism with these carefully sculpted mandalas created with soldered computer and radio components. Via Beers.Lambert:
Ulian’s reflexive use of the geometrical mandala can also be seen as a nod to his ‘past-life’ as an technican, but through his application, Ulian divorces the electronic components from their origins, giving new life to these (now defunct) technological bits, creating a new type of hybridization that is equal parts spiritualization and contemporary critique: “We live in a society that worships electronic technology,” he states “both for necessity but also because it makes us feel better, not unlike its own new form of fashionable spirituality.”
Of particular note in this solo show is an amazing little three-dimensial bonsai tree titled Centrica Bonsai. If you happen to be in London, Sacred Space opens tonight at Beers.Lambert Contemporary. All photos courtesy Oskar Proctor.
Technological Mandala No. 2 is the latest work from Italian-born, London-based artist Leonardo Ulian who carefully solders a myriad of computer components, circuitry and microchips to create these precisely symmetrical mandalas. Of his work Ulian says:
With the Technological Mandala series I combined the suggestive and spiritual meaning of the Indian Mandalas with something that has been perceived as far from that sphere of influence, technology. The search of perfection as necessity within the electronics industry has stimulated my curiosity to produce this series of pieces in order to evocate that specific need. I wanted to show what has been hidden from the eyes of the consumer, representing electronic circuits as extraordinary objects where the perfection of the design can becomes almost something ethereal. The shapes and colors of the single components intrigued me for pure aesthetic reasons with the consequent loss of the actual functionality of the component itself. My circuits/ Mandalas do not activate lights or do other complicated function, but they simply function as stimulus to produce simple questions like: what will happen if a real electric current flows through the Circuit/Mandala?
While this is certainly the largest and most complex of his mandala works he has many more smaller pieces you can see in his online gallery. Photography courtesy Gigi Giannella. (via lustik)
Two light and sound installations in one day? Yes, friends. These two mesmerizing water-filled glass bottle mandalas were built by Mexican artist Ivan Puig. Robotic arms in the center of each mandala rotate and hit each bottle in succession to create a cyclical series of echoing notes. If you read a lot of art blogs you’ve probably tun into Puig’s submerged VW sedan sculpture.