Madrid-based 3D artist Lee Griggs created some fascinating topographical illustrations using 3D animation and rendering software Maya Xgen and Arnold. Each piece is comprised of countless spheres, cylinders, or cubes that have been extruded and colored to create images reminiscent of ocean floors, bacterial growth, or even weather patterns. Griggs talks a bit more about how he renders these and shares a number of tutorials over on his blog. (via Colossal Submissions)
Peak District, 2013. Pencil on a contoured map of the Peak District. 47 x 35in (120 x 90cm)
Colorado Geological, 2013. Pencil on a geological map of Colorado, the first of a series of works exclusive to the Mike Wright Gallery in Denver, Colorado.
Bristol Envelope, 2013. A small portrait, produced in ink on an original street map of Bristol (UK) – this was later cut and folded to form an envelope, combining the current map works produced by Fairburn and a previous project—postal art.
Yr Ods EP Cover, 2013. Pencil on contoured maps showing parts of Wales, produced for Welsh Band Yr Ods.
Shrewsbury, 2013. Progress shot, ink on a street map of Shrewsbury.
Innsbruck, 2013. Ink on a contoured map of Innsbruck/surrounding area, 20 x 20in (52 x 52cm) approx. Lines of elevation have been followed with a pen, the width of each line has been altered accordingly to build the different tones.
Pontypridd, 2013. Pencil on a contoured map of Pontypridd, South Wales (UK).
Solihull, 2013. Progress shot of a past experiment in inks.
Using a wide variety of canvases including railroad blueprints, star charts, geological and street maps, Welsh artist Ed Fairburn (previously here and here) uses additive and subtractive techniques to create portraits that seem pefectly integrated with the topography of streets, mountains and rivers. It’s been almost a year since we last checked in with Fairburn whose process and approach to creating these stunning portraits continues to evolve. One of his most striking methods is to carefully follow map contours with a pen creating rows of lines that vary by width to create individual forms and shadows. The final portraits are so entwined with the map, it becomes hard to imagine one existing without the other.
You can see Fairburn’s work for yourself at Mike Wright Gallery in Denver, Colorado and he also has prints available here.
Think about it, when was the last time you asked for directions? Or even used a paper map? Armed with smart phones and fancy GPS apps that map the route to your destination in milliseconds, asking a random person for directions is an increasingly rare occurrence. New York conceptual artist Nobutaka Aozaki is exploring the act of asking for directions in his ongoing art piece, Here to There, by gathering a collection of impromptu hand-drawn maps he obtains from complete strangers. Dressed as a tourist in a souvenir baseball cap and carrying a Century 21 shopping bag, the artist hits the streets around Manhattan and approaches random pedestrians to inquire about directions through the current part of the map he’s working on.
One of the most common scenarios when asking strangers for directions is their habit of pulling out a smart phone to start typing in an address, after which he insists on leaving with a drawn map on whatever written surface is available: torn sheets of notebook paper, napkins, or even paper plates. Aozaki tells Spoon & Tamago that his goal is not to make a complete map, but to instead document his daily routine and his myriad interactions with people, sort of like a mapped diary. (via Spoon & Tamago)
I’m really enjoying these abstract city maps by Jazzberry Blue (warning: audio). The cities you see above as well as Jerusalem and New Delhi are available as Giclée prints over on Etsy. (via unknown editors)
Here & There are a fascinating set of prints from London-based design firm BERG that depict speculative projections of Manhattan by completely removing the horizon and skewing the entire urban landscape upward. These particular views are of uptown from 3rd and 7th street, and downtown from 3rd and 35th street. Last year the prints found their way into MOMA’s permanent collection, and have just been reprinted using offset litho on 170 gsm paper from sustainable sources. Pick ‘em up now, shipping starts tomorrow.
Update: Because people are asking, these were designed a year or two before Inception. Just sayin’.