Photographer Nathan Kaso spent almost 10 months making this fun tilt-shift video of Melbourne with a special focus on the city’s annual festivals and other outdoor events. This is where I always make some snarky comment about how I’ve seen enough tilt-shift work, but this video proves that when it’s good, it’s good and the manner of shooting or production just doesn’t matter. Music by Tom Day.
Filmmaker Julian Tay shot some footage of the 2012 New Years fireworks at Docklands in Melbourne, Australia and then decided to see what happened if he digitally reversed it. The result is strangely beautiful as all the little rockets move in reverse creating pretty counter-intuitive visuals, imploding into nothingness. An appropriate addendum, Reddit user ksli832 was reminded of this passage by Kurt Vonnegut from Slaughterhouse-Five:
The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks… When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody again.
Happy new years folks, 2013 is going to be amazing. (via laughing squid)
Created by environmental design group Eness, MÖBIUS is a sculpture comissioned by the city of Melbourne that was photographed and animated over two weeks in May 2011. The piece consists of 21 green triangles that can be configured into several cyclical patterns creating the optical illusion of motion. This is a really fantastic example of public artwork, as the individuals who interact with the space inevitably become part of the art itself. (via change the thought)