Tag Archives: memory

New Oil Paintings That Trace Fictitious Memories by Joshua Flint 

Towards the door we never opened, oil on linen, 45″ x 28″

Joshua Flint (previously) paints scenes in relationship to the way we access old memories in our mind, blurring motions and obscuring the identities of his works’ subjects. The visual narratives are not linear, but rather create a surreal mash-up of landscapes and worlds, sourcing inspiration from digitized museum archives, vintage shops, and social media.

“The paintings fluctuate between the familiar and the unknown while simultaneously including the past and present,” said Flint in an artist statement. “By rearranging the hierarchy of elements the paintings become fictions that allow countless interpretations. Layered into works are references to liminality, ecological issues, neuroscience, psychological states, and the history of painting, among others.”

Flint has upcoming solo exhibitions at Seager / Gray Gallery in Mill Valley, California and Robert Lange Studios in Charleston, South Carolina this fall. You can see more of his oil paintings and studio sketches on his Instagram.

The World Between, oil on canvas, 48" x 48"

The World Between, oil on canvas, 48″ x 48″

The Guest, oil on wood panel, 36" x 36"

The Guest, oil on wood panel, 36″ x 36″

Carousel, oil on wood panel, 36" X 48"

Carousel, oil on wood panel, 36″ X 48″

The Volunteers, oil on wood panel, 30" x 40"

The Volunteers, oil on wood panel, 30″ x 40″

Threshold, oil on wood panel, 36" X 48"

Threshold, oil on wood panel, 36″ X 48″

The Assistant, oil on wood panel, 36" x 36"

The Assistant, oil on wood panel, 36″ x 36″

Future Present, oil on wood panel, 12" x 12"

Future Present, oil on wood panel, 12″ x 12″

The Projectionist, oil on wood panel,12" x 12"

The Projectionist, oil on wood panel,12″ x 12″

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Artist Jeremy Miranda Explores Memory and Scenes of the Northeast in His Sublime Paintings 

Artist Jeremy Miranda (previously) paints in a space between worlds: reality and memory, indoor and outdoor, past and present. Ideas and concepts bleed together within his acrylic paintings like the fuzzy edges of a dream, where powerful images exist amongst unexpected locations and backdrops. The New Hampshire-based artist is heavily influenced by his surroundings in the American Northeast, apparent in his depiction of dense woods, crashing waves, and the recurring motif of lush greenhouses—a more literal depiction of his mixing of environments.

Miranda has an upcoming exhibition next month with Michelle Morin at Nahcotta Gallery, and he has a number of works or prints available through Etsy, Nahcotta, and his online shop. (via The Creators Project)

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The Soft, Memory-Laden Oil Paintings of Joshua Flint 

Migration | oil on wood panel | 30" x 30"

Migration | oil on wood panel | 30″ x 30″

The oil paintings of Joshua Flint look like depictions of memories when one tries too hard to access the faded thoughts—worn corners, blurred faces, and transposed scenes that don’t quite make sense. Each work has a familiar element that seems to be cast in a dark and foreboding haze like Sandcastles, a dark painting that disguises whether the included children are building or destroying the miniature city that lies before them.

“There is a dynamic interplay between experience and interpretation,” says Flint about his work. “What is remembered isn’t necessarily descriptive of the actual event. Once the experience has passed through our emotional filter we assign meaning to it, changing the actualities. My paintings explore that place in-between a direct translation and the abstract of emotion.”

Flint has a current exhibition titled “The World Between” at Sumter County Gallery of Art in Sumter, South Carolina which continues until January 8, 2016. You can see more of his oil paintings and in-process sketches on his Instagram here. (via Booooooom)

Memory Palace | oil on wood panel | 24" x 24"

Memory Palace | oil on wood panel | 24″ x 24″

The Banquet | oil on canvas | 48" x 60"

The Banquet | oil on canvas | 48″ x 60″

They Feed the Earth | Oil on Canvas | 48" x 48"

They Feed the Earth | Oil on Canvas | 48″ x 48″

Mapping a Galaxy | oil on wood panel | 30" x 30"

Mapping a Galaxy | oil on wood panel | 30″ x 30″

Bright Reflections | Oil on Wood | 24" x 24"

Bright Reflections | Oil on Wood | 24″ x 24″

The Wide Arena of Air | oil on wood panel | 36" x 36"

The Wide Arena of Air | oil on wood panel | 36″ x 36″

Sandcastles | oil on canvas | 48" x 48"

Sandcastles | oil on canvas | 48″ x 48″

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Fictionalized Landscapes Created From Strangers’ Old Photographs by j.frede 

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Artist j.frede composes flea market photographs into custom built frames, creating visual and narrative landscapes from the previously unassociated materials. The works spread across the wall, building on each other through similar landscapes or horizon lines. The project, titled Fiction Landscapes, builds on the artist’s interest in memory, tapping into others’ momentos of the past to create fictionalized scenes of ambiguous origin.

Although each image has once been a placeholder in time for the photographer, once it gets collected into a mixed up bin at a flea market these associations are erased. “Arranging these into new landscapes that have never existed speaks to the stitching together of human behavior and how we relate to time and the past,” says Frede. “How many people have pulled over at that rest stop and taken nearly the same photo of the plain hillside? All locking their own associations into the view, first road trip with a new love; last road trip to see grandma; one of many road trips alone.”

The Los Angeles-based artist strictly uses anonymous photographs from the past for his works, never incorporating photographs of his own or individuals he knows. The memories he personally imbues into each composition in the series are instead ones he creates while making each arrangement, placing his own marker within the newly composed environment.

Currently j.frede has a piece from Fiction Landscapes in “Three Day Weekend: Party in the Back” at Blum & Poe on view through December 19, 2015. (via Visual News)

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The ‘Analog Memory Desk’ Has a Built-in Scrolling Paper Surface for Recording 1,100 Yards of Sketches and Ideas 

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Driven by an obsession of how people record and recall memories, MCAD student Kirsten Camara designed the Analog Memory Desk, what could be the ultimate sketching surface. The desk has a built-in mechanism for scrolling 1,100 yards of butcher paper on rolls embedded in its legs, a sort of tablecloth of memory that records months or even years of random ideas, doodles, and coffee rings. The desk isn’t available for purchase, instead Camara released detailed blueprints through a Creative Commons license so you can build your own. (via Design Milk)

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Artist Jeremy Miranda Examines Memory with Oil Landscapes that Bleed into Interiors 

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Artist Jeremy Miranda is fascinated with how the mind creates memories and the juxtaposition of experiences both real and perceived. His oil paintings overlap interior and exterior environments to create unexpected relationships between disparate subjects, usually natural versus man-made. The interior of an artist’s studio dissolves into a bucolic river landscape, a bookshelf leads into the ocean, or a glowing furnace is concealed below a quiet pond.

Miranda most recently had an exhibit at Nahcotta Gallery in New Hampshire where several of his original works are currently available. Some of his most popular images are also available as prints. (via My Darkened Eyes)

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