Glass artist Kiva Ford draws from his vast experience in scientific glassblowing to create perfect miniatures of wine glasses, beakers, and ribbon-striped vases, some scarcely an inch tall. A member of the American Scientific Glassblowers Society, Kiva creates instruments for scientists who require one-of-a-kind designs for various experiments. The same techniques and tools used for scientific equipment also apply to his artistic practice including the miniature works you see here, as well as larger sculptures, and ornate drinkware.
First Flakes of Winter; Mixed Media 2010; 9″ x 2″ x 2.5″
Started From The Bottom Now We Here pt2; Mixed Media 2013; 9″ x 2″ x 2.5″
Banksy Is Your Gran; Mixed Media, 3volt filament bulb 2015; 2.25″ x 2″ x 2.5″
El Torero; Mixed Media 2013; 4″ x 4″ x 4.5″
Summer in the Winter; Mixed Media 2013; 3″ x 2″ x 2.5″
Frolic; Mixed Media 2013; 3″ x 2″ x 2.5″
The Troubadour II; Mixed Media 2014; 1″ x 1″ x 1.5″
Der Stuhl. Die Puppe. Das Entartete. Das Genie; Mixed Media 2013; 2.5″ x 3″ x 3.25″
Ornate jewelry boxes set the stage for tiny painted scenes filled with nearly-microscopic human figurines. The boxes are meticulously crafted by Canadian-Trinidadian artist Talwst, who uses mixed media to explore the narrative of art history in combination with elements of contrasting cultures. Although his vintage boxes may cast an ancient light on the scene, the boxes encapsulate a present day cultural commentary through their arrangements.
Talwst works out of his studio in Toronto, Ontario and has a solo exhibition at the Art Gallery of Mississauga through April 12th. TALWST will also be collaborating with VICE magazine this year to produce a body of work that will appear on newsstands this September. (via BOOOOOOOM)
Postcards for Ants is an ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013. The artist works with paint brushes, pencils, and bare eyes to render superbly detailed paintings scarcely larger than a small coin. After the first year, Loots relaunched the project in a second phase inspired by Cape Town’s designation as World Design Capital 2014. On her website you can “reserve” a future painting (it’s all booked up for this year), and she’s also printed five limited edition postcards for each day. You can watch her work and hear a bit more about her inspiration in the video below by Gareth Pon, and she also regularly updates on Facebook. Hopefully we’ll see a 2015 project? (via Lustik)
Created by artist Maico Akiba, these lumbering toy mammals, dinosaurs, and reptiles carry the burden of miniature worlds that seem to have sprouted from their backs. Akiba uses model making materials commonly used for train sets to build each scene which appear post-apocalyptic in nature. Johnny at Spoon & Tamago keenly observes that, in a way, they resemble a reverse Noah’s Ark. The project is titled SEKAI (Japanese for “world”), and you can see more here. (via Spoon & Tamago)
Artist Isaac Cordal (previously) is well-known for his creation and placement of miniature cement figures in public places around the world as part of an ongoing series called Cement Eclipses. While the meaning behind each tiny sculpture is intentionally ambiguous, it’s impossible to look at each piece without imagining a story. The pieces often appear in scenes of mourning or despair, as part of what Cordal says is commentary on humankind’s disregard for nature and as foreshadowing of potential consequences. From his artist statement:
Isaac Cordal is sympathetic toward his little people and you can empathize with their situations, their leisure time, their waiting for buses and even their more tragic moments such as accidental death, suicide or family funerals. The sculptures can be found in gutters, on top of buildings, on top of bus shelters; in many unusual and unlikely places.
From onion peels to kiwi seeds or even bits of chocolate, it seems any canvas is sufficient for Turkish artist Hasan Kale (previously) as long as it meets the requirement of being incredibly tiny. Hasan delights in the challenge of depicting landscapes of his native Istanbul in the most infinitesimal of brush strokes, a feat that requires the use of a magnifying glass to appreciate the details of each piece. While the longevity of each object he paints is questionable, the steadiness of his hand is impressive to witness. See much more over on Facebook. (via Illusion)